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Juniper Shuey (born 1974) is a Seattle-based visual artist, known for his video installations and sculptural performance. He is the co-artistic director of zoe|juniper and the head carpenter at the University of Washington Meany Hall. Since establishing himself in the late 1990s he has continued to gain a professional reputation for his works.[ according to whom? ][ citation needed ]
Juniper Shuey was born in Santa Cruz, California. [1] He is married to Zoe Scofield. [2]
Prior to his involvement in the visual arts, Shuey spent three years at Emerson College in Boston studying theatrical set design. He then transferred to Ceramics at the University of Washington where the faculty allowed him to develop his art in performance and clay. He has since acted as Set and Lighting Designer for various pieces including Burning Circus' Production of "Emma Goldman; Love, Anarchy, and Other Affairs" at the Fringe Festival in Seattle, Washington, a performance that won the festival for a sold out show. Some of his most popular work was showcased at the Howard House (Seattle) in both 2003 and 2005. Juniper's work has also reached galleries in Palazzo Pio, Rome, and various exhibitions at Soil Art Gallery. Along with his unique and signaturely successful stage sets, Juniper has received the following awards:
His work has been published in several art books including SOIL Artist, Lava, and Fashion is ART. His video installations, photographs and performances have been shown both nationally and internationally including Italy, Budapest, NYC, Houston, Seattle, Portland, and Christchurch, New Zealand. Juniper has participated on several professional panels including New England Foundation for the Arts, The MacArthur Foundation and a professional practices panel discussion at the University of Washington.
His work has been presented at On The Boards, Spectrum Dance Theater, Velocity Dance Center, and the 2005 Northwest New Works Festival where he began his collaboration with performance artist Zoe Scofield and musician Morgan Henderson. At the start of their collaborative relationship they presented their works in visual art galleries, museums, and theaters. They have been commissioned and presented by national and international arts centers such as, On the Boards, PICA, Trafo House of Art, Dance Theater Workshop, Bates Dance Festival, NYLA, Spoleto Festival, Jacob's Pillow, Institute of Contemporary Art Boston, Body Festival (New Zealand), Yerba Buena Center, Columbia College Chicago, DiverseWorks, The Frye Art Museum and many more. They have taught workshops and given lectures on dance, photography, collaboration and installation throughout the US and internationally.
The Portland Institute for Contemporary Art (PICA) is a contemporary performance and visual arts organization in Portland in the U.S. state of Oregon. PICA was founded in 1995 by Kristy Edmunds. Since 2003, it has presented the annual Time-Based Art Festival (TBA) every September in Portland, featuring contemporary and experimental visual art, dance, theatre, film/video, music, and educational and public programs from local, national, and international artists. As of November 2017, it is led by Executive Director Victoria Frey and Artistic Directors Roya Amirsoleymani, Erin Boberg Doughton, and Kristan Kennedy.
Gary Hill is an American artist who lives and works in Seattle, Washington. Often viewed as one of the foundational artists in video art, based on the single-channel work and video- and sound-based installations of the 1970s and 1980s, he in fact began working in metal sculpture in the late 1960s. Today he is best known for internationally exhibited installations and performance art, concerned as much with innovative language as with technology, and for continuing work in a broad range of media. His longtime work with intermedia explores an array of issues ranging from the physicality of language, synesthesia and perceptual conundrums to ontological space and viewer interactivity. The recipient of many awards, his influential work has been exhibited in most major contemporary art museums worldwide.
Shen Wei is a Chinese-American choreographer, painter, and director who resides in New York City. Widely recognized for his defining vision of an intercultural and interdisciplinary mode of movement-based performance, Shen Wei creates original works that employ an assortment of media elements, including dance, painting, sound, sculpture, theater and video. Critics have commented on his innovative blend of Asian and Western sensibilities, as well as his syncretic approach to performance art.
Seattle is a significant center for the painting, sculpture, textile and studio glass, alternative, urban art, lowbrow and performing arts. The century-old Seattle Symphony Orchestra is among the world's most recorded orchestras. The Seattle Opera and Pacific Northwest Ballet, are comparably distinguished. On at least two occasions, Seattle's local popular music scene has burst into the national and even international consciousness, first with a major contribution to garage rock in the mid-1960s, and later as the home of grunge rock in the early 1990s. The city has about twenty live theater venues, and Pioneer Square is one of the country's most prominent art gallery districts.
Trimpin is a German born kinetic sculptor, sound artist, and musician currently living in Seattle and Tieton, Washington.
Joan Jonas is an American visual artist and a pioneer of video and performance art, "a central figure in the performance art movement of the late 1960s". Jonas' projects and experiments were influential in the creation of video performance art as a medium. Her influences also extended to conceptual art, theatre, performance art and other visual media. She lives and works in New York and Nova Scotia, Canada.
