John Young is an electroacoustic music composer born on 4 March 1962 in Christchurch, New Zealand. He lives in Leicester, UK.
He studied at the University of Canterbury, completing a doctorate on the manipulation of environmental sound sources in electroacoustic music. [1] In 1989, with the assistance of the Queen Elizabeth II Arts Council of New Zealand (now the Creative New Zealand), he travelled to the UK to further his studies of electroacoustic music composition working privately in the studios of the University of East Anglia with Denis Smalley.
He returned to New Zealand in 1990 to take up a position at Victoria University of Wellington where he became a Senior Lecturer and Director of the Electroacoustic Music Studios. In November 2000 he joined the Music, Technology and Innovation Research Centre at De Montfort University in Leicester (UK) where he became Professor of Composition. [2]
His main interest in composition continues to be in acousmatic music, particularly forms based on the interplay between recognizable natural sound sources and computer-based studio transformations, but also combines electroacoustics with instrumental media.
He has received a number of international awards, including First Prize in the 1996 Stockholm Electronic Arts Award (Sweden) (for his work Inner), a First Prize in the 34th Bourges International Electroacoustic Music and Sonic Art Competition (France, 2007) (for Ricordiamo Forlì) and Second Prize in the 4th Concurso Internacional de Música Eletroacústica de São Paulo (CIMESP ’01, Brazil) (for Liquid Sky). [3]
He has been a visiting composer at San Jose State University (CA, USA), Simon Fraser University (Vancouver), the Groupe de recherches musicales (GRM, Paris, France), the iM-PACT Center of the University of Missouri-Kansas City (UMKC) (MO, USA) and, with the assistance of the Swedish Institute, at EMS (Stockholm, Sweden). He has also given invited concerts and talks at many other places around the world, including well-known BEAST series in Birmingham (UK), at the Ai-maako festival (Santiago, Chile) and Sonoimágenes (Remedios de Escalada / Buenos Aires, Argentina).
Ned Bouhalassa is a composer of film scores, television scores, and electroacoustic music. Bouhalassa is a Canadian citizen, and has been living in Montreal since 1967.
Denis Arthur Smalley is a composer of electroacoustic music, with a special interest in acousmatic music.
Hildegard Westerkamp is a Canadian composer, radio artist, teacher, and sound ecologist. She is known for her contributions to and development of acoustic ecology, soundscape composition, and soundwalks, particularly through her work on the World Soundscape Project in the 1970s-'80s. She has written extensively on these topics for journals and conferences, including Organised Sound.
Francis Dhomont was a French composer, a pioneer of electroacoustic and acousmatic music who worked and taught both in France and in Québec.
Monty Adkins is a composer, performer and lecturer in electroacoustic music.
Christian Calon is a French-born Canadian composer who is active in electroacoustic music. He has worked extensively in large computer-based studios in Canada and Europe and has received commissions from the Canada Council, the Groupe de Musique Expérimentale de Marseille, and the Ministère des Affaires culturelles du Québec. His work is written in an expressionist and narrative style and his pieces are characterized by acousmatic diffusion.
Darren Copeland is an electroacoustic music composer born June 18, 1968, in Bramalea, Ontario, Canada, and currently living in Brampton, Ontario, Canada.
Yves Daoust is a Canadian composer who is particularly known for his works of electroacoustic music. He currently resides in Montréal.
Paul Dolden, is an electroacoustic music composer, currently living in Montréal, Canada.
Louis Dufort is a Canadian composer of electroacoustic music. He was born and lives in Montréal, Canada.
Gilles Gobeil is an electroacoustic music composer from Sorel-Tracy, Quebec, Canada, and currently living in Montreal, Quebec, Canada. Gobeil received his musical education at the Université de Montréal. Gobeil is professor for music theory at the Cégep de Drummondville and was guest professor for electro-acoustics at the Université de Montréal and at the Conservatoire de Montréal.
Jonty Harrison is an electroacoustic music composer born 27 April 1952 in Scunthorpe, and currently living in Birmingham, England.
Robert Normandeau is a Canadian electroacoustic music composer.
Åke Parmerud is a Swedish composer, musician, and multimedia artist noted for his acoustic and electronic works, which have been performed mostly in Europe, Mexico, and Canada. He is also noted for the design of stage and acoustics as well as interactive media and software. He has received recognition for his work from a number of festivals in Europe and has won two Swedish Grammis awards. He has been a member of the Royal Swedish Academy of Music since 1998.
Stéphane Roy is an acousmatic composer. His art esthetics allow him, after thorough experimentations with sound materials, to extract expressive properties and give these works teleological motion. His works have been programmed throughout Europe and the Americas. His latest album, L’inaudible, received the 2019-2020 Prix Opus — Album of the year, Electroacoustic Music.
Pete Stollery is a British composer, specialising in electroacoustic music.
Adrian Moore is an electroacoustic music composer born January 1969 in Nottingham, UK, and currently living in Sheffield, UK. He is director of the University of Sheffield Sound Studios.
Simon Emmerson is an electroacoustic music composer working mostly with live electronics. He was born in Wolverhampton, UK, on 15 September 1950.
Andrew Hugill is a British composer, writer and academic. He is both a professor of music and a professor of creative computing. He directs the Creative Computing programme at University of Leicester.
Natasha Barrett is a British contemporary music composer specialising in electroacoustic art music. Her compositional aesthetics are derived from acousmatic issues. In addition to acousmatic concert music, she composes for instruments, live electronics, sound installations, multi-media works, real-time computer music improvisation, has made soundscapes for exhibitions, and music for contemporary dance and theater. Since 2000 her work has been influenced by spatialisation as a musical parameter, and the projection of 3-D sound-fields. She currently lives in Norway.