Journal amusant was a French weekly satirical magazine published from 1856 until 1933. It was founded by the caricaturist, journalist, and publisher Charles Philipon.
The magazine's immediate predecessor was Journal pour rire which Philipon had founded in 1849. In 1856, he replaced it with Journal amusant and simultaneously started Petit Journal pour rire for his friend Nadar to edit, although Nadar was to contribute to both publications. [1] The original format of Journal amusant was 8 pages and consisted primarily of cartoons and caricatures satirizing the social mores of the day. Lighter in tone than Le Charivari (also founded by Philipon), its editorial content was largely focused on the theatre and fashion rather than politics. [2]
Following Charles Philipon's death in 1862, the journal was managed by his son Eugène until his own death in 1874. Pierre Véron then took over as editor-in-chief. In 1899, shortly before Véron's retirement, its format changed to 16 pages with a front page in colour. Publication of the journal ceased during World War I and resumed in May 1919. The last issue of Journal amusant was published in 1933 by which time its title was Le journal amusant et Gai Paris réunis reflecting its takeover of the magazine Gai Paris in 1931. [3]
Artists who contributed to Journal amusant include:
Gaspard-Félix Tournachon, known by the pseudonym Nadar, was a French photographer, caricaturist, journalist, novelist, balloonist, and proponent of heavier-than-air flight. In 1858, he became the first person to take aerial photographs.
Caran d'Ache was the pseudonym of the 19th century Russian-French satirist and political cartoonist Emmanuel Poiré. The pseudonym comes from Russian: карандаш, romanized: karandash meaning "pencil" in Turkic languages. While his first work glorified the Napoleonic era, he went on to create "stories without words" and as a contributor to newspapers such as the Le Figaro, he is sometimes hailed as one of the precursors of comic strips. The Swiss art products company Caran d'Ache is named after him.
Le Charivari was an illustrated magazine published in Paris, France, from 1832 to 1937. It published caricatures, political cartoons and reviews. After 1835, when the government banned political caricature, Le Charivari began publishing satires of everyday life. The name refers to the folk practice of holding a charivari, a loud, riotous parade, to shame or punish wrongdoers.
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Charles Philipon was a French lithographer, caricaturist and journalist. He was the founder and director of the satirical political journals La Caricature and of Le Charivari.
André Gill was a French caricaturist. Born Louis-Alexandre Gosset de Guînes at Paris, the son of the Comte de Guînes and Sylvie-Adeline Gosset, Gill studied at the Royal Academy of Painting and Sculpture. He adopted the pseudonym André Gill in homage to his hero, James Gillray. Gill began illustrating for Le Journal Amusant, but he became known for his work for the weekly four-sheet newspaper La Lune, edited by Francis Polo, in which he drew portraits for a series entitled The Man of the Day. He worked for La Lune from 1865 to 1868. When La Lune was banned, he worked for the periodical L'Éclipse from 1868 to 1876. Gill also drew for famous periodical Le Charivari.
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Lucien Marie François Métivet was a French poster artist, cartoonist, illustrator, and author who achieved notoriety during the Belle Epoque. Best known for his 1893 poster of the chanteuse Eugénie Buffet, he was also a popular cover artist for the Parisian humor magazine Le Rire and a frequent contributor of cartoons and illustrations to it and other magazines, including Journal amusant. He illustrated books by a number of prominent authors of the time and wrote at least two books of his own. Métivet was "a master in caricature, humorous illustration and lithographic techniques" who became "one of the most prominent illustrators of the 19th century."
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