Background and recognition
Prior to his involvement in the visual arts, Shuey spent three years at Emerson College in Boston studying theatrical set design. He then transferred to Ceramics at the University of Washington where the faculty allowed him to develop his art in performance and clay. He has since acted as Set and Lighting Designer for various pieces including Burning Circus' Production of "Emma Goldman; Love, Anarchy, and Other Affairs" at the Fringe Festival in Seattle, Washington, a performance that won the festival for a sold out show. Some of his most popular work was showcased at the Howard House (Seattle) in both 2003 and 2005. Juniper's work has also reached galleries in Palazzo Pio, Rome, and various exhibitions at Soil Art Gallery. Along with his unique and signaturely successful stage sets, Juniper has received the following awards:
His work has been published in several art books including SOIL Artist, Lava, and Fashion is ART. His video installations, photographs and performances have been shown both nationally and internationally including Italy, Budapest, NYC, Houston, Seattle, Portland, and Christchurch, New Zealand. Juniper has participated on several professional panels including New England Foundation for the Arts, The MacArthur Foundation and a professional practices panel discussion at the University of Washington.
The Portland Institute for Contemporary Art (PICA) is a contemporary performance and visual arts organization in Portland in the U.S. state of Oregon. PICA was founded in 1995 by Kristy Edmunds. Since 2003, it has presented the annual Time-Based Art Festival (TBA) every September in Portland, featuring contemporary and experimental visual art, dance, theatre, film/video, music, and educational and public programs from local, national, and international artists. As of November 2017, it is led by Executive Director Victoria Frey and Artistic Directors Roya Amirsoleymani, Erin Boberg Doughton, and Kristan Kennedy.
Festál is a free series of annual ethnically-related festivals that take place on the grounds of Seattle Center in Seattle, Washington. A major cultural program of Seattle, these festivals aim to celebrate and connect the city to its varied ethnic and international community. Most festivals contain various arts performances, dances, marketplace and other programs. These have also come to be the annual gathering place for ethnic groups of the community. Both older and younger people attend, especially the dances and musical concerts.
Gary Hill is an American artist who lives and works in Seattle, Washington. Often viewed as one of the foundational artists in video art, based on the single-channel work and video- and sound-based installations of the 1970s and 1980s, he in fact began working in metal sculpture in the late 1960s. Today he is best known for internationally exhibited installations and performance art, concerned as much with innovative language as with technology, and for continuing work in a broad range of media. His longtime work with intermedia explores an array of issues ranging from the physicality of language, synesthesia and perceptual conundrums to ontological space and viewer interactivity. The recipient of many awards, his influential work has been exhibited in most major contemporary art museums worldwide.
Shen Wei is a Chinese-American choreographer, painter, and director who resides in New York City. Widely recognized for his defining vision of an intercultural and interdisciplinary mode of movement-based performance, Shen Wei creates original works that employ an assortment of media elements, including dance, painting, sound, sculpture, theater and video. Frequently, critics have commented on his innovative blend of Asian and Western sensibilities, as well as his syncretic approach to performance art.
Seattle is a significant center for the painting, sculpture, textile and studio glass, alternative, urban art, lowbrow and performing arts. The century-old Seattle Symphony Orchestra is among the world's most recorded orchestras. The Seattle Opera and Pacific Northwest Ballet, are comparably distinguished. On at least two occasions, Seattle's local popular music scene has burst into the national and even international consciousness, first with a major contribution to garage rock in the mid-1960s, and later as the home of grunge rock in the early 1990s. The city has about twenty live theater venues, and Pioneer Square is one of the country's most prominent art gallery districts.
Trimpin is a German born kinetic sculptor, sound artist, and musician currently living in Seattle and Tieton, Washington.
Joan Jonas is an American visual artist and a pioneer of video and performance art, and one of the most important artists to emerge in the late 1960s and early 1970s. Jonas' projects and experiments were influential in the creation of video performance art as a medium. Her influences also extended to conceptual art, theatre, performance art and other visual media. She lives and works in New York and Nova Scotia, Canada.
Seattle Erotic Art Festival was founded in 2002 and is the flagship program of the nonprofit Pan Eros Foundation.
Robert Whitman is an American artist best known for his seminal theater pieces of the early 1960s combining visual and sound images, actors, film, slides, and evocative props in environments of his own making. Since the late 1960s he has worked with new technologies, and his most recent work incorporates cellphones.
Eiko Otake and Takashi Koma Otake, generally known as Eiko & Koma, are a Japanese performance duo. Since 1972, Eiko & Koma have worked as co-artistic directors, choreographers, and performers, creating a unique theater of movement out of stillness, shape, light, sound, and time. For most of their multi-disciplinary works, Eiko & Koma also create their own sets and costumes, and they are usually the sole performers in their work. Neither of them studied traditional Japanese dance or theater forms and prefer to choreograph and perform only their own works. They do not bill their work as Butoh though Eiko & Koma cite Kazuo Ohno as their main inspiration.
Zoe Scofield is a choreographer and dancer best known for her work with Juniper Shuey with whom she is co-director of zoe|juniper, a Seattle-based dance and visual art company. Her work is characterized by multi-media, cross-genre works utilizing stage performance, video installation, photography and complex technical elements.
On the Boards (OtB) is a non-profit contemporary performing arts organization in Seattle, Washington, founded in 1978. Originally located at Washington Hall in the Central District, the organization moved in 1998 to their current location in Uptown. They present more than 40 distinct shows annually, amounting to over 100 performance nights each year in 2 theater spaces.
