Jyoti Rout | |
|---|---|
 Jyoti Rout in 2007 | |
| Born | 15 July 1965 |
| Occupation(s) | Indian classical dancer, performer, choreographer |
| Website | http://jyotikalamandir.org/?itemID=3 |
Jyoti Rout (born July 15, 1965) is an Indian classical dancer, teacher and choreographer of Odissi dancing style. [1] [2] [3]
Jyoti Rout grew up in the remote town of Joda in Odisha, India. Her interest in dance began in her childhood, where she used to see local tribal dance programs during various festivals. She later received a master's degree in Odissi dance from the music and dance college Utkal Sangeet Mahavidyalaya in Bhubaneswar, Odisha, and was one of the first women to study and perform Chau dance, a martial art dance form from Odisha.
In 1993, Jyoti Rout became the first dancer to perform for Lord Jagannath in Puri, Odisha, after the Deva Dasi (temple dancer) tradition had ended under the British rule. In 1997, she founded the California-based Odissi dance school Jyoti Kala Mandir, College of Indian Classical Arts, which is currently based in Fremont, California, USA. [4] In 2012, she established a branch in Lingipur Bhubaneswar, Odisha, India. [4] [5] [6]
Mahari Award from Guru Pankaj Charan Das foundation, Odisha, 2017
Odissi, also referred to as Orissi in old literature, is a major ancient Indian classical dance that originated in the temples of Odisha – an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism through songs written and composed according to the ragas & talas of Odissi music by ancient poets of the state. Odissi performances have also expressed ideas of other traditions such as those related to Hindu Gods Shiva and Surya, as well as Hindu Goddesses (Shaktism).
Sharon Lowen is an American Odissi dancer, trained since 1975 by Guru Kelucharan Mohapatra. She has performed and choreographed for film and television and presented hundreds of concerts throughout India, North America, Asia, Africa, the United Kingdom. and the Middle East. Sharon came to India in 1973 after earning degrees in Humanities, Fine Arts, Asian Studies and Dance from the University of Michigan as a Fulbright Scholar to study Manipuri and later Chhau and Odissi.
East India is a region of India consisting of the Indian states of Bihar, Jharkhand, Odisha and West Bengal and also the union territory of the Andaman and Nicobar Islands. The region roughly corresponds to the historical region of Magadha from which it inherits its various Eastern Indo-Aryan languages.
Odissi music is a genre of classical music in India, originated from the eastern state of Odisha. The traditional ritual music for the service of Lord Jagannatha, Odissi music has a history spanning over two thousand years, authentic sangita-shastras or treatises, unique Ragas & Talas and a distinctive style of rendition.
Mrudanga, also known as Khola is a classical percussive instrument native to the east Indian state of Odisha with a developed distinct traditional repertoire and technique. It has been used alongside the Mardala in Odissi classical music from ancient times, which is a comparatively bass-heavy drum as opposed to the high-pitched Mrudanga.
Gotipua is a traditional dance form in the state of Odisha, India, and the precursor of Odissi classical dance. It has been performed in Orissa for centuries by young boys, who dress as women to praise Jagannath and Krishna. The dance is executed by a group of boys who perform acrobatic figures inspired by the life of Radha and Krishna. The boys begin to learn the dance at an early age until adolescence, when their androgynous appearance changes. In the Odia language, Gotipua means "single boy" (goti-pua). Raghurajpur, Odisha is a historic village known for its Gotipua dance troupes. The dance of the Gotipuas is accompanied by traditional Odissi music with the primary percussion being the Mardala.
Sujata Mohapatra is an Indian classical dancer and teacher of Odissi dancing style.
Madhumita Raut is an Indian classical dancer of Odissi. She is the daughter of Mamta Khuntia and Mayadhar Raut, who revived Odissi in the 1950s with Shastra-based knowledge.
Mahari is a ritualistic dance forms form the eastern Indian state of Odisha that used to be performed at the temple of Lord Jagannatha at Puri by devadasi dancers called maharis. Following the abolition of the devadasi system, the dance has been discontinued at the Jagannatha Temple but is now performed on stage at many venues. The Mahari dance spurred the development of both Odissi and the Gotipua dance forms of Odisha. The Maharis have been among the foremost exponents of both traditional Odia dance and Odissi music.
Sharmila Biswas is a noted Indian classical dancer and choreographer in the Odissi, and a disciple of guru Kelucharan Mohapatra. In 1995, she established Odissi Vision and Movement Center in Kolkata, where she is the Artistic Director, the centre also has OVM Repertory.
Kasturi Pattanaik is a pioneering Odissi dance exponent, performer, choreographer, teacher, trainer and music composer from India.
Baisali Mohanty is an international diplomat and United Nations official, author, Indian classical dancer and analyst of foreign and public policy. She is a regular contributor on foreign policy and strategic affairs to several prestigious international publications including American business magazine Forbes, The Huffington Post, The Diplomat and openDemocracy, London.
Leena Mohanty is a leading exponent of Odissi dance, a disciple of Guru Deba Prasa Das. She is a recipient of the first Ustad Bismillah Khan Youth award, along with receiving the Mahari award, the Sanjukta Panigrahi award and is an empanelled artist of the ICCR. She is a choreographer and has performed internationally. She is the artistic director of Bansi Bilas, Bhubaneshwar, Odisha and heads the Odissi Department of Kalpana Dance Theatre in Kuala Lumpur, Malaysia, as well as the Trinayan Dance Centre in New York.
Sharmila Mukerjee is an Odissi Dancer and Choreographer, a disciple of Guru Kelucharan Mohapatra. She is the founder and artistic director of Sanjali Centre for Odissi Dance, Bangalore which was established in 2004. She is the recipient of the Mahari Award.
Surendra Nath Jena was an Odissi dancer. His dance style incorporates the various aspects of Indian culture, such as temple sculpture, ancient dance, Sanskrit and vernacular literature, yoga, traditional painting, manuscripts, and philosophy. The entire music and dance choreography of these compositions were by Jena himself.
Aruna Mohanty is an Odissi dancer, choreographer and guru. She is currently the Secretary of the Orissa (Odisha) Dance Academy. She has received a number of awards for her work, including the Padmashree award.
Mardala is a classical percussive instrument native to the east Indian state of Odisha, traditionally used as the primary accompaniment in Odissi classical music. The instrument is different from other instruments that might have similar names in the Indian subcontinent due to its unique construction, acoustic features and traditional playing technique.
PanditRamhari Das is a leading singer, composer, musicologist and Guru of Odissi music. Known for his renditions, compositions, lecture-demonstrations and writings, Das has served as a professor and led the Odissi vocal department in prominent musical institutions of Odisha, including the Utkal Sangeet Mahavidyalaya and the Utkal University of Culture. He is the founder of Ramhari Das Odissi Gurukula at Biragobindapur, Puri. For his contributions to Odissi music, Das received the Sangeet Natak Akademi award in 2008.
Dhaneswar Swain is an exponent and Guru of the Odissi Mardala, the traditional percussion instrument of Odissi music. He is known for his rhythmic compositions and fingering techniques, as well as his efforts to promote solo Mardala recitals and group presentations combining traditional percussive instruments from Odisha. He is the founder of Vadya Vani Gurukula, an institution for training and research in Odissi Mardala and other traditional percussion instruments of Odisha.
Laxmipriya Mohapatra was an Indian classical dancer, performing Odissi dance on stage and in films. Along with her husband, Kelucharan Mohapatra, she is credited with reviving Odissi dance in India, in the 1940s and 50s.
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