Judith Solodkin

Last updated

Judith Solodkin (born 1945) is an American printmaker and milliner. She completed the master printer program at Tamarind Institute. In 1975 she established the Solo Press. [1]

In 2004 Solodkin produced an edition of 25 copies of Louise Bourgeois' artist's book Ode â l'Oubli. [2] In addition to printmaking, Solodkin is known for designing and making hats. [3] [4]

Her work is included in the Smithsonian American Art Museum [5] and the National Gallery of Art. [6]

Related Research Articles

<span class="mw-page-title-main">Louise Bourgeois</span> French-American artist (1911–2010)

Louise Joséphine Bourgeois was a French-American artist. Although she is best known for her large-scale sculpture and installation art, Bourgeois was also a prolific painter and printmaker. She explored a variety of themes over the course of her long career including domesticity and the family, sexuality and the body, as well as death and the unconscious. These themes connect to events from her childhood which she considered to be a therapeutic process. Although Bourgeois exhibited with the Abstract Expressionists and her work has much in common with Surrealism and Feminist art, she was not formally affiliated with a particular artistic movement.

<span class="mw-page-title-main">Leonard Baskin</span> American artist (1922–2000)

Leonard Baskin was an American sculptor, draughtsman and graphic artist, as well as founder of the Gehenna Press (1942–2000). One of America's first fine arts presses, it went on to become "one of the most important and comprehensive art presses of the world", often featuring the work of celebrated poets, such as Sylvia Plath, Ted Hughes, Anthony Hecht, and James Baldwin side by side with Baskin's bold, stark, energetic and often dramatic black-and-white prints. Called a "Sculptor of Stark Memorials" by the New York Times, Baskin is also known for his wood, limestone, bronze, and large-scale woodblock prints, which ranged from naturalistic to fanciful, and were frequently grotesque, featuring bloated figures or humans merging with animals. "His monumental bronze sculpture, The Funeral Cortege, graces the Franklin Delano Roosevelt Memorial in Washington, D.C."

Sue Coe is an English artist and illustrator working primarily in drawing, printmaking, and in the form of illustrated books and comics. Her work is in the tradition of social protest art and is highly political. Coe's work often includes animal rights commentary, though she also creates work that centralizes the rights of marginalized peoples and criticizes capitalism. Her commentary on political events and social injustice are published in newspapers, magazines and books. Her work has been shown internationally in both solo and group exhibitions and has been collected by various international museums. She lives in Upstate New York.

<span class="mw-page-title-main">Robert Storr (art academic)</span>

Robert Storr is an American curator, critic, painter, and writer.

<span class="mw-page-title-main">June Wayne</span>

June Claire Wayne was an American painter, printmaker, tapestry innovator, educator, and activist. She founded Tamarind Lithography Workshop (1960–1970), a then California-based nonprofit print shop dedicated to lithography.

<span class="mw-page-title-main">Vitreography</span> Glass art printmaking technique

Vitreography is a fine art printmaking technique that uses a 38-inch-thick (9.5 mm) float glass matrix instead of the traditional matrices of metal, wood or stone. A print created using the technique is called a vitreograph. Unlike a monotype, in which ink is painted onto a smooth glass plate and transferred to paper to produce a unique work, the vitreograph technique involves fixing the imagery in, or on, the glass plate. This allows the production of an edition of prints.

<span class="mw-page-title-main">Tamarind Institute</span>

Tamarind Institute is a lithography workshop created in 1970 as a division of the University of New Mexico in Albuquerque, NM, United States. It began as Tamarind Lithography Workshop, a California non-profit corporation founded by June Wayne on Tamarind Avenue in Los Angeles in 1960. Both the current Institute and the original Lithography Workshop are referred to informally as "Tamarind."

<span class="mw-page-title-main">Kenneth E. Tyler</span> American master printmaker

Kenneth E. Tyler, AO is a master printmaker, publisher, arts educator and a prominent figure in the American post-war revival of fine art, limited edition printmaking. Tyler established leading print workshops and publishing houses on both West and East coasts of the United States and made several innovations in printmaking technology. His technical expertise and willingness to experiment on a bold scale drew many famous and influential artists to his workshops, among them Frank Stella, Helen Frankenthaler, Roy Lichtenstein, David Hockney, Robert Rauschenberg, Anthony Caro and Jasper Johns. Ken Tyler remains active as an educator and promoter of fine art printmaking, and mentor of a younger generation of printers through his various training and collecting institutions in Singapore, Japan, Australia and the US. The largest collection of prints produced at Tyler's successive workshops is currently held by the National Gallery of Australia.

