Julio Ahuet | |
---|---|
Occupation | Actor |
Years active | 1938-1992 (film) |
Julio Ahuet was a Mexican film actor. He appeared in more than a hundred and thirty films during his career, including Women Without Tomorrow (1951), [1] Here Comes Martin Corona (1952), [2] and the El Santo film Profanadores de tumbas (1966). [3]
Miguel Zacarías Nogaim was a Mexican film director, producer, and writer.
Carlos Cores was an Argentine film actor, and film director.
Roque Funes was the most prolific Argentine cinematographer in the history of the Cinema of Argentina whose career spanned over 40 years of cinema.
Manuel Esperón González was a Mexican songwriter and composer. Along with the famous Mexican author Ernesto Cortazar, Esperón cowrote many songs for Mexican films, including "¡Ay, Jalisco, no te rajes!" for the 1941 film of the same name, "Cocula" for El Peñón de las Ánimas (1943), and "Amor con amor se paga" for Hay un niño en su futuro (1952). Other Esperón compositions have become Latin standards such as "Yo soy mexicano", "Noche plateada" and "No volveré", which was used in the first episode of the 2001 soap opera El juego de la vida. Among other performers, Pedro Infante, Los Panchos, and Jorge Negrete have made his songs well-known. His fame in the US derives from when his song The Three Caballeros was used in the Disney film The Three Caballeros (1945).
Arturo Soto Rangel was a Mexican film, television, and stage actor. Soto was best known for appearing in over 250 Mexican films. He appeared in one American movie, The Treasure of the Sierra Madre, which won three Academy Awards and starred Humphrey Bogart, Walter Huston, Tim Holt, Bruce Bennett, and many other successful actors. Soto last appeared on television in 1963, where he starred in Voy de gallo.
Cruz Pío Socorro Alvarado Bolado, known professionally as Crox Alvarado, was a Mexican actor who appeared in over 90 films. He was considered a popular star of the Golden Age of Mexican cinema.
Guadalupe Bracho Pérez-Gavilán, known professionally as Andrea Palma, was a Mexican actress. She was considered the first major female star of the Mexican cinema after her role in the Mexican film La Mujer del Puerto (1934).
Santiago Eduardo Urueta Sierra, more commonly known as Chano Urueta, was a Mexican film director, producer, screenwriter, and actor.
Carlos Orellana Martínez was a Mexican actor, film director and screenwriter.
María Esther Buschiazzo (1889–1971) was an Argentine actress. Since the beginning of the century he began making works by great Argentine authors such as Florencio Sánchez. In 1912 he made his film debut in a silent film directed by Mario Gallo called Tierra Baja, in which Pablo Podestá and Elías Alippi also acted.
David Silva Guglielmeti was a Mexican actor and occasional producer of the Golden Age of Mexican cinema. In his career, he appeared in more than 100 films and won an Ariel Award for his leading role in the film Champion Without a Crown (1946).
Here Comes Martin Corona is a 1952 Mexican comedy western film directed by Miguel Zacarías and starring Pedro Infante, Sara Montiel and Eulalio González. It was shot at the Churubusco Studios in Mexico City. The film's sets were designed by the art director Luis Moya. It is also known by the alternative title of Little Love of My Life.
Miguel Inclán (1897–1956) was a Mexican film actor. He became known for his villainous roles during the Golden Age of Mexican cinema. His sister was the actress Lupe Inclán.
José W. Bustos was a Mexican film editor who began his career during the Golden Age of Mexican cinema. His brother Jorge Bustos was also an editor.
Manuel Dondé was a Mexican film actor. He frequently played villains during his long film career.
Eduardo Arozamena Lira was a Mexican actor. His nickname was "El Nanche Arozamena".
Conchita Gentil Arcos was a Mexican actress of the Golden Age of Mexican cinema as a character actress in supporting roles.
Armando Velasco was an Ecuadorian-born Mexican actor who worked on the Golden Age of Mexican cinema, on films such as The Saint Who Forged a Country (1942), Historia de un gran amor (1942), and You Had To Be a Gypsy (1953).
The Lover is a 1952 Mexican comedy western film directed by Miguel Zacarías and starring Pedro Infante, Sara Montiel and Eulalio González. It is a sequel to Here Comes Martin Corona.
Florencio Castelló was a Spanish actor, known for participating in the Golden Age of Mexican cinema, acting alongside personalities of Mexican cinema such as Pedro Infante and Cantinflas. He usually played roles of a Spaniard with an Andalusian accent.