The show centers on FBI special agents who work on cases linked to the paranormal, called X-Files; this season focuses on the investigations of John Doggett (Robert Patrick), Monica Reyes (Annabeth Gish), and Dana Scully (Gillian Anderson). In this episode, Doggett and Reyes attempt to locate a female friend of The Lone Gunmen after former Area 51 Man-in-Black Morris Fletcher appears and claims that she is actually a super-soldier. What Doggett and Reyes soon discover is a bizarre plot to unleash a biological weapon via the use of grafted shark organs.
"Jump the Shark" features the death of The Lone Gunmen—popular recurring characters who first appeared in the first season episode "E.B.E.", although this plot was later retconned in the comic book series The X-Files Season 10. The episode proved difficult to make because, after the cancellation of The Lone Gunmen television series, Fox was adamant that the characters not have a featured role back on The X-Files. (The characters did appear in four previous season 9 episodes, but always very briefly.) The choice to kill off the trio was controversial. Writers Spotnitz and Gilligan later revealed some regret with the way the episode was handled. However, actors Bruce Harwood and Dean Haglund were happy with the way the episode ended. The episode title is a humorous reference to the phrase "jumping the shark", which is used to describe shows that are in decline and therefore try a gimmick to get attention.
Plot
The episode begins with Morris Fletcher (Michael McKean) on a boat in the Bahamas, where he is accosted by armed men and his vessel is blown up. When he is rescued and detained, he approaches FBI agents Monica Reyes (Annabeth Gish) and John Doggett (Robert Patrick) with information related to the Super Soldiers in exchange for his release. Doggett and Reyes turn to The Lone Gunmen when Fletcher provides an alleged photo of the Super Soldier, whom the Gunmen recognize as Yves Adele Harlow (Zuleikha Robinson), a fellow hacker who disappeared a year before. The Gunmen refuse to believe the evidence, especially when they find that Fletcher provided it, although the agents continue to pursue the trail.
Meanwhile, Harlow murders a biology professor, cuts out an organ and disposes of it in a furnace. After the Gunmen capture her, she reveals that he had been experimenting with the immune system of sharks and had been grafting pieces of shark onto his body in order to become a living host to a biological weapon. His research had been funded by Harlow's arms dealing father, who had commissioned Fletcher to find her and prevent her from stopping his biological terrorism plot. She further informs them that there is another host, whom she is trying to identify and locate before he can unleash his deadly payload.
Once Fletcher realizes that he has been used by Harlow's father, he teams with the Gunmen to help her find the second bio-terrorist. After a few false starts and chases, the Gunmen corner the bio-terrorist with only a few minutes before his virus is due to be released. They realize that they lack the time to destroy his virus-filled organ and therefore pull a fire alarm, causing large emergency doors to seal shut, simultaneously containing the virus and entrapping them with it. Their sacrifice earns them a final resting place in Arlington National Cemetery, where Fletcher, Doggett, Reyes, Harlow, Dana Scully (Gillian Anderson), Walter Skinner (Mitch Pileggi), and Jimmy Bond (Stephen Snedden) pay their respects to them.[2]
Comic book alternate universe
In the comic book adaptation of the series The X-Files Season 10—which takes place in an alternate universe after the events of The X-Files: I Want to Believe—it is revealed that the Lone Gunmen are alive and well, having faked their deaths during the events of "Jump the Shark". The group was aided by the FBI and have since been working underground, aiding the US government; for instance, Langly mentions that he was responsible for the Stuxnet virus in 2010.[3] (The X-Files Season 10 comic series is not considered canon due to the television tenth and eleventh seasons reaffirming their deaths in the series.)
Production
Executive producer Frank Spotnitz, one of the co-writers of the episode, had to contest Fox in order to get the episode made, due to the studio's disdain for the characters.
