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Julio "Koko" Sosa is a master guitarist and composer from Ucacha (Cordoba Province), Argentina. His performances and compositions range from Argentine styles (such as Tango, Milonga, Chamame, Zamba, Tonada, and Aires Criollos) to Latin Jazz, Flamenco and Brazilian styles (such as Samba and Bossa Nova).
Sosa performed throughout Latin America and the United States, including performances at the White House and the Kennedy Center in Washington, D.C., [1] and was for many years an instructor at the Guitar Gallery in Washington, D.C. [2] Hailing from Argentina, he was known in South America as "Koko Sosa" (not to be mistaken for producer and actor Manueal "Coco" Sosa). He specialized in Argentine idioms like the Tango, Milonga, Chamame, Zamba, Tonada, and Aires Criollos. Among well-known figures he worked with in South America were the legendary Argentinian singer-songwriter Mercedes Sosa (not a relation). He died in Washington D.C. in 2014.
The music of Latin America refers to music originating from Latin America, namely the Romance-speaking regions of the Americas south of the United States. Latin American music also incorporates African music from enslaved African people who were transported from West and Central Africa to the Americas by European settlers, as well as music from the Indigenous peoples of the Americas. Due to its highly syncretic nature, Latin American music encompasses a wide variety of styles, including influential genres such as cumbia, bachata, bossa nova, merengue, rumba, salsa, samba, son, and tango. During the 20th century, many styles were influenced by the music of the United States giving rise to genres such as Latin pop, rock, jazz, hip hop, and reggaeton.
The most distinctive music of Uruguay is to be found in the tango and candombe; both genres have been recognized by UNESCO as an Intangible Cultural Heritage of Humanity. Uruguayan music includes a number of local musical forms such as murga, a form of musical theatre, and milonga, a folk guitar and song form deriving from Spanish and italian traditions and related to similar forms found in many American countries.
The music of Argentina includes a variety of traditional, classical and popular genres. One of the country's most significant cultural contributions is the tango, which originated in Buenos Aires and its surroundings during the end of the 19th century and underwent profound changes throughout the 20th century. Folk music was particularly popular during the 20th century, experiencing a "boom" in popularity during the 1950s and 1960s thanks to artists such as Atahualpa Yupanqui and Mercedes Sosa, prominent figures of the Nuevo cancionero movement. In the mid-to-late 1960s, the countercultural scene of Buenos Aires originated Argentine rock, considered the earliest incarnation of Spanish-language rock for having an autochthonous identity that differed from that of England or the United States. It was widely embraced by the youth and since then has become part of the country's musical identity as much as traditional music. According to the Harvard Dictionary of Music, Argentina also "has one of the richest art music traditions and perhaps the most active contemporary musical life.
Tango is a style of music in 2
4 or 4
4 time that originated among European and African immigrant populations of Argentina and Uruguay. It is traditionally played on a solo guitar, guitar duo, or an ensemble, known as the orquesta típica, which includes at least two violins, flute, piano, double bass, and at least two bandoneóns. Sometimes guitars and a clarinet join the ensemble. Tango may be purely instrumental or may include a vocalist. Tango music and dance have become popular throughout the world.
Candombe is a style of music and dance that originated in Uruguay among the descendants of liberated African slaves. In 2009, the United Nations Educational, Scientific and Cultural Organization (UNESCO) inscribed candombe in its Representative List of the Intangible Cultural Heritage of Humanity.
Aníbal Carmelo Troilo, also known as Pichuco, was an Argentine tango musician.
Agustín Pío Barrios was a Paraguayan virtuoso classical guitarist and composer, largely regarded as one of the greatest performers and most prolific composers for the guitar.
