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Jude Griebel (born 1978) is a Canadian sculptor, working between Alberta, Canada and Brooklyn, New York. Griebel creates intensively detailed figurative sculptures and drawings that visualize our entanglement with the surrounding world.
Griebel was born in Ottawa, Canada. He received a BFA from the Emily Carr University of Art and Design in 2004 and an MFA in Sculpture and Ceramics from Concordia University, in 2014. [1]
In his elaborate sculptures, Jude Griebel merges human forms with those of animals, insects, architecture, and the natural environment. [2] These hybrid bodies function as stages for productive and destructive events. While addressing instances of human behavior in a broader context, these works also function as metaphors for the development and destruction of the self. In his essay “Charmed Beginnings”, scholar and art historian TammerEl-Sheikh writes:
His dioramas dissolve the outlines of humans in the landscape and offer instead the expressive parts of them. The figure of the human that results is an emergent one, groping and exploring but faced at every turn with environmentally imposed limits. Deleuze and Guattari breach the boundary between natural and human- made realms by identifying linkages between them. If we turn to Griebel’s dioramas we see these schemas expanded to describe interactions between humans, their primitive and sophisticated tools, and the natural environments those tools shape. [3]
The careful crafting of these works and their miniature details counter the central themes of hyperactive production, and on demand delivery. Laboriously carved from wood, modeled from clays, and painted, they represent hours of reflection on the meaning of being an active consumer in this world and struggling to imagine models beyond it. [1]
Nature conservation is the moral philosophy and conservation movement focused on protecting species from extinction, maintaining and restoring habitats, enhancing ecosystem services, and protecting biological diversity. A range of values underlie conservation, which can be guided by biocentrism, anthropocentrism, ecocentrism, and sentientism, environmental ideologies that inform ecocultural practices and identities. There has recently been a movement towards evidence-based conservation which calls for greater use of scientific evidence to improve the effectiveness of conservation efforts. As of 2018 15% of land and 7.3% of the oceans were protected. Many environmentalists set a target of protecting 30% of land and marine territory by 2030. In 2021, 16.64% of land and 7.9% of the oceans were protected. The 2022 IPCC report on climate impacts and adaptation, underlines the need to conserve 30% to 50% of the Earth's land, freshwater and ocean areas – echoing the 30% goal of the U.N.'s Convention on Biodiversity.
Human ecology is an interdisciplinary and transdisciplinary study of the relationship between humans and their natural, social, and built environments. The philosophy and study of human ecology has a diffuse history with advancements in ecology, geography, sociology, psychology, anthropology, zoology, epidemiology, public health, and home economics, among others.
Marble has been the preferred material for stone monumental sculpture since ancient times, with several advantages over its more common geological "parent" limestone, in particular the ability to absorb light a small distance into the surface before refracting it in subsurface scattering. This gives an attractive soft appearance which is especially good for representing human skin, and which can also be polished.
Cultural ecology is the study of human adaptations to social and physical environments. Human adaptation refers to both biological and cultural processes that enable a population to survive and reproduce within a given or changing environment. This may be carried out diachronically, or synchronically. The central argument is that the natural environment, in small scale or subsistence societies dependent in part upon it, is a major contributor to social organization and other human institutions. In the academic realm, when combined with study of political economy, the study of economies as polities, it becomes political ecology, another academic subfield. It also helps interrogate historical events like the Easter Island Syndrome.
A diorama is a replica of a scene, typically a three-dimensional model either full-sized or miniature. Sometimes it is enclosed in a glass showcase for a museum. Dioramas are often built by hobbyists as part of related hobbies such as military vehicle modeling, miniature figure modeling, or aircraft modeling.
Environmental philosophy is the branch of philosophy that is concerned with the natural environment and humans' place within it. It asks crucial questions about human environmental relations such as "What do we mean when we talk about nature?" "What is the value of the natural, that is non-human environment to us, or in itself?" "How should we respond to environmental challenges such as environmental degradation, pollution and climate change?" "How can we best understand the relationship between the natural world and human technology and development?" and "What is our place in the natural world?" Environmental philosophy includes environmental ethics, environmental aesthetics, ecofeminism, environmental hermeneutics, and environmental theology. Some of the main areas of interest for environmental philosophers are:
Environmental art is a range of artistic practices encompassing both historical approaches to nature in art and more recent ecological and politically motivated types of works. Environmental art has evolved away from formal concerns, for example monumental earthworks using earth as a sculptural material, towards a deeper relationship to systems, processes and phenomena in relationship to social concerns. Integrated social and ecological approaches developed as an ethical, restorative stance emerged in the 1990s. Over the past ten years environmental art has become a focal point of exhibitions around the world as the social and cultural aspects of climate change come to the forefront.
Ecolinguistics, or ecological linguistics, emerged in the 1990s as a new paradigm of linguistic research, widening sociolinguistics to take into account not only the social context in which language is embedded, but also the wider ecological context, including other species and the physical environment.
