Joy Mallari | |
---|---|
Born | 1966 Philippines |
Joy Mallari (born 1966 [1] ) is a contemporary Filipino painter and visual artist.
Mallari is known for a visual style similar to the contemporary Filipino figurative expressionism [2] common among members of the Grupong Salimpusa and Sanggawa art movements, [3] [4] but distinguished by a narrative approach which one critic has described as exploring "the linkages between literature and art" [4] - an approach which she attributes to her exposure to the pre-digital animation industry during her developmental years as an artist.
She is also known for exploring themes of identity and marginalization in Philippine society. [3]
The children's book "Doll Eyes", which she co-created with writer Eline Santos, won the National Children's Book Award in 2011. [4]
Mallari cites her childhood years during the Philippines' Martial Law Period and the tumultuous period following the removal of the Marcos administration as formative experiences which had given her a need to engage and participate in society through her art [3] by the time she started taking up her bachelor's degree at University of the Philippines Diliman's College of Fine Arts. [5]
At UP, Mallari became part of Grupong Salingpusa, a group of young student artists which would later become significant voices in the Philippine contemporary art movement, [3] including such figures as Elmer Borlongan, Karen Flores and Manny Garibay. [2]
She also became part of Artista ng Bayan (ABAY), a volunteer group that practiced social activism by coming up with the murals and effigies which were used in street rallies. [3]
A subset of Grupong Salingpusa, consisting of Mallari, Borlongan, Flores, Mark Justiniani, and Federico Slevert, later came together to form the Sanggawa Art Collective in 1994. [4] [5]
The death of her mother forced Mallari to take a leave of absence from UP in order to work full-time and support her family. Borlongan referred her to a newly opened animation company, where she found herself working on background animation alongside early pioneers in the Philippine animation industry, and some of the last generation of Philippine billboard artists. Mallari would later cite this period as an important learning experience, with the influence of animation resurfacing in her later works. [3]
In the late '90s, Mallari moved to Los Angeles temporarily, living there for eight [5] years before she returned to the Philippines in 2006. [3]
According to Mallari, this expatriate period heightened her awareness race politics and the underrepresentation of minorities in the arts. [3] Upon returning to the Philippines, Mallari became based in Parañaque City, [5] on the southern part of the Philippines' National Capital Region.
Mallari's works have been featured in exhibitions all over the world, including Manila, Los Angeles, Denmark, Mexico, Japan, Australia, Singapore and Malaysia. [5]
Notable Solo Exhibitions include:
Miguel "Mike" Pamintuan de Leon is a Filipino film director, cinematographer, scriptwriter and film producer.
Philippine Comics have been popular throughout the nation from the 1920s to the present. Comics scholar John A. Lent posited that the Philippine comics tradition has "the strongest audience appeal, best-known cartooning geniuses, and most varied comics content" in Asia after Japan and Hong Kong.
The Ayala Museum is a museum in Makati, Metro Manila, Philippines. It is run privately by the Ayala Foundation and houses archaeological, ethnographic, historical, fine arts, numismatics, and ecclesiastical exhibits. Since its establishment in April 1967, the museum has been committed to showcasing overseas collections and situating contemporary Philippine art in the global arena in a two-way highway of mutual cooperation and exchange with local and international associates. The museum was reopened on December 4, 2021, after a two-year renovation.
The traditional music of the Philippines reflects the Philippines' diverse culture, originating from more than 100 ethnolinguistic groups and shaped by a widely varying historical and sociocultural milieu.
Ambeth R. Ocampo is a Filipino public historian, academic, cultural administrator, journalist, author, and independent curator. He is best known for his definitive writings about Philippines' national hero José Rizal and on topics in Philippine history and Philippine art through Looking Back, his bi-weekly editorial page column in the Philippine Daily Inquirer.
Laurie Simmons is an American artist best known for her photographic and film work. Art historians consider her a key figure of The Pictures Generation and a group of late-1970s women artists that emerged as a counterpoint to the male-dominated and formalist fields of painting and sculpture. The group introduced new approaches to photography, such as staged setups, narrative, and appropriations of pop culture and everyday objects that pushed the medium toward the center of contemporary art. Simmons's elaborately constructed images employ psychologically charged human proxies—dolls, ventriloquist dummies, mannequins, props, miniatures and interiors—and also depict people as dolls. Often noted for its humor and pathos, her art explores boundaries such as between artifice and truth or private and public, while raising questions about the construction of identity, tropes of prosperity, consumerism and domesticity, and practices of self-presentation and image-making. In a review of Simmons's 2019 retrospective at the Museum of Contemporary Art, Chicago, critic Steve Johnson wrote, "Collectively—and with a sly but barbed sense of humor—[her works] challenge you to think about what, if anything, is real: in our gender roles, and our cultural assumptions, and our perceptions of others."
