K-ID (real name Rayane Fakih) is a Senegalese artist and one of the two members of the group Chronik 2H. He stands as one of the hip hop entrepreneur actively contributing to the structuring of the music sector in Dakar. Well known for his talents as musical producer, having realised several tracks and albums for local hip hop artists, K-ID has now intensified his participation in the local music economy with the creation of his structure Oracle Vision Future, specialised in audiovisual production. Through this new initiative, K-ID expresses his desire to give a new and professional impulsion to the Hip Hop Galsen and, the African Hip Hop in general.
Born on February 16, 1983, in Dakar, K-ID, is originally from Lebanon. [1] [2] While Hip Hop was not particularly popular among the local Lebanese community more inclined to listen to techno and electronic music, K-ID is slowly introduced to Hip Hop thanks to his childhood friend, Black Casanova. Inspired by 2Pac and Biggy but also French groups like IAM or Suprême NTM, K-ID makes his first steps in Hip Hop in 1996 and creates, a year later, with some school friends, the AIPEE (I-P) group. This crew will not last long, but being a talented piano player, K-ID produces in 1998 his first accomplished musical project, a maxi for the group Kantiolis. By then, K-ID has joined Rozo with whom he now forms Chronik 2H. [3]
K-ID distinguishes himself as a prolific and demanded musical producer and between 1999 and 2004, he realises multiple musical productions for many local hip hop artists such as Nix, Abass Abass, Big D or Yat Fu. Meanwhile, he also works actively in developing his own artistic career with his group and releases, in 2004, Chronik 2H’s debut album “Trop de Choses à Dire” (“Too Many Things to Say”). [4] In 2005, motivated by the French Publisher JBA Edition with whom they signed, Chronik 2H releases their first international album, “Hors Serie Volume 1”, on which they collaborate with Jacky Brown (Neg’Marrons), Ste Strauz, Philippe Montero and Big D. [5] K-ID is currently working on the 3rd album of Chronik 2H.
After two years of training in Montpellier in Audiovisual, K-ID creates in 2009 his structure “Oracle Vision Future” specialised in video production, computer graphics, event and artists management. [6] [7] With his newly initiated structure, the objective of K-ID is to give a push in the right direction to the Hip Hop Galsen while increasing the level in offering professional and competitive services of audiovisual productions.
Senegal's music is best known abroad due to the popularity of mbalax, a development of conservative music from different ethnic groups and sabar drumming popularized internationally by Youssou N'Dour.
The music of Burkina Faso includes the folk music of 60 different ethnic groups. The Mossi people, centrally located around the capital, Ouagadougou, account for 40% of the population while, to the south, Gurunsi, Gurma, Dagaaba and Lobi populations, speaking Gur languages closely related to the Mossi language, extend into the coastal states. In the north and east the Fulani of the Sahel preponderate, while in the south and west the Mande languages are common; Samo, Bissa, Bobo, Senufo and Marka. Burkinabé traditional music has continued to thrive and musical output remains quite diverse. Popular music is mostly in French: Burkina Faso has yet to produce a major pan-African success.
Rap Nigerien is a hip hop music style that first appeared in Niamey, Niger, at the end of 1998.
Fonky Family or La Fonky Family, is a French hip hop band from Marseille, consisting of four rappers, Le Rat Luciano, Menzo, Don Choa and Sat, producer Pone, DJ Djel, dancer Blaze, singer Karima, Flex (fetus) Nandell, and manager Fafa.
Didier Awadi is a Senegalese rapper and a significant figure in Francophone West African hip hop. As a founding member of Positive Black Soul (PBS) with Duggy Tee, Awadi toured around the world contributing to the international popularity of Hip Hop Galsen. Awadi works as a solo artist, accompanied by his crew PBS Radikal. He participates in the Senegalese music industry through his label, recording studio, and rehearsal space, Studio Sankara. Awadi offers a conscious and revolutionary style of music strengthened by articulated and rooted messages. His motivation and inspiration is grounded in the Burkinabé revolutionary Thomas Sankara's phrase: "Let's dare to invent our future!"
Omnikrom is a Canadian rap, crunk, and electro group formed in Montréal. Omnikrom is composed of two MCs, Jeanbart and Linso Gabbo, and their producer Figure8. They are also produced by Tepr, Kid Rolex and Ghislain Poirier.
LMDS, an abbreviation for "Les messagers du son" was a Canadian French language hip hop duo formed in Montreal in 1993. The band was made up of Lyrik and Mélo / Mélopsy.
ALIF is the pioneer female hip hop trio of Hip Hop Galsen. Emerging in the late mid-1990s, ALIF offered a feminine and feminist flavour to Hip Hop Galsen encouraging women to play their part in the movement. The group split beginning of 2010 after thirteen years.
