Jon Hendricks | |
---|---|
Born | 1939 |
Nationality | American |
Education | Studied at Atelier 17 with Stanley William Hayter |
Known for | Artist, curator, political activist |
Movement | Fluxus |
Patron(s) | Gilbert and Lila Silverman |
Jon Hendricks (born 1939) is an American artist, curator and political activist. Since 2008, he has served as the Fluxus Consulting Curator of the Gilbert and Lila Silverman Collection at the Museum of Modern Art (MoMA). [1] [2] [3]
Hendricks' art career began in the late 1950s. He moved to Paris in 1959 and studied at Atelier 17 with Stanley William Hayter. [2] In the mid-1960s, he was the director of the basement gallery at Judson Memorial Church in Greenwich Village, where he also performed and took part in happenings. [4] Hendricks founded the Guerrilla Art Action Group with Jean Toche in 1969, and is credited as a member of the Art Workers' Coalition. [5] [6] [7] [8] [9] In November 1970, he joined Toche and fellow artist Faith Ringgold in an exhibition at the Judson Church called the People's Flag Show, which resulted in a police raid and the artists' arrest for flag desecration. [10] [11]
In 1981, Hendricks was enlisted by Gilbert and Lila Silverman to curate their collection of Fluxus documentation. [1] [2] He organized an exhibition of items from the Silverman collection at MoMA in 1988, which were on view in the Museum Library, two decades before the collection itself was donated to MoMA in 2008. [1] [2] In addition, he is a friend and artistic collaborator of Yoko Ono, serving as her curator and archivist since the late 1980s. [12] [13] [14] [15]
Yoko Ono is a Japanese multimedia artist, singer, songwriter, and peace activist. Her work also encompasses performance art and filmmaking.
Fluxus was an international, interdisciplinary community of artists, composers, designers, and poets during the 1960s and 1970s who engaged in experimental art performances which emphasized the artistic process over the finished product. Fluxus is known for experimental contributions to different artistic media and disciplines and for generating new art forms. These art forms include intermedia, a term coined by Fluxus artist Dick Higgins; conceptual art, first developed by Henry Flynt, an artist contentiously associated with Fluxus; and video art, first pioneered by Nam June Paik and Wolf Vostell. Dutch gallerist and art critic Harry Ruhé describes Fluxus as "the most radical and experimental art movement of the sixties".
Alfred Earl "Al" Hansen was an American artist. He was a member of Fluxus, a movement that originated on an artists' collective around George Maciunas.
George Maciunas was a Lithuanian American artist, born in Kaunas. A founding member and the central coordinator of Fluxus, an international community of artists, architects, composers, and designers, he is most famous for organising and performing early happenings and for assembling a series of highly influential artists' multiples.
Kristine Stiles is the France Family Distinguished Professor of Art, Art History and Visual Studies at Duke University. She is an art historian, curator, and artist specializing in global contemporary art and trauma. Her most recent book is Concerning Consequences: Studies in Art, Destruction, and Trauma, University of Chicago Press, 2016. She is best known for her scholarship on artists’ writings, performance art, feminism, destruction and violence in art, and trauma in art. Stiles joined the faculty of Duke in 1988, and she has taught at the University of Bucharest and Venice International University. She received the Richard K. Lublin Distinguished Award for Undergraduate Teaching Excellence in 1994, and the Dean's Award for Excellence in Graduate Mentoring in 2011, both at Duke University. Among other fellowships and awards include a J. William Fulbright Fellowship in 1995, a Solomon R. Guggenheim Fellowship in 2000, and an Honorary Doctorate from Dartington College of Arts in Totnes, Devon, England in 2005.
Shigeko Kubota was a Japanese video artist, sculptor and avant-garde performance artist, who mostly lived in New York City. She was one of the first artists to adopt the portable video camera Sony Portapak in 1970, likening it to a "new paintbrush." Kubota is known for constructing sculptural installations with a strong DIY aesthetic, which include sculptures with embedded monitors playing her original videos. She was a key member and influence on Fluxus, the international group of avant-garde artists centered on George Maciunas, having been involved with the group since witnessing John Cage perform in Tokyo in 1962 and subsequently moving to New York in 1964. She was closely associated with George Brecht, Jackson Mac Low, John Cage, Joe Jones, Nam June Paik, and Ay-O, among other members of Fluxus. Kubota was deemed "Vice Chairman" of the Fluxus Organization by Maciunas.
