John Stango | |
|---|---|
 | |
| Born | August 9, 1958 Philadelphia, Pennsylvania, United States |
| Education | Bachelor of Fine Arts, Tyler School of Art at Temple University |
| Known for | Printmaker, artist, painter |
| Movement | Pop art |
John Stango (born August 9, 1958) is an American pop artist. [1]
Born and raised in urban Philadelphia, Stango attended Tyler School of Art at Temple University and graduated with a Bachelor of Fine Arts in Painting and Graphic Design. After graduation, Stango was hired by Macy's and Bloomingdale's department stores as a visual merchandiser and display artist. Later, Stango began to create silk screen T-shirts. Eventually he turned his attention and energy to painting full-time. [2] [3]
Currently he works out of a historic warehouse outside of Philadelphia. Stango paints in the vein of such artists as Andy Warhol, Jean-Michel Basquiat, Robert Rauschenberg, Roy Lichtenstein, LeRoy Neiman, and Peter Max. Newspapers, retro advertising, pop icons, B-movies, mid-century modernism, magazines, noir films, vintage signage and pop-culture inspire his works. Batman and Elvis, Audrey Hepburn and Lucky Strike, and Mickey Mouse and Heineken are some of the well-known subjects of Stango's paintings. [2] [4] [5]
His paintings are shown in galleries across America, as well as in other countries including Sweden and Japan. [6] His work has been purchased by a number of notable individuals such as Nicole Miller, [7] Allen Iverson, [8] Adam Marks in 2003, and Governor Ed Rendell, [9] and Swizz Beatz. [10] In addition to selling his art, John also engages in philanthropy, using his paintings and proceeds to benefit charities. [11] [12] [13] [14]
Washington Post arts reporter Mark Jenkins wrote in a July 18, 2015 article, "In the world that Andy Warhol, Jasper Johns, Robert Rauschenberg and Roy Lichtenstein wrought, is it still possible to be a pop artist? Some may doubt it, but not John Stango." Jenkins draws out the similarities and differences between Stango's work and the works of his biggest influences. "Stango depicts such mid-'60s idols as John F. Kennedy, Muhammad Ali and Marilyn Monroe – as well as superheroes and commercial insignias – with a mixture of reverence and giddiness," Jenkins writes. "Where Warhol did Brillo boxes and Campbell's soup cans, his successor goes for Cadillac, Chanel, Abolut – and Campbell's soup cans." Stango's mother, Frances Rockwell, and his cousin, famed American artist Norman Rockwell, would be proud.
These works depict retro stewardess, employing such titles as "The Stewardess", Playgirl After Dark", "Southern Comfort". Most are titled after current day stewardess, notably Wendy, Judi, Ginger, Mimi, Buttercup, Kori, and Patrick (depicted as a female in the painting and dedicated to a cross-dressing steward[ess]). Judi was painted in honor of Judi Martino, a true '50s and '60s stewardess and the wife of singer Al Martino. John plans to continue this series especially following the popularity of ABC's Pan Am . [4]
Roy Fox Lichtenstein was an American pop artist. During the 1960's, along with Andy Warhol, Jasper Johns, and James Rosenquist, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. His artwork was considered to be "disruptive". He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City.
Jasper Johns is an American painter, sculptor, draftsman, and printmaker. Considered a central figure in the development of American postwar art, he has been variously associated with abstract expressionism, Neo-Dada, and pop art movements.
Pop art is an art movement that emerged in the United Kingdom and the United States during the mid- to late-1950s. The movement presented a challenge to traditions of fine art by including imagery from popular and mass culture, such as advertising, comic books and mundane mass-produced objects. One of its aims is to use images of popular culture in art, emphasizing the banal or kitschy elements of any culture, most often through the use of irony. It is also associated with the artists' use of mechanical means of reproduction or rendering techniques. In pop art, material is sometimes visually removed from its known context, isolated, or combined with unrelated material.
Elaine Frances Sturtevant, also known professionally as Sturtevant, was an American artist. She achieved recognition for her carefully inexact repetitions of other artists' works.
Events from the year 1964 in art.
Leo Castelli was an Italian-American art dealer who originated the contemporary art gallery system. His gallery showcased contemporary art for five decades. Among the movements which Castelli showed were Surrealism, Abstract Expressionism, Neo-Dada, Pop Art, Op Art, Color field painting, Hard-edge painting, Lyrical Abstraction, Minimal Art, Conceptual Art, and Neo-expressionism.
Campbell's Soup Cans is a work of art produced between November 1961 and June 1962 by the American artist Andy Warhol. It consists of thirty-two canvases, each measuring 20 inches (51 cm) in height × 16 inches (41 cm) in width and each consisting of a painting of a Campbell's Soup can—one of each of the canned soup varieties the company offered at the time. The works were Warhol's hand-painted depictions of printed imagery deriving from commercial products and popular culture and belong to the pop art movement.
