Philip Fruytiers (1610–1666) was a Flemish Baroque painter and engraver. Until the 1960s, he was especially known for his miniature portraits in watercolor and gouache. Since then, several large canvases signed with the monogram PHF have been ascribed to him. These new findings have led to a renewed appreciation for his contribution to the Antwerp Baroque.
Abraham Janssens I, Abraham Janssen I or Abraham Janssens van Nuyssen (1575–1632) was a Flemish painter, who is known principally for his large religious and mythological works, which show the influence of Caravaggio. He was the leading history painter in Flanders prior to the return of Rubens from Italy.
Léon Spilliaert was a Belgian symbolist painter and graphic artist.
Roger Henri Kamiel, Knight Raveel was a Belgian painter, whose work is often associated with pop art because of its depiction of everyday objects. Raveel's style evolved throughout his career, from abstract to figurative.
The Royal Museum of Fine Arts Antwerp is a museum in Antwerp, Belgium, founded in 1810, that houses a collection of paintings, sculptures and drawings from the fourteenth to the twentieth centuries. This collection is representative of the artistic production and the taste of art enthusiasts in Antwerp, Belgium and the Northern and Southern Netherlands since the 15th century.
The Royal Academy of Fine Arts Antwerp is an art academy located in Antwerp, Belgium. It is one of the oldest of its kind in Europe. It was founded in 1663 by David Teniers the Younger, painter to the Archduke Leopold Wilhelm and Don Juan of Austria. Teniers was master of the Guild of St Luke—which embraced arts and some handicrafts—and petitioned Philip IV of Spain, then master of the Spanish Netherlands, to grant a royal charter to establish a Fine Arts Academy in Antwerp. It houses the Antwerp Fashion Academy.
Lancelot Blondeel, also Lanceloot, was a Flemish artist active in Bruges. He worked as a painter, architect, city planner, surveyor and cartographer, and designed sculptures, tapestries and jewelry.
Wouter Pietersz. Crabeth II was a Dutch Golden Age painter.
The Old Folks Sing, the Young Folks Chirp is a 1638–1640 oil-on-canvas painting by the Flemish artist Jacob Jordaens, now in the Royal Museum of Fine Arts Antwerp. He painted several works with this title, a Dutch proverb – this is the earliest of them, whilst another is now in Valenciennes.
A Cabinet of Curiosities is a 1619 oil on panel painting of a cabinet of curiosities by the Flemish painter Frans Francken the Younger. It is now in the Royal Museum of Fine Arts, Antwerp, which bought it in 1903 from the Antwerp-based art dealer Joseph Hallyn.
Gaston and His Sister is a 1923 Expressionist oil on canvas painting by the Flemish artist Gustave Van de Woestijne, now in the Royal Museum of Fine Arts, Antwerp.
Laurys Gillis or Laurent Gillis was a Flemish sculptor who was active in Antwerp in the first half of the 18th century. He worked for a long time in the workshop of the prominent Antwerp sculptor Michiel van der Voort the Elder. He is known for statues of historical and biblical figures, Christian saints and allegorical respresentations.
Adriaen van Overbeke, Adrian van Overbeck and Adriaen van Overbeke was a Flemish Renaissance painter in the style of Antwerp Mannerism. He operated a large workshop with an important output of altarpieces, which were mainly exported to Northern France, the Rhineland and Westphalia. His known works were predominantly polychromed wooden altarpieces with painted shutters, which were created through a collaboration between painters and sculptors.
Jacob Herreyns or Jacob Herreyns (I) Antwerp, baptized on 23 December 1643 – Antwerp, 1 January 1732) was a Flemish painter, printmaker and designer of tapestries. He worked in Antwerp where he painted many altarpieces. He was a known staffage painter who added the figures in the landscapes of other artists. As a printmaker, he produced mostly prints of mythological subjects. He held also the position of 'muntmeester' (mint master) of Brabant.
The Parisian Sphinx is an oil-on-canvas painting by Belgian painter Alfred Stevens. Painted between 1875 and 1877, it depicts a dreamy young woman gently supporting her head with her hand. The painting is part of the permanent collection of the Royal Museum of Fine Arts in Antwerp. The Parisian Sphinx shows the influence of Vermeer and the other Netherlandish old masters on Stevens, and testifies to the Symbolist influence in the latter's day. It incorporates a harmonious juxtaposition of superficial Dutch realism with the spreading Symbolist manner, as opposed to the bottom-up, pluralistic symbolism of the declining Romanticism.
Portrait of Stephan Geraedts, Husband of Isabella Coymans is an oil on canvas painting by Dutch Golden Age painter Frans Hals. The painting was originally part of a couple of pendant wedding portraits. Hals probably painted the present portrait, Stephanus Geraerdts', alderman in Haarlem, and the accompanying portrait of the latter's wife Isabella Coymans around 1650–1652, six or seven years after their marriage in 1644. Isabella's portrait is now in a private collection in Paris.
Self-Portrait is an oil-on-canvas painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres. The painting measures 25.2 x 20.9 inches and is part of the permanent collection of the Royal Museum of Fine Arts in Antwerp. This painting is one of the last portraits by Ingres.
The Preacher Eleazar Swalmius is a 1637 oil-on-canvas painting by the Dutch artist Rembrandt. It is currently owned by the Royal Museum of Fine Arts in Antwerp. The painting has been certified a real Rembrandt. The painting was listed in 1727 in the catalog of the Duke of Orléans collection, as a portrait of an Amsterdam mayor by Rembrandt. It remained in the noble family's possession until 1792, when Duke Louis-Philippe-Joseph sold the entire collection to finance his political career and pay off debts. The painting passed through several English collections into the hands of the Bourgeois brothers, art dealers from Cologne, who sold the painting as an original Rembrandt to the museum in 1886. The painting was stored away for a long time due to doubts cast over its authenticity.
The Man in the Chair is an oil on canvas painting by Belgian painter Henri de Braekeleer. The painting is currently housed at the Royal Museum of Fine Arts in Antwerp.
