Julia Suits | |
---|---|
Born | St. Louis, Missouri, U.S. |
Alma mater | Beloit College (BFA) Ohio State University (MFA) |
Occupation | Cartoonist |
Julia Suits is a contributing cartoonist for The New Yorker [1] and other publications.
Born in St. Louis, Missouri, Suits received a BFA in painting from Beloit College and an MFA from Ohio State University. [2] Her editorial portraits, syndicated by Creators Syndicate from 1988 to 2008, appeared in newspapers worldwide, including the Los Angeles Times, Aspergers Weekly and the San Francisco Chronicle. [3]
Suits has illustrated scientific journals and textbooks. As a certified medical illustrator and forensic sculptor, she reconstructed the head of an Egyptian mummy using CAT scan technology. [3]
She created art for a book of idioms, I'm Not Hanging Noodles on Your Ears by Jag Bhalla (National Geographic, 2009), [4] and other books showcasing her work include The Rejection Collection II, edited by Matt Diffee (Gallery, 2007), and Sex and Sensibility, edited by Liza Donnelly (Twelve, 2008).
She is the author of a non-fiction book, The Extraordinary Catalog of Peculiar Inventions: The Curious World of the Demoulin Brothers and Their Fraternal Lodge Prank Machines from Human Centipedes and Revolving Goats to Electric Carpets and Smoking Camels (Perigee, 2011).
The New Yorker is an American weekly magazine featuring journalism, commentary, criticism, essays, fiction, satire, cartoons, and poetry. Founded as a weekly in 1925, the magazine is published 47 times annually, with five of these issues covering two-week spans. Although its reviews and events listings often focus on the cultural life of New York City, The New Yorker has a wide audience outside New York and is read internationally. It is well known for its illustrated and often topical covers, its commentaries on popular culture and eccentric American culture, its attention to modern fiction by the inclusion of short stories and literary reviews, its rigorous fact checking and copy editing, its journalism on politics and social issues, and its single-panel cartoons sprinkled throughout each issue.
Video art is an art form which relies on using video technology as a visual and audio medium. Video art emerged during the late 1960s as new consumer video technology such as video tape recorders became available outside corporate broadcasting. Video art can take many forms: recordings that are broadcast; installations viewed in galleries or museums; works streamed online, distributed as video tapes, or DVDs; and performances which may incorporate one or more television sets, video monitors, and projections, displaying live or recorded images and sounds.
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