Kenneth Lee Butler is an American artist and musician, as well as an experimental musical instrument builder. His Hybrid musical instruments and other artworks explore the interaction and transformation of common and uncommon objects, altered images, sounds and silence. The idea of bricolage, essentially using whatever is "at hand", is at the center of his art, encompassing a wide range of practice that combines live music, instrument design, performance art, theater, sculpture, installation, photography, film/video, graphic design, drawing, and collage.
The Mobius Artists Group is an interdisciplinary group of artists, founded in 1977 by Marilyn Arsem in Boston, Massachusetts as Mobius Theater. It is known for incorporating a wide range of visual, performing and media arts into live performance, video, installation and intermedia works. The members of the group create projects individually and in collaboration with members of the group and other artists. Mobius, Inc. is an artist-run 501(c)3 non-profit organization for experimental work in all media. From 1983 to 2003, the group ran an alternative art center at 354 Congress Street in Boston, later moved to a space at 725 Harrison Avenue and are currently located across the river at 55 Norfolk Street in Cambridge, MA. Founded by members of the Mobius Artists Group in 1983, the art center is a laboratory for artists experimenting at the boundaries of their disciplines.
Holcombe Waller is an American composer, singer and performance artist. He lives in Portland, Oregon, and has performed across the United States and Europe, both solo and with his ensemble, The Healers. His father was from France, therefore he is a French American.
Diane Marian Torr was an artist, writer and educator, particularly known as a male impersonator and for her drag king, "Man for a Day" and gender-as-performance workshops. For the last years of her life, Torr lived and worked in Glasgow, where she was Visiting Lecturer at Glasgow School of Art.
Sharon Lockhart is an American artist whose work considers social subjects primarily through motion film and still photography, often engaging with communities to create work as part of long-term projects. She received her BFA from the San Francisco Art Institute in 1991 and her MFA from Art Center College of Design in 1993. She has been a Radcliffe fellow, a Guggenheim fellow, and a Rockefeller fellow. Her films and photographic work have been widely exhibited at international film festivals and in museums, cultural institutions, and galleries around the world. She was an associate professor at the University of Southern California's Roski School of Fine Arts, resigning from the school in August 2015 in response to the continued administrative turmoil at Roski to take a position at the California Institute for the Arts. Lockhart lives and works in Los Angeles, California.
Degenerate Art Ensemble is a Seattle-based multi-art performance company whose work is inspired by punk, comics, cinema, nightmares and fairy tales driven by live music and visceral movement theater and dance. The group was founded and is co-directed by dancer/performer/director Haruko Nishimura and composer/conductor/performer Joshua Kohl. Degenerate Art Ensemble is both a multi-discipline performance company and a band, having performed major dance and live music works, orchestral concerts, rock shows and site-specific street spectacles.
Tariqa Waters is a multifaceted contemporary artist known for her whimsical larger-than-life fabrications, paintings, self-portraitures and installations. Waters works in varied media- canvas, wood, plastic, ceramics, paint, glass, and photography. Waters’ work has been featured in numerous institutions and galleries including the Seattle Art Museum, Frye Art Museum, Hedreen Gallery, and Pivot Art + Culture. Waters’ work has been featured in issues of Rolling Stone France and Madame Figaro magazines. In 2016, her critically acclaimed solo exhibition, 100% Kanekalon: The Untold Story of the Marginalized Matriarch, exhibited at the Northwest African American Museum. In 2020 Waters’ much anticipated exhibition, Yellow No.5 debuted at the Bellevue Arts Museum. Her celebrated 5 room- blown glass immersive installation, Gum Baby, opened at the Museum of Museums fall of 2022. In the summer of 2023 Water's large scale installation "4th Sunday" exhibited at The Seattle Art Fair and Art on Paper New York. As the founding owner of Martyr Sauce Pop Art Museum & Gallery, located in the historic arts district of Pioneer Square, Waters is dedicated to cultivating artistic space and community. Waters has served in various arts organizations and institutions as well as co-founding Re:Definition gallery at the Paramount Theater in 2015, an on-going partnership with the Seattle Theatre Group redefining historic cultural space. In addition to Waters’ being a featured keynote speaker, Martyr Sauce became a Cultural Partner of the Seattle Art Fair the summer 2017. In the summer of 2021 Waters expanded Martyr Sauce into a pop art museum MS PAM. Waters commissions artists in collaborative works facilitating transformative and immersive experiences through public engagement. In 2022, Waters new innovative chapter "Thank you, MS PAM", an educational and entertaining television show for all ages airs quarterly on The Seattle Channel.
The National Association of Artists' Organizations (NAAO) was, from 1982 through the early 2000s, a Washington, D.C.-based arts service organization which, at its height, had a constituency of over 700 artists' organizations, arts institutions, artists and arts professionals representing a cross-section of diverse aesthetics, geographic, economic, ethnic and gender-based communities especially inclusive of the creators of emerging and experimental work in the interdisciplinary, literary, media, performing and visual arts. At the apex of its activities, in the late 1980s and early 1990s, NAAO served as a catalyst and co-plaintiff on the Supreme Court case, National Endowment for the Arts v. Finley having spawned the National Campaign for Freedom of Expression. NAAO's dormancy in the early years of the 21st century led to the formation of Common Field.
