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Kaichiro Kitamura | |
|---|---|
| Origin | Yokohama, Japan |
| Genres | A cappella |
| Occupation(s) | Performer, vocal percussionist |
| Instrument(s) | Vocal percussion, vocals |
| Website | http://kaidrums.unison.jp// |
Kaichiro Kitamura is a Japanese vocal percussionist, singer, and music teacher who has performed vocal percussion, in both a cappella and instrumental groups. He specializes in jazz but has also done rock, pop, and RnB.
Kaichiro is a pioneering figure in mouth drumming well known for his outstanding ability to realistically vocalize the sounds of a drum kit, to provide the full rhythm section necessary for his projects and groups. He's developed his own vocal percussion style characterized by his signature sound methods and usage of jazz drumming rhythms. He defines his style as "jazz vocal percussion". [1] He is also a bass singer who can vocalize walking basslines.
 | This section of a biography of a living person does not include any references or sources .(October 2016) |
Kaichiro has performed vocal percussion since childhood and became famous as the Vocal Percussionist and baritone for the Japanese a cappella group "TRY-TONE".
Kaichiro has collaborated with many groups, including The Real Group, The House Jacks, and Naturally 7 among others. He is a member of groups, such as Australian A cappella quintet The Idea of North [2] , and Japanese jazz quartets, "HamojiN", and also working as a freelance vocal drummer with other instrumental bands. [3] He is an avid jazz vocal percussion instructor [4] who has taught workshops around the world. [5] He is also serving as a Japanese Artistic Adviser of 'Vocal Asia' -Asian vocal music network in Taiwan. [6]
Music performed a cappella, less commonly a capella, is music performed by a singer or a singing group without instrumental accompaniment. The term a cappella was originally intended to differentiate between Renaissance polyphony and Baroque concertato musical styles. In the 19th century, a renewed interest in Renaissance polyphony, coupled with an ignorance of the fact that vocal parts were often doubled by instrumentalists, led to the term coming to mean unaccompanied vocal music. The term is also used, rarely, as a synonym for alla breve.
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Vocal music is a type of singing performed by one or more singers, either with instrumental accompaniment, or without instrumental accompaniment, in which singing provides the main focus of the piece. Music which employs singing but does not feature it prominently is generally considered to be instrumental music as is music without singing. Music without any non-vocal instrumental accompaniment is referred to as a cappella.
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Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with a consonant, pleasing-sounding thirds, sixths, and fifths.
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