Juan Valverde de Amusco (or "de Hamusco") (c. 1525-?) was born in the Crown of Castille in what is now Spain c. 1525 and studied medicine in Padua and Rome under Realdo Columbo and Bartolomeo Eustachi. He published several works on anatomy, including De animi et corporis sanitate tuenda libellus (Paris, 1552).
Valverde's most famous work was Historia de la composicion del cuerpo humano, first published in Rome, 1556. All but four of its 42 engraved copperplate illustrations were taken almost directly from Andreas Vesalius's De humani corporis fabrica. Vesalius bitterly commented on Valverde's plagiarism, accusing him of having performed very few dissections himself. Occasionally, however, Valverde corrected Vesalius' images, as in his depictions of the muscles of the eyes, nose, and larynx. [1] One of Valverde's most striking original plates is that of a muscle figure holding his own skin in one hand and a knife in the other, which has been likened to Saint Bartholomew in The Last Judgment (Michelangelo) of the Sistine Chapel.
The original illustrations were most likely drawn by Gaspar Becerra (1520–1570), a contemporary of Michelangelo, and the copperplate engravings are thought to have been carried out by Nicolas Beatrizet (1507?-1570?), whose initials "NB" appear on several of the plates.
Andreas Vesalius was a 16th-century anatomist, physician, and author of one of the most influential books on human anatomy, De Humani Corporis Fabrica Libri Septem, a major advance over the long-dominant work of Galen. Vesalius is often referred to as the founder of modern human anatomy. He was born in Brussels, which was then part of the Habsburg Netherlands. He was a professor at the University of Padua (1537–1542) and later became Imperial physician at the court of Emperor Charles V.
Bartolomeo Eustachi, also known by his Latin name of Bartholomaeus Eustachius, was an Italian anatomist and one of the founders of the science of human anatomy.
Matteo Realdo Colombo was an Italian professor of anatomy and a surgeon at the University of Padua between 1544 and 1559.
Bernhard Siegfried Albinus was a German-born Dutch anatomist. He served a professor of medicine at the University of Leiden like his father Bernhard Albinus (1653–1721). He also published a large-format artistic atlas of human anatomy, with engravings made by Jan Wandelaar.
De Humani Corporis Fabrica Libri Septem is a set of books on human anatomy written by Andreas Vesalius (1514–1564) and published in 1543. It was a major advance in the history of anatomy over the long-dominant work of Galen, and presented itself as such.
William Cowper was an English surgeon and anatomist, famous for his early description of what is now known as Cowper's gland.
Gaspar Becerra (1520–1568) was a Spanish painter and sculptor of the School of Valladolid.
The Anatomy Lesson of Dr. Nicolaes Tulp is a 1632 oil painting on canvas by Rembrandt housed in the Mauritshuis museum in The Hague, the Netherlands. It was originally created to be displayed by the Surgeons Guild in their meeting room. The painting is regarded as one of Rembrandt's early masterpieces.
Jacopo Berengario da Carpi was an Italian physician. His book "Isagoge breves" published in 1522 made him the most important anatomist before Andreas Vesalius.
Magnus Hundt or Magnus Canis, also known as Parthenopolitanus, was a German philosopher, physician and theologian. Hundt coined the term anthropology, and he and Otto Casmann have been mentioned as founders of anthropology since they used the term in the 16th century.
Govert Bidloo or Govard Bidloo was a Dutch Golden Age physician, anatomist, poet and playwright. He was the personal physician of William III of Orange-Nassau, Dutch stadholder and King of England, Scotland and Ireland.
Giambattista or Giovanni Battista Canano was a physician and anatomist, active mainly in his native Ferrara.
Bernardino Genga (1620–1690) was a scholar of Classical medical texts, editing several works of Hippocrates. He also had a great interest in the preparation of anatomical specimens as well as the anatomy of ancient Greek and Roman sculpture. These interests led to his work at the French Academy in Rome, where he taught anatomy to artists.
Carlo Ruini (1530–1598) was one of the most noted anatomists of the horse of the 16th century.
The Medical Renaissance, from around 1400 to 1700 CE, was a period of progress in European medical knowledge, with renewed interest in the ideas of the ancient Greek and Roman civilizations along with Arabic-Persian medicine, following the translation into Latin of many works from these societies. Medical discoveries during the Medical Renaissance are credited with paving the way for modern medicine.
Costanzo Varolio, Latinized as Constantius Varolius (1543–1575), was an Italian anatomist and a papal physician to Gregory XIII.
The year 1556 CE in science and technology included a number of events, some of which are listed here.
Anatomical fugitive sheets are illustrations of the human body specially created to display internal organs and structures. Hinged flaps enable the viewer to see a body as if in various stages of dissection. They appeared for the first time in the 16th century and became popular as instructional aids. The parts were labelled, making it easier for lay students to understand the workings of the human body.
Thomas Geminus, was a pseudonym for the Flemish refugee Thomas Lambrit/Thomas Lambert, an engraver and printer, active from the 1540s in London, and noted for his 1545 Latin work, Compendiosa totius anatomie delineatio, aere exarata printed by John Herford. Geminus started work in England by working with Thomas Raynalde and producing "The byrth of Mankinde" aka "The Woman's booke" in 1545.
Anatomes totius is a book written in 1564 by André Vésale and Jacques Grévin.