Jon Wozencroft (born 1 June 1958, in Epsom, England) is a graphic designer, author and instructor.
Wozencroft founded Touch, an independent multimedia publishing company. [1] Between 1982 and 1986 Touch "released around 15 products, concentrating on producing interactive, audiovisual magazines such as Feature Mist and Touch Travel, both of which sold over 5000 copies without any advertising (which we could not afford)." [2] Touch is still active today.
In 1988 Wozencroft's book on his colleague Neville Brody was published as The Graphic Language of Neville Brody. Wozencroft and Brody went on to found and publish FUSE – an experimental publication of graphics and experimental fonts.
According to his biography, [3] Wozencroft has had extensive experience teaching design. He has been a lecturer at Central St Martins College of Art & Design and at the Royal College of Art, both in London. According to his RCA biography, "In 1994 he was appointed main tutor and assistant course director for MA Interactive Multimedia at the Royal College of Art. He is currently a Senior Tutor on the Visual Communication course at the Royal College of Art." [4]
Digital art can either be understood as any artistic work or practice that uses digital technology as part of the creative or presentation process, or more specifically as computational art that uses and engages with digital media.
Interactive art is a form of art that involves the spectator in a way that allows the art to achieve its purpose. Some interactive art installations achieve this by letting the observer or visitor "walk" in, on, and around them; some others ask the artist or the spectators to become part of the artwork.
Electronic art is a form of art that makes use of electronic media. More broadly, it refers to technology and/or electronic media. It is related to information art, new media art, video art, digital art, interactive art, internet art, and electronic music. It is considered an outgrowth of conceptual art and systems art.
Neville Brody is an English graphic designer, typographer and art director. He is known for his work on The Face magazine (1981–1986), Arena magazine (1987–1990), and designing record covers for artists such as Clock DVA, Cabaret Voltaire, The Bongos, 23 Skidoo and Depeche Mode. He created the company Research Studios in 1994 and is a founding member of Fontworks. His work is included in the permanent collection of the Museum of Modern Art (MoMA). He was the Dean of the School of Communication at the Royal College of Art, London until September 2018. He is now Professor of Communication.
(William) Andrew Coulthard Robinson is a British author and former newspaper editor.
Alex McDowell, RDI is a British narrative designer and creative director.
Nick Logan is an English journalist, editor and publisher.
Touch is a British audio-visual organisation, operating the Touch label. Touch was founded in 1982 by Jon Wozencroft and Mike Harding.
Christopher Richard Watson is an English musician and sound recordist specialising in natural history. He was a founding member of the musical group Cabaret Voltaire, and Watson's work as a wildlife sound recordist has covered television documentaries and experimental musical collaborations.
Frank Popper was a Czech-born French-British historian of art and technology and Professor Emeritus of Aesthetics and the Science of Art at the University of Paris VIII. He was decorated with the medal of the Légion d'honneur by the French Government. He is author of the books Origins and Development of Kinetic Art, Art, Action, and Participation, Art of the Electronic Age and From Technological to Virtual Art.
The Face is a British music, fashion, and culture monthly magazine originally published from 1980 to 2004, and relaunched in 2019.
Johanna Drucker is an American author, book artist, visual theorist, and cultural critic. Her scholarly writing documents and critiques visual language: letterforms, typography, visual poetry, art, and lately, digital art aesthetics. She is currently the Martin and Bernard Breslauer Professor in the Department of Information Studies at the Graduate School of Education and Information Studies at UCLA.
Malcolm Leslie Garrett is a British graphic designer, and Creative Director of Images&Co, a communications design consultancy based in London, UK. He is Ambassador for Manchester School of Art and co-founder of the annual Design Manchester festival, now in its eighth year.
Philip Alston Willcox Purvis, son of Melvin Purvis, is an American graphic designer, artist, professor and author.
Peter d'Agostino is an artist and a professor of Film and Media Arts, Temple University, Philadelphia.
kawamura-ganjavian, also known as studio kg, is an architecture and design studio based in Madrid, Spain + Lausanne Switzerland.
Alan Kitching RDI AGI Hon FRCA, is a practitioner of letterpress typographic design and printmaking. Kitching exhibits and lectures across the globe, and is known for his expressive use of wood and metal letterforms in commissions and limited-edition prints.
Max Bruinsma is a Dutch design critic, editor, curator, and educator.
Fetish Records was a British independent record label. Its artist roster consisted of largely early industrial, experimental, and post-punk groups. It was also a home to the early works of graphic designer Neville Brody, who created artwork for releases as art director for the label.