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Joseph Somers is an American artist and painter known for his canvases, three-dimensional in both their structure and illusion. [1] Somers opened his first shop in 1989.
His work has been featured at International Art Show Las Vegas and in Home Magazine . [2]
Somers was orphaned at a young age and was sent to an orphanage in upstate New York. He dropped out of high school during his teens to join the Army. [3] Somers would go on to complete his high school degree when he was 57, during which time he was diagnosed with a learning disorder. [4]
Somers's art has been influenced by artists such as Vincent van Gogh and Paul Gauguin, [4] as well as Escher and Dali. His style utilizes a technique that Somers uses to create the illusion of three dimensions. For his canvasses Somers utilizes a series of vertical wedges, usually three per work, painted in a realistic style on each side of the wedge. The images are arranged so that, when seen from one point, the images on the various wedges form a realistic whole with slight breaks in the visual field. His furniture is often whimsical with painted surfaces, anthropomorphic legs, and plant-like growths.[ citation needed ]
The history of painting reaches back in time to artifacts and artwork created by pre-historic artists, and spans all cultures. It represents a continuous, though periodically disrupted, tradition from Antiquity. Across cultures, continents, and millennia, the history of painting consists of an ongoing river of creativity that continues into the 21st century. Until the early 20th century it relied primarily on representational, religious and classical motifs, after which time more purely abstract and conceptual approaches gained favor.
Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century.
Patrick Joseph Caulfield,, was an English painter and printmaker known for his bold canvases, which often incorporated elements of photorealism within a pared-down scene. Examples of his work are Pottery and Still Life Ingredients.
Monochromatic painting has played a significant role in modern and contemporary Western visual art, originating with the early 20th-century European avant-gardes. Artists have explored the non-representational potential of a single color, investigating shifts in value, diversity of texture, and formal nuances as a means of emotional expression, visual investigation into the inherent properties of painting, as well as a starting point for conceptual works. Ranging from geometric abstraction in a variety of mediums to non-representational gestural painting, monochromatic works continue to be an important influence in contemporary art.
Lenore "Lee" Krasner was an American abstract expressionist painter, with a strong speciality in collage. She was married to Jackson Pollock. Although there was much cross-pollination between their two styles, the relationship somewhat overshadowed her contribution for some time. Krasner's training, influenced by George Bridgman and Hans Hofmann, was the more formalized, especially in the depiction of human anatomy, and this enriched Pollock's more intuitive and unstructured output.
The Ashcan School, also called the Ash Can School, was an artistic movement in the United States during the late 19th-early 20th century that produced works portraying scenes of daily life in New York, often in the city's poorer neighborhoods.
William James Glackens was an American realist painter and one of the founders of the Ashcan School, which rejected the formal boundaries of artistic beauty laid-down by the conservative National Academy of Design. He is also known for his work in helping Albert C. Barnes to acquire the European paintings that form the nucleus of the famed Barnes Foundation in Philadelphia. His dark-hued, vibrantly painted street scenes and depictions of daily life in pre-WW I New York and Paris first established his reputation as a major artist. His later work was brighter in tone and showed the strong influence of Renoir. During much of his career as a painter, Glackens also worked as an illustrator for newspapers and magazines in Philadelphia and New York City.
Hyperrealism is a genre of painting and sculpture resembling a high-resolution photograph. Hyperrealism is considered an advancement of photorealism by the methods used to create the resulting paintings or sculptures. The term is primarily applied to an independent art movement and art style in the United States and Europe that has developed since the early 1970s. Carole Feuerman is the forerunner in the hyperrealism movement along with Duane Hanson and John De Andrea.
An atelier is the private workshop or studio of a professional artist in the fine or decorative arts or an architect, where a principal master and a number of assistants, students, and apprentices can work together producing fine art or visual art released under the master's name or supervision.
Everett Shinn was an American painter and member of the urban realist Ashcan School.
Octavio Ocampo is a Mexican surrealist painter. He grew up in a family of designers, and studied art from early childhood. At art school, Ocampo constructed papier mache figures for floats, altars, and ornaments that were used during carnival parades and other festivals. In high school, Ocampo painted murals for the Preparatory School and the City Hall of Celaya. Ruth Rivera, daughter of artist and muralist Diego Rivera, and Maria Luisa Mendoza encouraged him to attend the School of Painting and Sculpture of the National Fine Art Institute.
The history of Western painting represents a continuous, though disrupted, tradition from antiquity until the present time. Until the mid-19th century it was primarily concerned with representational and Classical modes of production, after which time more modern, abstract and conceptual forms gained favor.
The San Zeno Altarpiece is a polytych altarpiece by the Italian Renaissance painter Andrea Mantegna created around 1456–1459. It remains in situ in the Basilica di San Zeno, the main church of the Northern Italian city of Verona. Mantegna's style mixes Greco-Roman classical themes along with Christian subjects in this altarpiece. The central panel, along with the three paintings that comprise the predella, were taken in 1797 by the French. While the main, central scene was returned by the French to Verona in 1815, the three predella paintings in Verona today are copies, since the original ones remain in France at the Louvre (Crucifixion) and in the Musée des Beaux-Arts in Tours. The paintings are made with tempera on panel; not oil as mistakenly identified in one source.
Gregory Joseph Gillespie was an American magic realist painter.
Collage is a technique of art creation, primarily used in the visual arts, but in music too, by which art results from an assemblage of different forms, thus creating a new whole.
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20th-century Western painting begins with the heritage of late-19th-century painters Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat, Henri de Toulouse-Lautrec, and others who were essential for the development of modern art. At the beginning of the 20th century, Henri Matisse and several other young artists including the pre-cubist Georges Braque, André Derain, Raoul Dufy and Maurice de Vlaminck, revolutionized the Paris art world with "wild", multi-colored, expressive landscapes and figure paintings that the critics called Fauvism. Matisse's second version of The Dance signified a key point in his career and in the development of modern painting. It reflected Matisse's incipient fascination with primitive art: the intense warm color of the figures against the cool blue-green background and the rhythmical succession of the dancing nudes convey the feelings of emotional liberation and hedonism.
Joseph (Yossef) Zaritsky was one of the early promoters of modern art in the Land of Israel both during the period of the Yishuv and after the establishment of the State. Regarded as one of the most influential Israeli painters, Zaritsky is known for cofounding the "Ofakim Hadashim" group. In his works, he created a uniquely Israeli style of abstract art. For this work he was awarded the Israel Prize for painting in 1959.
Larry Abramson is a South African-born Israeli artist.
Joe Doyle was an American artist. He is one of the original painters in the style, abstract illusionism, of the 1970s and has since evolved his style using computerized technologies to create Digital art.
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