The House of Bonaparte is a former imperial and royal European dynasty of French and Italian origin. It was founded in 1804 by Napoleon I, the son of Corsican nobleman Carlo Buonaparte and Letizia Buonaparte. Napoleon was a French military leader who rose to power during the French Revolution and who, in 1804, transformed the French First Republic into the First French Empire, five years after his coup d'état of November 1799. Napoleon and the Grande Armée had to fight against every major European power and dominated continental Europe through a series of military victories during the Napoleonic Wars. He installed members of his family on the thrones of client states, expanding the power of the dynasty.
The Cantigas de Santa Maria are 420 poems with musical notation, written in the medieval Galician-Portuguese language during the reign of Alfonso X of Castile El Sabio (1221–1284). Traditionally, they are all attributed to Alfonso, though scholars have since established that the musicians and poets of his court were responsible for most of them, with Alfonso being credited with a few as well.
Knud Jeppesen was a Danish musicologist and composer. He was the leading scholar of the composer Giovanni Pierluigi da Palestrina, about whose life and music he wrote numerous studies.
Ottaviano Petrucci was an Italian printer. His Harmonice Musices Odhecaton, a collection of chansons printed in 1501, is commonly misidentified as the first book of sheet music printed from movable type. Actually that distinction belongs to the Roman printer Ulrich Han's Missale Romanum of 1476. Nevertheless, Petrucci's later work was extraordinary for the complexity of his white mensural notation and the smallness of his font, and he did in fact print the first book of polyphony using movable type. He also published numerous works by the most highly regarded composers of the Renaissance, including Josquin des Prez and Antoine Brumel.
Francesco Landini was an Italian composer, poet, organist, singer and instrument maker who was a central figure of the Trecento style in late Medieval music. One of the most revered composers of the second half of the 14th century, he was by far the most famous composer in Italy.
The Badìa Fiorentina is an abbey and church now home to the Monastic Communities of Jerusalem situated on the Via del Proconsolo in the centre of Florence, Italy. Dante supposedly grew up across the street in what is now called the 'Casa di Dante', rebuilt in 1910 as a museum to Dante. He would have heard the monks singing the Mass and the Offices here in Latin Gregorian chant, as he famously recounts in his Commedia: "Florence, within her ancient walls embraced, Whence nones and terce still ring to all the town, Abode aforetime, peaceful, temperate, chaste." In 1373, Boccaccio delivered his famous lectures on Dante's Divine Comedy in the subsidiary chapel of Santo Stefano, just next to the north entrance of the Badia's church.
The Trecento was a period of vigorous activity in Italy in the arts, including painting, architecture, literature, and music. The music of the Trecento paralleled the achievements in the other arts in many ways, for example, in pioneering new forms of expression, especially in secular song in the vernacular language, Italian. In these regards, the music of the Trecento may seem more to be a Renaissance phenomenon; however, the predominant musical language was more closely related to that of the late Middle Ages, and musicologists generally classify the Trecento as the end of the medieval era. Trecento means "three hundred" in Italian but is usually used to refer to the 1300s. However, the greatest flowering of music in the Trecento happened late in the century, and the period is usually extended to include music up to around 1420.
Maestro Piero was an Italian composer of the late medieval era. He was one of the first composers of the Trecento who is known by name, and probably one of the oldest. He is mainly known for his madrigals.
The music of Florence is foundational in the history of Western European music. Music was an important part of the Italian Renaissance. It was in Florence that the Florentine Camerata convened in the mid-16th century and experimented with setting tales of Greek mythology to music and staging the result—in other words, the first operas, setting the wheels in motion not just for the further development of the operatic form, but for later developments of separate "classical" forms such as the symphony.
The 1966 flood of the Arno in Florence killed 101 people and damaged or destroyed millions of masterpieces of art and rare books. It is considered the worst flood in the city's history since 1557. With the combined effort of Italian and foreign volunteers alike, or angeli del fango, many of these fine works have been restored. New methods in conservation were devised and restoration laboratories established. However, even decades later, much work remains to be done.
Jacopo Buonaparte was an early member of the Bonaparte family and a friend and advisor to Medici Pope Clement VII. He is notable for being a non-Roman eyewitness to the sack of Rome on May 6, 1527 where the pope was forced to surrender the Castel Sant' Angelo and pay a ransom for his life. Jacopo's record is one of the most important surviving historical documents of that time.
The Cancionero de Palacio, or Cancionero Musical de Palacio (CMP), also known as Cancionero de Barbieri, is a Spanish manuscript of Renaissance music. The works in it were compiled during a time span of around 40 years, from the mid-1470s until the beginning of the 16th century, approximately coinciding with the reign of the Catholic Monarchs.
Villa I Tatti, The Harvard Center for Italian Renaissance Studies is a center for advanced research in the humanities located in Florence, Italy, and belongs to Harvard University. It houses a collection of Italian primitives, and of Chinese and Islamic art, as well as a research library of 140,000 volumes and a collection of 250,000 photographs. It is the site of Italian and English gardens. Villa I Tatti is located on an estate of olive groves, vineyards, and gardens on the border of Florence, Fiesole and Settignano.
The Biblioteca Comunale degli Intronati is the public library located at Via della Sapienza #3 of the comune of Siena, in Tuscany, Italy.
Frank Anthony D'Accone was an American musicologist. He was the author of documentary studies of the musicians and institutions that produced the music of the Florentine and Siennese Renaissance. His many modern editions of the music of this culture made available to present-day performers and scholars for the first time in several centuries a wide-ranging picture of the musical life in Tuscany during the Renaissance. Musicologist Lewis Lockwood stated that his body of work "substantially extends current knowledge of the music history of the Italian Renaissance."
La Tavola Ritonda is a 15th-century Italian Arthurian romance written in the medieval Tuscan language. It is preserved in a 1446 manuscript at the Biblioteca Nazionale Centrale in Florence. It was translated into English as Tristan and the Round Table by Anne Shaver in 1983.
The Casino Mediceo di San Marco is a late-Renaissance or Mannerist style palace located on Via Cavour number 57 and via San Gallo in Florence, region of Tuscany, Italy.
The Cancionero de Segovia or Cancionero Musical de Segovia (CMS), also known as Cancionero of the Segovia Cathedral, is a manuscript containing Renaissance music from the end of the 15th century and beginning of the 16th century. It contains a wide repertoire of works by mainly Spanish, French and Franco-Flemish composers. It is kept at the Segovia Cathedral Archives.
Italy is the home of two of the world's biggest publishers of books in terms of revenue: Messaggerie Italiane and Mondadori Libri. Other large publishers include De Agostini Editore, Feltrinelli and the RCS MediaGroup.
The Funerary Monument to Cardinal Niccolo Forteguerri is an assembly of mostly deep bas-relief sculptures installed posthumously on a wall of the Cathedral of Pistoia to memorialize the native Cardinal. While the initial design for this monument was completed by the Renaissance sculptor Andrea Verrochio, the present arrangement, completed centuries later, was assembled with substantial modifications by lesser-known artists.
