Jon Hendricks (artist)

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Jon Hendricks
Born1939 (age 8687)
EducationStudied at Atelier 17 with Stanley William Hayter
Known forArtist, curator, political activist
MovementFluxus
PatronsGilbert and Lila Silverman

Jon Hendricks (born 1939) is an American artist, curator and political activist. Since 2008, he has served as the Fluxus Consulting Curator of the Gilbert and Lila Silverman Collection at the Museum of Modern Art (MoMA). [1] [2] [3]

Contents

Art and activism

Hendricks' art career began in the late 1950s. He moved to Paris in 1959 and studied at Atelier 17 with Stanley William Hayter. [2] In the mid-1960s, he was the director of the basement gallery at Judson Memorial Church in Greenwich Village, where he also performed and took part in happenings. [4] Hendricks founded the Guerrilla Art Action Group with Jean Toche in 1969, and is credited as a member of the Art Workers' Coalition. [5] [6] [7] [8] [9] In November 1970, he joined Toche and fellow artist Faith Ringgold in an exhibition at the Judson Church called the People's Flag Show, which resulted in a police raid and the artists' arrest for flag desecration. [10] [11]

Curatorial and archival work

In 1981, Hendricks was enlisted by Gilbert and Lila Silverman to curate their collection of Fluxus documentation. [1] [2] He organized an exhibition of items from the Silverman collection at MoMA in 1988, which were on view in the Museum Library, two decades before the collection itself was donated to MoMA in 2008. [1] [2] In addition, he is a friend and artistic collaborator of Yoko Ono, serving as her curator and archivist since the late 1980s. [12] [13] [14] [15]

References

  1. 1 2 3 "The Museum of Modern Art Acquires the Gilbert and Lila Silverman Collection of Fluxus Art [Press Release]" (PDF). The Museum of Modern Art. MoMA Department of Communications. February 13, 2009.{{cite web}}: CS1 maint: others (link)
  2. 1 2 3 4 Conaty, Kim; Hendricks, Jon (November 13, 2015). "'By the way, what's Fluxus?': Jon Hendricks on the Formation of the Gilbert and Lila Silverman Fluxus Collection". post: notes on art in a global context (MoMA). Retrieved January 18, 2023.
  3. Waldow, Jennie (June 20, 2014). "Talking John Cage with David Platzker and Jon Hendricks". Inside/Out (MoMA). Retrieved January 18, 2023.
  4. Kimmelman, Michael (May 2, 1997). "Art in Review". The New York Times. ISSN   0362-4331 . Retrieved January 18, 2023.
  5. 19XX-, Baker, George 1970- Bryan-Wilson, Julia 1973- Burton, Johanna 19XX- Butler, Ann. Butt, Gavin Ellegood, Anne ca. 20. Jh. English, Darby. Erickson, Ruth. Morinis, Leora. Peipon, Corrina Taylor, Marvin J. (2014). Take it or leave it : institution, image, ideology ; [publ. on the occasion of the exhibition ... Hammer Museum, Los Angeles, February 8 - May 18, 2014]. Prestel. ISBN   978-3-7913-5342-5. OCLC   888725450.{{cite book}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
  6. "Irving Petlin, Jon Hendricks, Frazer Dougherty, Ronald L. Haeberle, Emilio Ambasz. Q. And babies? A. And babies.. 1970 | MoMA". The Museum of Modern Art. Retrieved January 18, 2023.
  7. "Collection Information: Oral history interview with Jon Hendricks and Jean Toche, 1972 December 13". Archives of American Art, Smithsonian Institution. December 13, 1972. Retrieved January 18, 2023.
  8. Moore, Alan (2004). "General Introduction to Collectivity in Modern Art". The Journal of Aesthetics & Protest. 1 (3).
  9. Frascina, Francis (1995). "Meyer Schapiro's Choice: My Lai, Guernica, MOMA and the Art Left, 1969-70" . Journal of Contemporary History. 30 (3): 481–511. doi:10.1177/002200949503000306. ISSN   0022-0094. JSTOR   261159. S2CID   220874492.
  10. "The Opening of the People's Flag Show (9 November 1970) | 1968 @ 50". aap68.yale.edu. Retrieved January 18, 2023.
  11. "FLAG SHOW ARTISTS FINED $100 APIECE". The New York Times. May 25, 1971. ISSN   0362-4331 . Retrieved January 18, 2023.
  12. Pryor, John-Paul (March 5, 2010). "Jon Hendricks". AnOther. Retrieved January 18, 2023.
  13. Rhee, Jieun (2005). "Performing the Other: Yoko Ono's Cut Piece" . Art History. 28 (1): 96–118. doi:10.1111/j.0141-6790.2005.00455.x. ISSN   0141-6790.
  14. Basar, Shumon (2000). "Review of YES Yoko Ono". AA Files (43): 84–86. ISSN   0261-6823. JSTOR   29544224.
  15. Yamamura, Midori; Biesenbach, Klaus; Cherix, Christophe; Bryan-Wilson, Julia; Ono, Yoko; Yoshimoto, Midori (2015). "Review of Yoko Ono: One Woman Show, 1960-1971, BiesenbachKlaus, CherixChristophe, Bryan-WilsonJulia, OnoYoko, YoshimotoMidori". Woman's Art Journal. 36 (2): 43–45. ISSN   0270-7993. JSTOR   26430656.