Julius Stettenheim (born 3 December 1831 in Hamburg, Germany, died 30 October 1916 in Lichterfelde) was a German writer, author of humorous sketches, farces and musical comedies, who also wrote under the pseudonym "Wippchen". [1]
Julius Stettenheim (born 3 December 1831 in Hamburg, Germany, died 30 October 1916 in Lichterfelde) was a German writer, author of humorous sketches, farces and musical comedies, who also wrote under the pseudonym "Wippchen". [1]
Julius Streicher was a member of the Nazi Party, the Gauleiter of Franconia and a member of the Reichstag, the national legislature. He was the founder and publisher of the virulently antisemitic newspaper Der Stürmer, which became a central element of the Nazi propaganda machine. The publishing firm was financially very successful and made Streicher a multi-millionaire.
Der Stürmer was a weekly German tabloid-format newspaper published from 1923 to the end of World War II by Julius Streicher, the Gauleiter of Franconia, with brief suspensions in publication due to legal difficulties. It was a significant part of Nazi propaganda, and was virulently antisemitic. The paper was not an official publication of the Nazi Party, but was published privately by Streicher. For this reason, the paper did not display the Nazi Party swastika in its logo.
Fritz Julius Kuhn was a German Nazi activist who served as elected leader of the German American Bund before World War II. He became a naturalized United States citizen in 1934, but his citizenship was cancelled in 1943, and he was deported in 1945. He was an American supporter of the German Nazi government led by Adolf Hitler that ruled Germany from 1933 to 1945.
Friedrich Julius Stahl, German constitutional lawyer, political philosopher and politician.
Gorp is a 1980 American comedy film starring Michael Lembeck and Dennis Quaid, and featuring early acting work of Rosanna Arquette and Fran Drescher in supporting roles. Directed by Joseph Ruben, with both story and screenplay by Jeffrey Konvitz and A. Martin Zweiback, the film follows in the tradition of the 1978 fraternity comedy National Lampoon's Animal House, and the 1979 summer camp comedy film Meatballs. Gorp was the penultimate film released by American International Pictures, before How to Beat the High Cost of Living two months later.
Ben Katchor is an American cartoonist and illustrator best known for his critically acclaimed comic strip Julius Knipl, Real Estate Photographer. He has contributed comics and drawings to The Forward, The New Yorker,Metropolis, and weekly newspapers in the United States. A Guggenheim Fellowship and MacArthur Fellowship recipient, Katchor was described by author Michael Chabon as "the creator of the last great American comic strip."
Julius Hirsch was a Jewish German Olympian international footballer who was killed by the Nazis in Auschwitz concentration camp during the Holocaust. He helped Karlsruher FV win the 1910 German football championship. He played for the Germany national football team, including at the 1912 Summer Olympics. He then joined SpVgg Fürth, with whom he won the 1914 German football championship.
Baron Lajos Dóczi, aka Dóczy was a Jewish Hungarian poet, journalist. His father, Adolf Dux, was a wine trader, and is not to be confused with the writer of the same name, Adolf Dux.
Julius Fürst, born Joseph Alsari, was a Jewish German orientalist. Fürst was a distinguished scholar of Semitic languages and literature. During his years as professor in the department of oriental languages and literature at the University of Leipzig (1864–1873), he wrote many works on literary history and linguistics.
Julius Urgiß was a German-Jewish screenwriter, musician, and film critic.
Alexander Moszkowski was a German satirist, writer and philosopher of Polish-Jewish descent. He was the brother of the composer and pianist Moritz Moszkowski.
The Berliner Börsen-Courier was a German left-liberal daily newspaper published from 1868 to 1933. It focused primarily on prices of securities traded on the stock exchanges and securities information about the mortgage market, but also featured news and reports from industry, commerce, politics and culture. It was subtitled: moderne Tageszeitung für alle Gebiete.
The Virtuous Sinner is a 1931 German comedy film directed by Fritz Kortner and starring Max Pallenberg, Heinz Rühmann and Dolly Haas.
What a Woman Dreams of in Springtime is a 1929 German silent comedy film directed by Curt Blachnitzky and starring Paul Rehkopf, Anna Müller-Lincke and Colette Brettel. The film's art direction was by Kurt Richter.
Mischievous Miss is a 1930 German silent comedy film directed by Erich Schönfelder and starring Julius Falkenstein, Dina Gralla and Albert Paulig. It was made at the Staaken Studios in Berlin, with some scenes shot on location in Portugal. The film's sets were designed by the art director Heinrich Richter. It premiered at Berlin's Marmorhaus cinema.
The Girl with the Whip is a 1929 German silent comedy film directed by Carl Lamac and starring Anny Ondra, Werner Fuetterer and Sig Arno. The film's art direction was by Heinrich Richter. It was based on a play by Hans H. Zerlett.
The Heart of a German Mother is a 1926 German silent drama film directed by Géza von Bolváry and starring Margarete Kupfer, Heinz Rühmann, and Julius Messaros. The film marked Rühmann's debut, beginning a screen career that lasted until his death in 1994.
A Precocious Girl is a 1934 Austrian comedy film directed by Max Neufeld and Richard Eichberg and starring Franciska Gaal, Leopoldine Konstantin and Herbert Hübner. The film's sets were designed by art director Julius von Borsody.
The Model from Montparnasse or Adieu Mascotte is a 1929 German comedy film directed by Wilhelm Thiele and starring Lilian Harvey, Igo Sym and Marietta Millner. Originally made as a silent film, it later had synchronized sound added. It is set in the Demimonde of Paris with a heroine working as an artist's model.
Die Freie Bühne was a subscription-based theatre club founded in Berlin in 1889 by 10 writers and theatre critics supervised by Otto Brahm for the purpose of staging new, naturalistic plays that were censored, not commercially viable, or not otherwise commonly produced. The 10 founding members were Otto Brahm, Maximilian Harden, Theodor Wolff, Julius Hart and Heinrich Hart, Paul Schlenther, Julius Elias, Julius Stettenheim, Paul Jonas and Samuel Fischer. Inspired in part by André Antoine's Théâtre-Libre in Paris, Brahm's company gave private performances to subscribers only. Performances were held on Sunday afternoons. The Freie Bühne opened with a production of Ibsen's "Ghosts" (1881), in September 1889. Later productions included works by writers such as Gerhardt Hauptmann, Arno Holz, Émile Zola, August Strindberg, as well as dramatic adaptations of Tolstoy. The Freie Bühne closed in 1894, mostly due to the fact that larger, commercial theaters in Berlin had by then begun to embrace the new theatrical styles that the Freie Bühne had championed. Together with the Théâtre-Libre in Paris and the Independent Theatre Society in London, the Freie Bühne inspired a number of smaller, subscription-based theatres, known collectively as the Independent Theatre Movement.
| General | |
|---|---|
| National libraries | |
| Other | |
  | This article about a German writer or poet is a stub. You can help Wikipedia by expanding it. |