Baay Sooley is a hip-hop dancer from Senegal. He has toured internationally as a dancer of the Positive Black Soul (PBS) crew. He choreographed the hip hop musical comedy "The Extraordinary Stories of the Poto-Poto Children". and created the street wear brand "Bull Doff".
Gee Bayss is one of the pioneer DJs in West Africa. Member of the group, Pee Froiss, he toured throughout the world with his sure-fire turntablism which had crowds jumping whenever the group was performing. Combining solo projects with international tours of the Pee Froiss, Gee Bayss is actively engaged in transmitting his deejaying art to the younger generations.
Keyti is one of the first and most prominent hardcore hip hop artists in Senegal. With his group Rap’Adio, he offered a radical approach to Hip Hop Galsen violently recalling the initial purpose of hip hop as a means to denounce society’s flaws. Still radically critical, though less hardcore, Keyti now evolves in solo. He is part of the West African hip hop collective AURA and performs in its well-known musical comedy The Extraordinary Stories of Poto-Poto Children.
Matador is one of the most prominent figures of underground Hip Hop in Senegal. Founding member of the Thiaroye’s group, WA BMG 44, Matador has toured throughout the world gaining an international recognition from the underground hip hop scenes abroad. Since 2006, his struggle to represent the voiceless youth of his home country has taken a renewed turn with the creation of his structure, Africulturban in Pikine. Through this space dedicated to the youth, Matador reiterates his social and political engagement while pursuing his role of “Number One System Enemy” and “General Major Chief of the Dying People Army”.
Moona is a West African rapper. Known for her flow, sharp and poetic lyrics as well as for her active involvement with the youth, Moona is an active member of United Artists for African Rap (AURA) in which she represents her native Benin. Besides, Moona is the only female rapper to have been selected by Africa Unsigned among artists of the continent to receive support for their next production.
Simon Bisbi Clan is one of the most visible hip hop artists on the contemporary scene of Hip Hop Galsen. After his beginnings in Dakar, Simon grows from his diverse experiences on other hip hop scenes abroad during five years before coming back to his hometown. Since his return, he has been intensively contributing to the development of the musical sector in Dakar with the creation of his LLC, 99 Records, a structure dedicated to the promotion of Senegalese urban music and centred on the label “Djolof 4 Life Entertainment”.
Following an historical process of appropriation of American popular music by Senegal, hip hop emerged in the Senegalese capital city in the early mid- 1980s. Although hip hop galsen is now famous for its diverse musical productions, the movement there spread out from its dancing appeal rather than from its musical one. Indeed, Senegalese hip hop artists initially participated in this movement as smurfer, breakdancer, B-boy in general performing during organised podiums. Schools, nightclubs and other temporary public stages thus played an essential role in amplifying this movement in Dakar. Besides, and in contrast to American hip hop, which grew from the youth in the inner city ghettos, hip hop in Dakar began among a somehow middle-class youth who was able to access and/or introduce in their home place new ideas and new cultural expressions coming from abroad. Indeed, hip hop became popular in the capital city through the intensive through informal circulation of VH7 cassettes and recorded videos, which were imported from USA or France by diaspora people.
Waga Hip Hop is one of the major international hip hop festivals taking place in West Africa. Each year, around early and mid-October, Ouagadougou thus welcomes international artists and media to attend this festival of urban cultures.
Serge Bambara is a hip hop artist, actor and political activist from Ouagadougou, the capital of Burkina Faso. Born in what was then the Republic of Upper Volta, the son of a Bissa father and a French mother, he moved to France to study in 1991. In 1999 he signed a contract with EMI and launched a first single, featuring the singer Lââm. In 2001 he moved back to Burkina Faso and started the studio Abazon. He has released the albums Epitaphe, Zamana, Code noir and Cravate Costards et Pourriture, and cooperated with the prominent Senegalese rapper Didier Awadi.
Wagëblë are a Senegalese hip hop act. Their debut album was released in 2003.
Ado FM is a radio station in France, broadcasting on FM to Paris and Toulouse. Created in 1981 and owned by the Groupe 1981. The station plays hip-hop music and R&B from the 1990s, 2000s, 2010s and 2020s.
Extra Musica is a Congolese rumba band formed in Ouenzé, Brazzaville, in August 1993. The band was established by Roga-Roga, Espé Bass, Kila Mbongo, Durell Loemba, Guy-Guy Fall, Ramatoulaye Ngolali, and Quentin Moyascko, who initially met at the Sainte Thérèse church in Ouenzé, being neighbors and classmates. Prior to forming Extra Musica, several members had been associated with the Cogiex Stars ensemble but seceded subsequent to facing punitive repercussions for attempting to infuse new ideas.
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