Patricia Piccinini is an Australian artist who works in a variety of media, including painting, video, sound, installation, digital prints, and sculpture. Her works focus on "unexpected consequences", conveying concerns surrounding bio-ethics and help visualize future dystopias. In 2003, Piccinini represented Australia at the 50th Venice Biennale with a hyperrealist sculpture of her distinctive anthropomorphic animals. In 2016 The Art Newspaper named Piccinini with her "grotesque-cum-cute, hyper-real genetics fantasies in silicone" the most popular contemporary artist in the world after a show in Rio de Janeiro attracted over 444,000 visitors. Natasha Bieniek's portrait of Piccinini was a finalist for the 2022 Archibald Prize.
Miniature art includes paintings, engravings and sculptures that are very small; it has a long history that dates back to prehistory. The portrait miniature is the most common form in recent centuries, and from ancient times, engraved gems, often used as impression seals, and cylinder seals in various materials were very important. For example most surviving examples of figurative art from the Indus Valley civilization and in Minoan art are very small seals. Gothic boxwood miniatures are very small carvings in wood, used for rosary beads and the like.
Sustainable Development Strategy for organizations in Canada is about the Government of Canada finding ways to develop social, financial, and environmental resources that meet the needs of the present without compromising the ability of future generations to meet their own needs in Canada. A Sustainable Development Strategy for the organization needs to be developed that establishes the Sustainable Development goals and objectives set by the Auditor General Act of Canada and provides the written policies and procedures to achieve them. Sustainable Development is based on responsible decision-making, which considers not only the economic benefits of development, but also the short-term and long-term, Canadian environment and environmental impacts.
Environmental sculpture is sculpture that creates or alters the environment for the viewer, as opposed to presenting itself figurally or monumentally before the viewer. A frequent trait of larger environmental sculptures is that one can actually enter or pass through the sculpture and be partially or completely surrounded by it. Also, in the same spirit, it may be designed to generate shadows or reflections, or to color the light in the surrounding area.
Liu Wei is a Chinese artist based in Beijing. He works in varied media – video, installation, drawing, sculpture, and painting – with no uniting stylistic tendency, though the Saatchi Gallery finds a uniting theme of "a sentiment of excess, corruption, and aggression reflective of cultural anxiety". Conceptualism, satire, and humor are the hallmarks of his works.
Conservation psychology is the scientific study of the reciprocal relationships between humans and the rest of nature, with a particular focus on how to encourage conservation of the natural world. Rather than a specialty area within psychology itself, it is a growing field for scientists, researchers, and practitioners of all disciplines to come together and better understand the Earth and what can be done to preserve it. This network seeks to understand why humans hurt or help the environment and what can be done to change such behavior. The term "conservation psychology" refers to any fields of psychology that have understandable knowledge about the environment and the effects humans have on the natural world. Conservation psychologists use their abilities in "greening" psychology and make society ecologically sustainable. The science of conservation psychology is oriented toward environmental sustainability, which includes concerns like the conservation of resources, conservation of ecosystems, and quality of life issues for humans and other species.
Ecological design or ecodesign is an approach to designing products and services that gives special consideration to the environmental impacts of a product over its entire lifecycle. Sim Van der Ryn and Stuart Cowan define it as "any form of design that minimizes environmentally destructive impacts by integrating itself with living processes." Ecological design can also be defined as the process of integrating environmental considerations into design and development with the aim of reducing environmental impacts of products through their life cycle.
Sustainability is a social goal for people to co-exist on Earth over a long period of time. Definitions of this term are disputed and have varied with literature, context, and time. Sustainability usually has three dimensions : environmental, economic, and social. Many definitions emphasize the environmental dimension. This can include addressing key environmental problems, including climate change and biodiversity loss. The idea of sustainability can guide decisions at the global, national, organizational, and individual levels. A related concept is that of sustainable development, and the terms are often used to mean the same thing. UNESCO distinguishes the two like this: "Sustainability is often thought of as a long-term goal, while sustainable development refers to the many processes and pathways to achieve it."
Sexecology, also known as ecosexuality, is a radical form of environmental activism based around nature fetishism, the idea of the earth as a lover. It invites people to treat the earth with love rather than see it as an infinite resource to exploit. It was founded by Elizabeth Stephens and Annie Sprinkle, who describe themselves as "two ecosexual artists-in-love", whose manifesto is to make environment activism "more sexy, fun, and diverse". Sexecology employs absurdist humor, performance art and sex-positivity, which Stephens claims "may produce new forms of knowledge that hold potential to alter the future by privileging our desire for the Earth to function with as many diverse, intact and flourishing ecological systems as possible." The couple promote education, events such as the ecosex symposium, and activism, such as protecting the Appalachian Mountains from mountain top removal.
Bonita Ely is an Australian multidisciplinary artist who lives in Sydney, whose work has been internationally exhibited. She established her reputation as an environmental artist in the 1970s through her works concerning the Murray-Darling river system. She has a diverse practice across various media and has often addressed feminist, environmental and socio-political issues.
Climate change art is art inspired by climate change and global warming, generally intended to overcome humans' hardwired tendency to value personal experience over data and to disengage from data-based representations by making the data "vivid and accessible". One of the goal of climate change art is to "raise awareness of the crisis", as well as engage viewers politically and environmentally.
Karine Giboulo is a Canadian artist known for her miniature sculptural dioramas.