Sherds is a 2007 short novel or novelette written by Filipino National Artist for Literature and multi-awarded author F. Sionil José. According to Elmer A. Ordoñez, a writer from The Manila Times, in Sherds José achieved “lyrical effects”, specially in the novel’s final chapters, by putting into “good use” Joseph Conrad’s and Ford Madox Ford’s so-called progression d’effet. Sherds is the latest and last novel by José. According to The Atlantic National Correspondent James Fallows, the novel is dedicated to the author’s wife Teresita José. The novel, which can be read in one sitting, was described by Li-an de la Cruz-Busto, a reporter for Sun.Star Davao as “very light but candid and insightful”, a description that complements The Manila Times reporter Perry Gil S. Mallari’s calling José’s Sherds as an “easy read and a guaranteed page-turner”. A novel composed of twelve chapters with a "tight and palpable" narrative pacing, Sherds deals with topics related to "personal conscience, greed and the position of art" in social class struggle, thus serving as a cogitation on "what is wrong" with the Philippines as a nation. José wrote Sherds while he was in Japan.
Art Plus Magazine is a magazine published bi-monthly from Mandaluyong, Philippines. The magazine includes reviews of visual arts exhibitions in and around the Philippines as well as features on Philippine art, book, film, and theater reviews, a visual arts calendar, an auction update section, an exhibitions calendar, and a gallery directory. It also features the White Wall section, where guest contributors and curators select featured artwork around a theme. It is the only magazine in the Philippines to specialize in Philippine visual art.
Pinggot Zulueta is a Filipino visual artist and photojournalist.
Elmer Misa Borlongan is a prominent contemporary Filipino painter best known for his distinctive use of figurative expressionism.
Gini Cruz Santos is a Filipina animator at Pixar studios based in the San Francisco Bay Area. She worked on numerous Pixar animation films including Toy Story 2, Monsters, Inc., Finding Nemo, A Bug's Life, The Incredibles, Ratatouille, Toy Story 3, Up, Lifted and Brave. She was nominated in 2004 for an Annie award for her detailed lifelike animation on Finding Nemo, and was nominated by the Visual Effects Society for an award for this project as well.
Danilo Palomer Santiago is a Full-time Filipino Eclectic painter, professor and Department Chair of University of Santo Tomas - College of Fine Arts and Design (UST-CFAD), Painting Department. His murals are displayed at the Malacaňang Palace, UST Main Building - Faculty of Civil Law and Veterans Memoraila Medical Center and whose works won awards in various art competitions. He was born in Sorsogon, Philippines and now lives in Manila.
Roy Santos Veneracion is a Filipino painter whose work explores a wide range of styles, techniques, materials, and subject matter. He is considered one of the leading abstract artists in the Philippines and the precursor of contemporary Aesthetic Syncretism. His work is associated with the Syncretism art movement in the Philippines and abroad.
Lee Paje is a contemporary Filipino visual artist. She has shown her works in the Philippines, Taiwan, and Singapore. Her works explore themes of women and gender identity, myth-making, and unique contemporary lifestyles. In 2018, she won the Don Papa Rum Art Competition. She has been in residency at Art Omi in New York and at Kapitana Gallery in Negros Occidental.
Nelfa Querubin is a ceramic artist from the Philippines living in the United States. She is also known as Nelfa Querubin-Tompkins.
Imelda Cajipe-Endaya is a Filipino visual artist, curator, author, activist, and community leader. She is known for her printmaking, painting, mixed-media art, and installation art. She is also an author of various texts and books, as well as the co-founder of Kasibulan, an artist collective in the Philippines. She also initiated the Pananaw, of which she was the first editor. Cajipe-Endaya has become a main figure Filipino feminist and national liberation movements and Philippine art. Her advocacy of women centers around Philippine history and culture.
TheEDDYS or The Entertainment Editors' Choice is an annual film event in the Philippines that honors craftsmen, actors, writers, directors, workers, and producers in the Philippine film industry.
Alice V. Guillermo was a Filipino art historian, critic, academic, and author.
Raymundo "Ray" Albano (1947–1985) was a Filipino curator, art critic, writer, poet, painter, and scholar who served as museum director of the Cultural Center of the Philippines from 1970 until his death in 1985.