"Jump the Shark" was written by Vince Gilligan, John Shiban, and Frank Spotnitz; it was directed by Cliff Bole.[4] After the cancellation of The Lone Gunmen television series, which aired in 2001, Fox reportedly "hated [the] characters".[5]Executive producer and co-writer Frank Spotnitz had to fight to get the episode made, as the studio was not interested in bringing the characters back for the ninth season. Actor Bruce Harwood later explained that "I think if the studio objected to anything, it was wasting time on our characters long enough to kill us off."[5] Co-writer Gilligan later recalled "The Lone Gunmen was still kind of an open wound for me."[6] Thus, the episode was crafted as a way to wrap up the series.[6] Due to the nature of the episode—which effectively works as a tie-in—various long-term characters from both The X-Files and The Lone Gunmen make cameo appearances.[7]
The episode title is a humorous reference to the phrase "jumping the shark", coined when Fonzie did a water ski jump of a shark pen on the television series Happy Days. The phrase is used to describe shows that have peaked and are in decline. Executive producer Chris Carter said that the title was tongue-in-cheek, and further stated that it was their "way of lowering the boom on anybody who thought that it did".[8] He further stated that the series was "good" until the end, even after the departure of David Duchovny as Fox Mulder.[8] According to IGN, the episode's title was an homage to the popular website Jump the Shark.[9] In fact, during the commentary for "Jump the Shark", Vince Gilligan makes a direct reference to the website.[10]
Various plotlines leaked before the episode's release, the most notable being the death of the Lone Gunmen.[7] The choice to kill off the trio was controversial; Gilligan himself later admitted that "I still think we made the wrong choice on that one."[6] Spotnitz later said, "I can't say I regret killing them off, as you know, no one really dies in The X-Files [...] But I do feel tonally it was a mistake to end the episode on such a somber note. I wish we'd ended it on a laugh or smile."[5] The actors who played The Lone Gunmen complimented the script. Harwood admitted that the episode would have either featured the trio's death or would have featured them "walk[ing] off into the sunset without hobo bags over our shoulders."[6] Ultimately, he concluded, "I was glad we were killed off in the end".[6]Dean Haglund said that he "liked the way we were sent off", and called the ending "cool".[5]
Reception
"Jump the Shark" first aired on the Fox network in the United States on April 21, 2002. The episode later aired in the United Kingdom on Sky One and later on BBC One on 23 February 2003.[4] The episode earned a Nielsen household rating of 5.1, meaning that it was seen by 5.1% of the nation's estimated households and was viewed by 5.38 million households,[11][nb 1] and 8.6 million viewers.[12] "Jump the Shark" was the 58th most watched episode of television that aired during the week ending April 21.[11]
The episode received mixed to negative reviews from television critics. Aaron Kinney from Salon magazine said that the episode title showed that the creators at least still had a sense of humor, but that the episode demonstrated some of the flaws that caused the series to jump the shark in the first place: "cheesy melodrama, deathly slow pacing, and a lack of coherence".[13]Robert Shearman and Lars Pearson, in their book Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen, rated the episode one star out of five, and noted that "there's nothing celebratory" about the entry.[14] The two were highly critical of the episode's conclusion, calling it "such a bland way of dying that for a moment, you feel you must have missed the point".[14] Shearman and Pearson, furthermore, argued that "The Lone Gunmen deserved better. No, worse than that—we deserved better."[14] M.A. Crang, in his book Denying the Truth: Revisiting The X-Files after 9/11, criticized the "goofy tone" of the episode, saying it felt "very out of place" within the context of the series.[15]
Notes
↑ At the time of airing, the estimated number of households was 105.5 million.[11] Thus, 5.1 percent of 105.5 million is 5.38 million households.
Hurwitz, Matt; Knowles, Chris (2008). The Complete X-Files. Insight Editions. ISBN978-1933784809.
Shearman, Robert; Pearson, Lars (2009). Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen. Mad Norwegian Press. ISBN978-0975944691.
Crang, M.A. (2015). Denying the Truth: Revisiting The X-Files after 9/11. Createspace. ISBN9781517009038.
The ninth season of the American science fiction television series The X-Files commenced airing in the United States on November 11, 2001, concluded on May 19, 2002, and consists of twenty episodes. The season takes place after Fox Mulder goes into hiding, following the events of the eighth season finale, "Existence". As such, the main story arc for the season follows Dana Scully, John Doggett, and Monica Reyes on their hunt to reveal a government conspiracy involving the elaborate and malevolent creation of "Super Soldiers".
Monica Julieta Reyes is a fictional character in the Fox science fiction-supernatural television series The X-Files. She is portrayed by Annabeth Gish. At first a Field Agent before becoming a Special Agent with the FBI, she works with her longtime friend and partner John Doggett in the X-Files office, which is concerned with the investigation of paranormal cases, dubbed "X-Files". Introduced in the series' eighth season, Reyes would become a main character throughout the entirety of its ninth season, before returning for a single-episode guest appearance in the tenth-season finale, and later in a recurring capacity during season eleven.
