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Kage Physical Theatre is an Australian physical theatre/contemporary dance company. It was established in 1997 by Kate Denborough and Gerard Van Dyck, graduates of the Victorian College of the Arts. [1]
KAGE is a not-for-profit organisation which receives support from the public and private sectors. In 2001 Denborough and Van Dyck completed a three-month residency at the Australia Council Studio at the Cite Internationale des Arts in Paris. [2]
They have performed at a number of festivals including the Next Wave Festival, Melbourne: performing Contamination in (1998) and No (Under)Standing Anytime in 2000; and at the 2000 Asia Pacific Next Wave Festival in Japan performing This Side Up [2] and the 2008 ASSITEJ Adelaide 16th World Congress and Performing Arts Festival for Young People performing Headlock. [3]
Nowhere Man developed for Kage earned Denborough the Australian Dance Award for outstanding achievement in independent dance. [4]
Headlock (2006) won five Green Room Awards and the Australian Dance Award for best male performer for Byron Perry.
KAGE was Company in Residence at Arts Centre Melbourne in 2009, and in 2010 KAGE became a resident company at the Abbotsford Convent.
KAGE and Alzheimer's Australia Vic were awarded recognition for Good Partnering Practice in the 2011 Arts & Health Foundation Award category at the 2011 ABAF Awards for their partnership developed during the creation of Sundowner.
Constance Lalage "Lally" Katz is an American and Australian dramatist writing for theater, film, and television. She now resides in Los Angeles.
DV8 Physical Theatre was a physical theatre company based at Artsadmin in London, United Kingdom. It was officially founded in 1986 by Lloyd Newson (1986–2015), Michelle Richecoeur (1986–1988) and Nigel Charnock. Lloyd Newson led the company as choreographer and artistic director from its inception, apart from the production My Sex, Our Dance (1986), which was co-created and performed with Nigel Charnock. DV8 officially ended in April 2022 when Lloyd Newson announced his retirement via the company web page.
Akram Hossain Khan, MBE is an English dancer and choreographer of Bangladeshi descent. His background is rooted in his classical kathak training and contemporary dance.
Australian Dance Theatre (ADT), known as Meryl Tankard Australian Dance Theatre from 1993 to 1999, is a contemporary dance company based in Adelaide, South Australia, established in 1965 by Elizabeth Cameron Dalman. The ADT was the first modern dance company in Australia, and drew on the techniques of Martha Graham for its inspiration.
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Ceremonial dancing has a very important place in the Indigenous cultures of Australia. They vary from place to place, but most ceremonies combine dance, song, rituals and often elaborate body decorations and costumes. The different body paintings indicate the type of ceremony being performed. They play an important role in marriage ceremonies, in the education of Indigenous children, as well as storytelling and oral history. The term corroboree is commonly used to refer to Australian Aboriginal dances, although this term has its origins among the people of the Sydney region. In some places, Aboriginal people perform corroborees for tourists. In the latter part of the 20th century the influence of Indigenous Australian dance traditions has been seen with the development of concert dance, with the Aboriginal Centre for the Performing Arts (ACPA) providing training in contemporary dance.
Theatre of Australia refers to the history of the live performing arts in Australia: performed, written or produced by Australians.
Helen Morse is an English-born Australian actress who has appeared in films, on television and on stage. She won the AFI (AACTA) Award for Best Actress in a Leading Role for the 1976 film Caddie, and starred in the 1981 miniseries A Town Like Alice. Her other film appearances include Picnic at Hanging Rock (1975), Agatha (1979), Far East (1982) and The Eye of the Storm (2011).
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Kate Denborough is a choreographer, artistic director, CEO and co-founder of Kage Physical Theatre. She has directed, devised and/or performed in most of KAGE's works as well as working with other companies such as Chunky Move, Australian Dance Theatre and Tasdance, through which she has been nominated for and won various awards such as Canberra Critics Circle Award for Dance. She is also a member of the Malthouse Artistic Counsel.
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