Jon Cone is a collaborative printmaker, pioneer and developer of photographic ink jet technologies, educator, and photographer. Cone is best known for the founding of the world's first digital printmaking studio, Cone Editions Press and developer of quad-black ink jet systems for printing fine black-and-white photographs including the first commercially available method of producing fine art black-and-white prints in the digital darkroom.

Carol Wax is an American artist, author and teacher whom the New York Times called "a virtuoso printmaker and art historian" for her work in mezzotint and her writings on the history and technique of that medium.

Louise Kramer was an American artist who was known for working in a wide range of media, from printmaking to drawing, sculpture, and site-specific installation.

Margo Humphrey is an American printmaker, illustrator and art teacher. She earned a Master of Fine Arts degree from Stanford after earning a Bachelor of Fine Arts degree at the California College of Arts and Crafts in printmaking. She has traveled in Africa, Brazil, the Caribbean, and Europe and has taught in Fiji, Nigeria, Uganda, and the University of Maryland. As a printmaker, she is known for her "bold, expressive use of color and freedom of form", creating works that are "engaging, exuberant and alive." Her techniques for layering colors are uncommon in lithography. Her work is considered to be "in the forefront of contemporary printmaking."

<span class="mw-page-title-main">Ethel Mars (artist)</span>

Ethel Mars was an American woodblock print artist, known for her white-line woodcut prints, also known as Provincetown Prints, and a children's book illustrator. She had a lifelong relationship with fellow artist Maud Hunt Squire, with whom she lived in Paris and Provincetown, Massachusetts.

Clare Romano (1922–2017) was an internationally known American printmaker and painter with works in the Metropolitan Museum of Art, the Museum of Modern Art, the Smithsonian American Art Museum, the Cooper Hewitt, Smithsonian Design Museum and other major collections. As an advocate, innovator, and educator in the field of printmaking, Romano has co-authored in collaboration with her husband, John Ross, The Complete Printmaker (1972), The Complete Collagraph (1980), and several other printmaking manuals that have become standard texts for universities. They founded their High Tide Press for artists books in 1991.

Master printmakers or master printers are specialized technicians who hand-print editions of works of an artist in printmaking. Master printmakers often own and/or operate their own printmaking studio or print shop. Business activities of a Master printshop may include: publishing and printing services, educational workshops or classes, mentorship of artists, and artist residencies.

<span class="mw-page-title-main">Hyman J. Warsager</span> American artist

Hyman J. Warsager (1909–1974) was an American artist known for his printmaking.

<span class="mw-page-title-main">Sheila Marbain</span> American artist

Sheila Marbain (1908–2008) was a master printmaker known for establishing Maurel Studios, and for her collaborative works with Pop artists.

Kathleen Caraccio is a master printmaker. She learned her craft at Robert Blackburn's Printmaking Workshop. She established the K. Caracio Etching Studios in 1977. Caraccio also maintains an extensive print collection which was the subject of the 2021 exhibition Right place, Right time: The Rest is History - Becoming a master printer and collector with Bob Blackburn. In 2019 her work was exhibited at the International Quilt Museum in a show entitled Kathy Caraccio: Quilt Series.

Catherine Mosley is a master printmaker. She attended University of Wisconsin–Stout. In 1969 she began working at Robert Blackburn's Printmaking Workshop. In 1974 she established a studio where she printed with the artists Robert Beauchamp, Agnes Denes, Richard Haas, Lucio Pozzi, and Harvey Quaytman. Mosley collaborated with Robert Motherwell from the early 1970s until his death in 1991. In 2015 Mosley had a solo exhibition entitled Up Down & Sideways at the A.I.R. Gallery

<span class="mw-page-title-main">Donn Steward</span> American printmaker

Donn Horatio Steward was a master printmaker. He learned the craft at the Tamarind Institute. He was hired by Universal Limited Art Editions in 1966. There he worked with a variety of artists including Lee Bontecou, Helen Frankenthaler, Jasper Johns, Robert Motherwell and Cy Twombly. In the mid-1970s Steward established the Huntington Township Art League printmaking workshop.

References

  1. Hansen, T. Victoria (1995). Printmaking in America : collaborative prints and presses, 1960-1990. New York: H.N. Abrams in association with Mary and Leigh Block Gallery, Northwestern University. p. 50. ISBN   9780810937437.
  2. Newman, Amy (17 October 2004). "Louise Bourgeois Builds a Book From the Fabric of Life". The New York Times.
  3. "Collaborating with artists to make a good impression". The Riverdale Press.
  4. "Profile of Judith Solodkin: Master Printer, Hat Maker and Collaborator | Women's Voices For Change". womensvoicesforchange.org. 14 June 2011.
  5. "Judith Solodkin | Smithsonian American Art Museum". americanart.si.edu.
  6. "Blow Top Blues, The Fire Next Time". www.nga.gov.