Juliet Gilkes Romero | |
|---|---|
| Born | |
| Occupation |
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| Alma mater | Goldsmiths, University of London |
| Notable awards | Writers' Guild Award for Theatre Play (2009) Alfred Fagon Award (2020) |
| Board member of | HighTide |
| Academic work | |
| Discipline | Creative writing |
| Sub-discipline | Script writing |
| Institutions | |
| Website | |
| julietgilkesromero | |
Juliet Gilkes Romero is an English playwright and screenwriter, known for "politically charged" [1] works that discuss British colonial history, Black British history, and slavery. Her accolades include the Writers' Guild Award for Theatre Play in 2009 [2] and the Alfred Fagon Award in 2020. [3]
Romero was born in East London [4] to a Barbadian father and a Trinidadian mother. [5] She and grew up Suffolk, having moved there with her family in the late 1970s. [4] Her father worked for BT in Martlesham and her mother was a teacher, the Black person in her profession in Suffolk. [4]
Romero has credited her love of writing and storytelling to her parents, who brought her up with stories and books [6] and who often took her to the theatre. [4] She started writing from a young age, with one of her earliest works being a musical adaptation of Alice Through The Looking Glass . [5]
Romero joined the BBC in 1987 as a local radio news producer and reporter. [5] As a journalist, she has worked as a foreign affairs reporter and producer for BBC World Service Radio and BBC World TV, reporting from countries including Ethiopia, Cuba, Haiti, and the Dominican Republic. [7]
Romero has spoken openly about the lack of diversity in the field of journalism, as well as the challenges she faced as one of the few Black female journalists in the newsroom. [8] She left the BBC in 2010. [9]
While still working as a journalist, Romero decided to pursue screenwriting, having previously written recreationally. [9] She took a sabbatical to study Writing for Performance at Goldsmiths, University of London, earning a Master of Arts degree in 2001. [7] [10] She wrote her first play during the course and has since established a career in playwriting.
Romero is known as a playwright for "politically charged" productions. [1] Romero sees her work as a way to inform the public of "how society has been formed by events omitted from our history books" and considers "unravel[ling] what has lain untold and buried for political expediency" a key mission for her as a writer. [11] Her first short play, Bilad Al-Sudan, was written in response to the genocidal conflict in Darfur in 2006 and was staged at the Tricycle Theatre (now Kiln Theatre) as part of the How Long Is Never collection of short plays curated by Nicolas Kent. [12] [13] Romero's first full length production, At the Gates of Gaza, follows the story of the British West Indies regiment after The Great War. [11]
Juliet Gilkes Romero as a Writer in Residence at the National Theatre for the 2022/23 season within the New Works Department. [14]
Romero wrote her first full length play, At the Gates of Gaza, as part of her MA course. [9]
The play was produced at Birmingham Repertory Theatre in 2008 [15] and won the Writers' Guild Award for Theatre Play the following year. [16] The production also toured across the UK, including performances at Theatre Royal, Bury St Edmunds, [17] New Wolsey Theatre, [18] and Harrogate Theatre. [19]
The Whip examined the abolition of slavery in Britain, particularly in the lead up to the Slavery Abolition Act 1833 and the associated bailout of former slave owners - unknown to most members of the public until the publication of a (soon deleted) tweet from HM Revenue and Customs in 2018. [20] [21] The play was produced by Royal Shakespeare Company and premiered at the Swan Theatre in February 2020, though the run was unexpectedly cut short the following month due to the outbreak of COVID-19. [20] An audio-drama production of the play was released on RSC's official YouTube channel in October 2020 to mark Black History Month. [22] It was re-released the following January and was available until 16 March 2021. [23]
The Whip won the Alfred Fagon Award in 2020. [3]
Romero was appointed as a Creative Fellow at the University of Birmingham in 2018. [10] She is an associate lecturer of the MA Dramaturgy & Writing for Performance programme at Goldsmiths, her alma mater. [24]
| Year | Title | Venue(s)/ Production company | Note |
|---|---|---|---|
| 2006 | Bilad Al-Sudan | Tricycle Theatre | Part of the How Long Is Never collection in response to genocidal conflict in Darfur, Sudan [12] |
| 2008 | At The Gates of Gaza | Birmingham Repertory Theatre and UK tour | [15] [17] [18] [19] |
| 2015 | Upper Cut | Southwark Playhouse | [25] |
| 2018 | Day of The Living | The Other Place, Royal Shakespeare Company | Co-written with Darren Clark and Amy Draper [26] |
| 2020 | The Whip | The Swan Theatre, Royal Shakespeare Company | [20] |
| 2020 | 15 Heroines | Jermyn Street Theatre and available online | [27] |
| Year | Title | Channel / Network(s) | Note |
|---|---|---|---|
| 2019 | Soon Gone: A Windrush Chronicle | BBC Four | Episode 4 - Yvonne (1981) [28] |
| Year | Title | Network | Note |
|---|---|---|---|
| 2019 | One Hot Summer | BBC Radio 4 | [29] |
| Year | Award | Category | Nominated work(s) | Result | Note |
|---|---|---|---|---|---|
| 2009 | Writers' Guild Award | Theatre Play | At the Gates of Gaza | Won | [16] |
| 2013 | Alfred Fagon Award | Razing Cane | Shortlisted | [30] | |
| 2019 | The Roland Rees Bursary | N/a | Won | [31] | |
| 2020 | Alfred Fagon Award | The Whip | Won | [3] | |