Ping Chong is a Canadian-born American contemporary theatre director, choreographer, video and installation artist. Born in Toronto and raised in the Chinatown section of Manhattan, Chong is a creator of and an early pioneer in interdisciplinary theater work and the integration of media into it. Chong is considered a seminal figure in Asian American theatre and the Asian American arts movement.
Robert Whitman was an American artist best known for his seminal theater pieces of the early 1960s combining visual and sound images, actors, film, slides, and evocative props in environments of his own making. From the late 1960s on he worked with new technologies, and his latest work incorporated cellphones.
Eiko Otake and Takashi Koma Otake, generally known as Eiko & Koma, are a Japanese performance duo. Since 1972, Eiko & Koma have worked as co-artistic directors, choreographers, and performers, creating a unique theater of movement out of stillness, shape, light, sound, and time. For most of their multi-disciplinary works, Eiko & Koma also create their own sets and costumes, and they are usually the sole performers in their work. Neither of them studied traditional Japanese dance or theater forms and prefer to choreograph and perform only their own works. They do not bill their work as Butoh though Eiko & Koma cite Kazuo Ohno as their main inspiration.
Zoe Scofield is a choreographer and dancer best known for her work with Juniper Shuey with whom she is co-director of zoe|juniper, a Seattle-based dance and visual art company. Her work is characterized by multi-media, cross-genre works utilizing stage performance, video installation, photography and complex technical elements.
Matthew Richter is an American author, producer, performer, and arts entrepreneur living in Seattle, Washington. He is the Interim Executive Director of the Cultural Space Agency, having most recently served for 9 years as the Cultural Space Liaison for the City of Seattle. He is also well known as the founder of Consolidated Works, a contemporary arts center in Seattle.
Wynne Greenwood is a queer and lesbian feminist performance artist who works in various media such as installation art, photography, filmmaking and music. One of her well known projects include the electropop and video project group, Tracy + the Plastics. Wynne works out of Seattle, Washington, and was an instructor in the Department of Art and Art History at Seattle University.
Sandra Binion is a Swedish-American artist based in Chicago whose artistic practice includes fine-art exhibitions, multimedia installations involving, and performance art. Her work has been performed and exhibited at museums, galleries, theaters, and festivals in the US, Europe, and Japan. Some of the venues that have featured her work include the Evanston Art Center, Link's Hall, Kunstraum (Stuttgart), The Goodman Theatre, and Los Angeles Institute of Contemporary Art.
On the Boards (OtB) is a non-profit contemporary performing arts organization in Seattle, Washington, founded in 1978. Originally located at Washington Hall in the Central District, the organization moved in 1998 to their current location in Uptown. They present more than 40 distinct shows annually, amounting to over 100 performance nights each year in 2 theater spaces.
Kenneth Lee Butler is an American artist and musician, as well as an experimental musical instrument builder. His Hybrid musical instruments and other artworks explore the interaction and transformation of common and uncommon objects, altered images, sounds and silence. The idea of bricolage, essentially using whatever is "at hand", is at the center of his art, encompassing a wide range of practice that combines live music, instrument design, performance art, theater, sculpture, installation, photography, film/video, graphic design, drawing, and collage.
Therman Statom is an American Studio Glass artist whose primary medium is sheet glass. He cuts, paints, and assembles the glass - adding found glass objects along the way – to create three-dimensional sculptures. Many of these works are large in scale. Statom is known for his site-specific installations in which his glass structures dwarf the visitor. Sound and projected digital imagery are also features of the environmental works.
Holcombe Waller is an American composer, singer and performance artist. He lives in Portland, Oregon, and has performed across the United States and Europe, both solo and with his ensemble, The Healers. His father was from France, therefore he is a French American.
Degenerate Art Ensemble is a Seattle-based multi-art performance company whose work is inspired by punk, comics, cinema, nightmares and fairy tales driven by live music and visceral movement theater and dance. The group was founded and is co-directed by dancer/performer/director Haruko Nishimura and composer/conductor/performer Joshua Kohl. Degenerate Art Ensemble is both a multi-discipline performance company and a band, having performed major dance and live music works, orchestral concerts, rock shows and site-specific street spectacles.
Dan Corson is an artist living in Hawaii and is a former member of the Seattle Arts Commission. He works in the field of public art, creating large-scale, concept-driven works installed in urban environments including in parks, railway stations, art galleries, meditation chambers, at intersections, under freeways, and on sidewalks. His approach is a mixture of sculpture, installation, theatrical design, architecture, and landscape design. Media include metal, glass, concrete, fiberglass, gravel, LEDs, lasers, neon, solar panels, radar detectors, photo-voltaic cells, infrared cameras, motors, searchlights, and occasionally elements such as fire, water, and smoke. His work frequently incorporates cutting-edge technology in lighting, sound, and other electronic media.
Shiro Takatani is a Japanese artist. He currently lives and works in Kyoto. Co-founder and visual creator of the group Dumb Type since 1984, he also became artistic director of the group from 1995 and also started an active solo career in 1998.