The mid-20th-century art movement Fluxus had a strong association with Rutgers University.
Geoffrey Hendricks was an American artist associated with Fluxus since the mid 1960s. He was professor of art at Douglass College, Rutgers University, where he taught from 1956 to 2003 and was associated with Fluxus at Rutgers University, Allan Kaprow, Roy Lichtenstein, and Lucas Samaras during the 1960s.
North Moore Street is a moderately trafficked street in TriBeCa, a neighborhood in the New York City borough of Manhattan. It runs roughly east–west between West Broadway and West Street. Automotive traffic is westbound only.
Takao Iijima, better known by his art name Ay-O, is a Japanese avant-garde visual and performance artist who has been associated with Fluxus since its international beginnings in the 1960s.
Joe Jones (1934–1993) was an American avant-garde musician associated with Fluxus, especially known for his creation of rhythmic music machines.
Spice Chess is an artist's multiple by the Japanese artist Takako Saito, while she was resident in the United States. Originally manufactured winter 1964–65, and offered for sale March 1965, the work is one of a famous series of disrupted chess sets referred to as Fluxchess or Flux Chess, made for George Maciunas' Fluxshop at his Canal Street loft, SoHo, New York City and later through his Fluxus Mail-Order Warehouse.
"Takako Saito engaged with Duchamp's practice but also with masculinist cold war metaphors by taking up chess as a subject of [her] art. Saito's fluxchess works... question the primacy of vision to chess, along with notions of perception and in aesthetic experience more generally.... Her "Smell Chess," "Sound Chess" and "Weight Chess" reworked the game of chess so that players would be forced to hone non-visual perception, such as the olfactory sense, tactility, and aurality, in order to follow chess rules." Claudia Mesch
Takako Saito is a Japanese artist closely associated with Fluxus, the international collective of avant-garde artists that was active primarily in the 1960s and 1970s. Saito contributed a number of performances and artworks to the movement, which continue to be exhibited in Fluxus exhibitions to the present day. She was also deeply involved in the production of Fluxus edition works during the height of their production, and worked closely with George Maciunas.
Eric Andersen is a Danish artist associated with the Fluxus art movement. He lives in Copenhagen, Denmark.
Klaus Biesenbach is a German curator and museum director. He is the Director of the Neue Nationalgalerie, with Berggruen Museum and Scharf-Gerstenberg Collection, as well as the Berlin Museum of Modern Art under construction, Museum des 20. Jahrhunderts.
Mieko Shiomi is a Japanese artist, composer, and performer who played a key role in the development of Fluxus. A co-founder of the seminal postwar Japanese experimental music collective Group Ongaku, she is known for her investigations of the nature and limits of sound, music, and auditory experiences. Her work has been widely circulated as Fluxus editions, featured in concert halls, museums, galleries, and non-traditional spaces, as well as being re-performed by other musicians and artists numerous times. She is best known for her work of the 1960s and early 1970s, especially Spatial Poem, Water Music, Endless Box, and the various instructions in Events & Games, all of which were produced as Fluxus editions. Now in her eighties, she continues to produce new work.
Wish Tree is an ongoing art installation series by Japanese artist Yoko Ono, started in 1996, in which a tree native to a site is planted under her direction. Viewers are usually invited to tie a written wish to the tree except during the winter months when a tree can be more vulnerable. Locations of the piece have included New York City, St. Louis, Wish Tree for Washington, DC, San Francisco, Pasadena, and Palo Alto, California, Tokyo, Venice, Paris, Dublin, London, Exeter, England, Finland and Buenos Aires, Argentina, Calgary.
Jean-Noël Herlin is an artist, active as a bookseller, archivist, curator, and appraiser born in occupied Paris, France on December 22, 1940.
Cut Piece 1964 is a pioneer of performance art and participatory work first performed by Yoko Ono on July 20, 1964, at the Yamaichi Concert Hall in Kyoto, Japan. It is one of the earliest and most significant works of the feminist art movement and Fluxus.
Jean Toche (1932-2018) was a Belgian-American abstract artist and poet involved in New York's radical political art scene.
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