Argentine tango is a musical genre and accompanying social dance originating at the end of the 19th century in the suburbs of Buenos Aires. It typically has a 2
4 or 4
4 rhythmic time signature, and two or three parts repeating in patterns such as ABAB or ABCAC. Its lyrics are marked by nostalgia, sadness, and laments for lost love. The typical orchestra has several melodic instruments and is given a distinctive air by the bandoneon. It has continued to grow in popularity and spread internationally, adding modern elements without replacing the older ones. Among its leading figures are the singer and songwriter Carlos Gardel and composers/performers Francisco Canaro, Juan D'Arienzo, Carlos Di Sarli, Osvaldo Pugliese, and Ástor Piazzolla.
Tango, a distinctive tango dance and the corresponding musical style of tango music, began in the working-class port neighborhoods of Buenos Aires (Argentina) and Montevideo (Uruguay); on both sides of the Rio de la Plata.
Uruguayan tango is a rhythm that has its roots in the poor areas of Montevideo around 1880. Then it was extended to other areas and countries. As Borges said: "...tango is African-Montevidean [Uruguayan], tango has black curls in its roots..." He quoted Rossi, that sustained that "...tango, that argentine people call argentine tango, is the son of the Montevidean milonga and the grandson of the habanera. It was born in the San Felipe Academy [Montevideo], a Montevidean warehouse used for public dances, among gangsters and black people; then it emigrated to underworld areas of Buenos Aires and fooled around in Palermo's rooms..." This also implies that different forms of dance were originated in the neighborhoods of Montevideo, Uruguay in the last part of the 19th century and in the early 20th century that was particular from that area and different from Buenos Aires. It consists of a variety of styles that developed in different regions of Argentina and Uruguay.
Bajofondo is a Río de la Plata-based music band consisting of eight musicians from Argentina and Uruguay, which aims to create a more contemporary version of tango and other musical styles of the Río de la Plata region. It was founded in the early 2000s as a studio experiment, which culminated into the successful album Bajofondo Tango Club. This led to touring and eventually to the current lineup. Bajofondo calls itself a collaborative as all members have solo careers as well. The group has toured around the world, particularly in Latin America, the United States, Europe and parts of Asia. Their music is known to a wider audience than those who know their name as their music has been used in film and television.
Víctor Hugo Díaz was a tango, folklore and jazz harmonicist.
Southern Cone music, includes the music of Argentina, Chile and Uruguay. It comes in many varieties. From the Argentine tango, to the Electro music, from the cuarteto to Rock.
César Isella was an Argentinian singer and songwriter of folk music. He joined Los Fronterizos from 1956 to 1966, was one of the main figures of the "Movement of the New Songbook", and in the 1990s he discovered and sponsored the singer Soledad Pastorutti. He has written the music for "Canción con todos", regarded as the Latin American anthem.
Luis Salinas is an Argentine jazz guitarist who plays electric and nylon string guitars. His music includes elements of bossa nova, samba, Afro-Uruguayan candombe, salsa, boleros, and jazz. He blends traditional South American musical forms with improvisational modern jazz.
Luis Pereyra is a dancer and choreographer of Tango Argentino and Argentine folk dances.
Atilio Stampone was an Argentine pianist, composer, and arranger prominent in the Tango genre.
Oscar Emilio Tirao, known as Cacho Tirao, was an Argentine guitarist. He was a member of the Astor Piazzolla quintet.
Azucena Maizani was an Argentine tango singer, composer and actress who was born in Buenos Aires on November 17, 1902 and died in the same city on January 15, 1970. She was discovered in 1920 by Francisco Canaro and quickly emerged as a major star. Her frequent appearances on stage and radio made her the female counterpart of Carlos Gardel although she did not enjoy as successful a film career as he did, appearing in a handful of films including Buenos Aires Sings (1947). During many years she gave performances dressed with men's suits or criollo cowboy attire for which she was known by the nickname "Funny-face Cowgirl", given to her by Libertad Lamarque in 1935.
Rodolfo Miguel Montironi is an Argentine bandoneonist, conductor, composer and arranger who has been involved in many tango orchestras in addition to his own.
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