Alvin D. Kersh is a fictional character in the Fox science fiction television series The X-Files, played by James Pickens Jr. He serves as a figure of authority within the series, first introduced as an Assistant Director of the Federal Bureau of Investigation, and is later promoted to the post of Deputy Director. Kersh acts as an antagonist who bureaucratically prevents Special Agents Fox Mulder, Dana Scully, John Doggett and Monica Reyes from investigating cases dealing with the paranormal, dubbed X-Files.
On The X-Files television show, the term Men in Black refers to a group of enforcers employed by the Syndicate to execute assassinations, cover-ups and other clandestine operations. It is clear that most, if not all, of them are former members of special operations units. Some, mostly shown in comedic episodes, parodied the traditional view of MIBs from UFO lore. Most had no known civilian identities, though there were some exceptions. They rarely speak.
"The Truth" is the two-part season finale of the ninth season of the American science fiction television series The X-Files. "The Truth", the 19th and 20th episodes of the season and the 201st and 202nd episodes overall, originally served as the series finale for the series until The X-Files was revived in January 2016. First aired together on the Fox network on May 19, 2002, the episodes were written by series creator Chris Carter and directed by Kim Manners. "The Truth" was the most-watched episode of the ninth season and was seen by 13.25 million viewers upon its initial broadcast. The finale received mixed reviews, with many commentators criticizing the episode's lack of closure, though the full return of actor David Duchovny to the series, as well as the episode's conclusion, received praise.
"Sunshine Days" is the eighteenth and penultimate episode of the ninth season of the American science fiction television series The X-Files, and the series' 200th episode overall. It originally aired on the Fox network on May 12, 2002. The entry was written and directed by executive producer Vince Gilligan, his thirtieth and last episode as writer for the series. The episode is a "monster-of-the-week" episode, a stand-alone plot which is unconnected to the mythology, or overarching fictional history, of The X-Files. "Sunshine Days" earned a Nielsen household rating of 6.2, was viewed by 6.5 million households, and 10.4 million viewers in its initial broadcast. It received mixed reviews from television critics.
"Lord of the Flies" is the fifth episode of the ninth season of the science fiction television series The X-Files, and the show's 187th episode overall. It first premiered on the Fox network in the United States on December 16, 2001, and was subsequently aired in the United Kingdom on BBC Two. The episode was written by Thomas Schnauz, and was directed by Kim Manners. The episode is a "monster-of-the-week" episode, a stand-alone plot which is unconnected to the mythology, or overarching fictional history, of The X-Files. "Lord of the Flies" earned a Nielsen household rating of 6.2, and was watched by 9.9 million viewers. The episode received mixed reviews from television critics, with many critical of the episode's reliance on humor.
"John Doe" is the seventh episode of the ninth season of the American science fiction television series The X-Files. The episode first aired in the United States on January 13, 2002, on the Fox network. It was written by executive producer Vince Gilligan, and directed by co-executive producer Michelle MacLaren. The episode is a "monster-of-the-week" episode, a stand-alone plot which is unconnected to the mythology, or overarching fictional history, of The X-Files. "John Doe" earned a Nielsen rating of 5.0 and was viewed by 5.28 million households. The episode received largely positive reviews from television critics.
"Dæmonicus" is the third episode of the ninth season of the American science fiction television series The X-Files and the show's 185th episode overall. It first premiered on the Fox network in the United States on December 2, 2001. The episode was written and directed by executive producer Frank Spotnitz. The episode is a "monster-of-the-week" episode, a stand-alone plot which is unconnected to the mythology, or overarching fictional history, of The X-Files. The episode earned a Nielsen rating of 5.5 and its premiere was viewed by 5.80 million households. The episode received mixed reviews from television critics.
"Trust No 1" is the sixth episode of the ninth season of the American science fiction television series The X-Files. It premiered on the Fox network on January 6, 2002. The episode was written by series creator Chris Carter and executive producer Frank Spotnitz, and directed by Tony Wharmby. "Trust No 1" helps to explore the series' overarching mythology. The episode received a Nielsen household rating of 5.1 and was viewed by 8.4 million viewers; it garnered mixed to negative reviews from television critics, with many feeling that it portrayed the series' characters in a way that was unfaithful to the show's history.