Ileana Sonnabend was a Romanian-American art dealer of 20th-century art. The Sonnabend Gallery opened in Paris in 1962 and was instrumental in making American art of the 1960s known in Europe, with an emphasis on American pop art. In 1970, Sonnabend Gallery opened in New York on Madison Avenue, and in 1971 relocated to 420 West Broadway in SoHo where it was one of the major protagonists that made SoHo the international art center it remained until the early 1990s. The gallery was instrumental in making European art of the 1970s known in America, with an emphasis on European conceptual art and Arte Povera. It also presented American conceptual and minimal art of the 1970s. In 1986, the so-called "Neo-Geo" show introduced, among others, the artist Jeff Koons. In the late 1990s, the gallery moved to Chelsea and continues to be active after Sonnabend's death. The gallery goes on showing the work of artists who rose to prominence in the 1960s and 1970s including Robert Morris, Bernd and Hilla Becher and Gilbert & George as well as more recent artists including Jeff Koons, Rona Pondick, Candida Höfer, Elger Esser, and Clifford Ross.
Whaam! is a 1963 diptych painting by the American artist Roy Lichtenstein. It is one of the best-known works of pop art, and among Lichtenstein's most important paintings. Whaam! was first exhibited at the Leo Castelli Gallery in New York City in 1963, and purchased by the Tate Gallery, London, in 1966. It has been on permanent display at Tate Modern since 2006.
The Foundation for Contemporary Arts (FCA), is a nonprofit based foundation in New York City that offers financial support and recognition to contemporary performing and visual artists through awards for artistic innovation and potential. It was established in 1963 as the Foundation for Contemporary Performance Arts by artists Jasper Johns, John Cage, and others.
Eddy Novarro was a photographer, a collector, and a cosmopolitan. He dedicated his work to the great artists of the 20th century. Important painters and sculptors such as Pablo Picasso, Marcel Duchamp, Hans Arp, Joseph Beuys and Robert Rauschenberg were among Novarro's friends. He photographed them repeatedly. At first, his first wife, Nana (Renate) Novarro, an artist too, was the one who made most of the appointments with the great artists for Eddy, and later on his last wife, Tatiana Grigorieva Novarro, managed the appointments. Eddy and Nana received paintings and the artists added "For Nana and Eddy" – today a respectful collection.
Look Mickey is a 1961 oil on canvas painting by Roy Lichtenstein. Widely regarded as the bridge between his abstract expressionism and pop art works, it is notable for its ironic humor and aesthetic value as well as being the first example of the artist's employment of Ben-Day dots, speech balloons and comic imagery as a source for a painting. The painting was bequeathed to the Washington, D.C., National Gallery of Art upon Lichtenstein's death.
Drowning Girl is a 1963 American painting in oil and synthetic polymer paint on canvas by Roy Lichtenstein, based on original art by Tony Abruzzo. The painting is considered among Lichtenstein's most significant works, perhaps on a par with his acclaimed 1963 diptych Whaam!. One of the most representative paintings of the pop art movement, Drowning Girl was acquired by the Museum of Modern Art in 1971.
Brushstrokes series is the name for a series of paintings produced in 1965-1966 by Roy Lichtenstein. It also refers to derivative sculptural representations of these paintings that were first made in the 1980s. In the series, the theme is art as a subject, but rather than reproduce masterpieces as he had starting in 1962, Lichtenstein depicted the gestural expressions of the painting brushstroke itself. The works in this series are linked to those produced by artists who use the gestural painting style of abstract expressionism made famous by Jackson Pollock, but differ from them due to their mechanically produced appearance. The series is considered a satire or parody of gestural painting by both Lichtenstein and his critics. After 1966, Lichtenstein incorporated this series into later motifs and themes of his work.
Portrait of Madame Cézanne is a 1962 pop art painting by Roy Lichtenstein. It is a quotation of Erle Loran's diagram of one of Paul Cézanne's 27 portraits of his wife Marie-Hortense Fiquet, now in the Barnes Foundation, Philadelphia. It was one of the works exhibited at Lichtenstein's first solo exhibition in Los Angeles. The work became controversial in that it led to a reconsideration of what constitutes art.
In the Car is a 1963 pop art painting by Roy Lichtenstein. The smaller, older of the two versions of this painting formerly held the record for highest auction price for a Lichtenstein painting. The larger version has been in the collection of the Scottish National Gallery of Modern Art in Edinburgh since 1980.
Ivan C. Karp was an American art dealer, gallerist and author instrumental in the emergence of pop art and the development of Manhattan's SoHo gallery district in the 1960s.
Crying Girl is the name of two different works by Roy Lichtenstein: a 1963 offset lithograph on lightweight, off-white wove paper and a 1964 porcelain enamel on steel.
Steven Alan Kaufman was an American pop artist, fine artist, sculptor, stained glass artist, filmmaker, photographer and humanitarian. His entry into the world of serious pop art began in his teens when he became an assistant to Andy Warhol at The Factory studio, who nicknamed him "SAK". Kaufman eventually executed such pieces as a 144-foot-long canvas which later toured the country.
The Mayor Gallery is an art gallery located in Cork Street, London, England. Since its foundation by Fred Mayor in partnership with Douglas Cooper in 1925, it has promoted modern and contemporary art. Since the early 1970s, under the new impulse given by James Mayor, Fred Mayor's son, the Gallery started to focus actively on the work of contemporary American artists from the Pop art movement but also Conceptual art and Abstract expressionism such as Eva Hesse, Roy Lichtenstein, Agnes Martin, Claes Oldenburg, Robert Rauschenberg, Robert Ryman, Cy Twombly and Andy Warhol. More recently, taking further its interest for Minimal art and Dada, the Gallery has been promoting artists of the international Zero (art) movement, including Heinz Mack, Otto Piene amongst others.