"Providence" is the tenth episode of the ninth season of the American science fiction television series The X-Files. It premiered on the Fox network on March 10, 2002, and later aired in the United Kingdom on BBC One on January 19, 2003. The episode was written by series creator Chris Carter and executive producer Frank Spotnitz, and directed by Carter. "Providence" helps to explore the series' overarching mythology. The episode earned a Nielsen household rating of 5.2 and was viewed by 8.4 million viewers. The episode received mixed reviews from critics; some reviewers enjoyed the story and the show's way of integrating an absent Fox Mulder into the storyline, whereas others felt the plot was ludicrous.
"Underneath" is the twelfth episode of the ninth season of the American science fiction television series The X-Files. The episode first aired in the United States on March 31, 2002, on the Fox network. The episode was written and directed by executive producer John Shiban. The episode is a "monster-of-the-week" episode, a stand-alone plot which is unconnected to the mythology, or overarching fictional history, of The X-Files. The episode earned a Nielsen rating of 4.4 and was viewed by 4.64 million households and 7.3 million viewers. It received mixed reviews from critics.
"Hellbound" is the eighth episode of the ninth season of the American science fiction television series The X-Files. It originally aired on the Fox network on January 27, 2002. It was written by David Amann and directed by Kim Manners. The episode is a "monster-of-the-week" episode, a stand-alone plot which is unconnected to the series' wider mythology, or the overarching fictional history. The episode earned a Nielsen household rating of 5.1 and was viewed by 7.8 million viewers in its initial broadcast. It received positive reviews from television critics.
"Provenance" is the ninth episode of the ninth season of the American science fiction television series The X-Files. It premiered on the Fox network on March 3, 2002. The episode was written by series creator Chris Carter and executive producer Frank Spotnitz, and directed by Kim Manners. "Provenance" helps to explore the series' overarching mythology. The episode received a Nielsen household rating of 5.5 and was watched by 5.8 million households and 9.7 million viewers. It received mixed to positive reviews from critics.
"Scary Monsters" is the fourteenth episode of the ninth season of the American science fiction television series The X-Files. It originally aired on the Fox network on April 14, 2002. It was written by Thomas Schnauz and directed by Dwight H. Little. The episode is a "monster-of-the-week" episode, a stand-alone plot which is unconnected to the mythology, or overarching fictional history, of The X-Files. The episode earned a Nielsen household rating of 5.1 and was viewed by 8.2 million viewers in its initial broadcast. It received mixed to positive reviews from television critics.
"William" is the sixteenth episode of the ninth season of the American science fiction television series The X-Files, which originally aired on the Fox network on April 28, 2002. The teleplay of the episode was written by series creator Chris Carter, from a story by former series star David Duchovny, Carter, and executive producer Frank Spotnitz; the entry was directed by Duchovny. "William" helps to explore the series' overarching mythology. The episode received a Nielsen household rating of 5.8, being watched by 6.1 million households and 9.3 million viewers upon its initial broadcast. It received mixed reviews from television critics, many of whom were unhappy with the episode's conclusion.
"Release" is the seventeenth episode of the ninth season of the American science fiction television series The X-Files. The episode originally aired on the Fox network on May 5, 2002. The teleplay for the episode was written by David Amann, from a story by John Shiban and Amann, and was directed by Kim Manners. The episode helps to explore one of the show's story arcs involving John Doggett finding the truth behind his son's murder. The episode earned a Nielsen rating of 5.1, being watched by 5.38 million households, and 7.8 million viewers in its initial broadcast. The episode received largely positive reviews from critics.
"Three Words" is the sixteenth episode of the eighth season of the science fiction television series The X-Files. It first aired in the United States and Canada on April 8, 2001, on Fox. Written by executive producers Chris Carter and Frank Spotnitz, and directed by Tony Wharmby, it explores the series' overarching mythology. It earned a Nielsen rating of 7.6, viewed by 7.77 million households, and received mixed to positive reviews from television critics.
The Lone Gunmen is an American conspiracy fiction thriller drama television series created by Chris Carter, Vince Gilligan, John Shiban, and Frank Spotnitz. The program originally aired from March 4, 2001, to June 1, 2001, on Fox. It is a spin-off of Carter's science fiction television series The X-Files and as such is part of The X-Files franchise, starring several of the show's characters. Despite positive reviews, its ratings dropped, and the show was canceled after thirteen episodes. The last episode ended on a cliffhanger which was partially resolved in a ninth season episode of The X-Files entitled "Jump the Shark".
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