Part designations
- 1. Allegro
- 2. Poco Adagio. Cantabile – Var. I–IV
- 3. Menuetto
- 4. Finale. Presto
The Kaiserquartett (Hob. III:77), also known as Emperor Quartet, is a string quartet in C major by Joseph Haydn. It bears the Opus number 76 No. 3.
The Kaiserquartett is one of six string quartets which Haydn composed in 1797 at the age of 65 after his return from London and dedicated to Count Erdődy. They were published in 1799. The third of these quartets was nicknamed the "Kaiserquartett" because its second movement (G major, poco adagio, cantabile) contains four cantus firmus variations on the theme of the "Volkslied" previously composed by Haydn (according to the first edition of 1797) "Gott erhalte Franz den Kaiser". [1]
Some 40 years later, August Heinrich Hoffmann von Fallersleben wrote his "Deutschlandlied" (Das Lied der Deutschen) (according to its first edition) on the then British Heligoland to Haydn's famous and popular melody, the third verse of which today serves as the text of the national anthem of Germany. This has motivic echoes in places of the aria "Qualche volta non fa male" from Haydn's opera Il mondo della luna (1777); a very similar motif can also be seen at the end of the "Alleluia" from Mozart's motet Exsultate, jubilate (1773). The question, however, whether this is a deliberate borrowing of Haydn must remain unanswered. [2]
The String Quartet No. 2 in G major, Op. 18, No. 2, was written by Ludwig van Beethoven between 1798 and 1800 and published in 1801, dedicated to Joseph Franz von Lobkowitz.
The String Quartet No. 12 in E♭ major, Op. 127, by Ludwig van Beethoven, was completed in 1825. It is the first of Beethoven's late quartets.
The Seven Last Words of Our Saviour on the Cross is an orchestral work by Joseph Haydn, commissioned in 1786 for the Good Friday service at Oratorio de la Santa Cueva in Cádiz, Spain. Published in 1787 and performed then in Paris, Rome, Berlin and Vienna, the composer adapted it in 1787 for string quartet, approved a version for solo piano in the same year, and finally adapted it in 1796 as an oratorio.
Antonín Dvořák composed his String Quartet No. 11 in C major, Op. 61, B. 121, between late October and early November 1881 to fulfill a commission from the Hellmesberger Quartet.
The String Quartet No. 14 in G major, K. 387, nicknamed the "Spring" quartet, was composed by Wolfgang Amadeus Mozart in 1782 while in Vienna. In the composer's inscription on the title page of the autograph score is stated: "li 31 di decembre 1782 in vienna". The work was perhaps edited in 1783. This is the first of the Haydn Quartets, a set of six string quartets he wrote during his first few years in Vienna in honor of the composer Joseph Haydn, who is generally viewed as the father of the string quartet form.
Woldemar Bargiel was a German composer.
François de Fossa was a French classical guitarist and composer.
The String Quartet No. 19 in C Major, K. 465 by Wolfgang Amadeus Mozart, nicknamed "Dissonance" on account of its unusual slow introduction, is perhaps the most famous of his quartets. It is the last in the set of six quartets composed between 1782 and 1785 that he dedicated to Joseph Haydn.
Symphony No. 67 in F major, Hoboken I/67, is a symphony by Joseph Haydn. It was composed by 1779. The Haydn scholar H. C. Robbins Landon calls this work "one of the most boldly original symphonies of this period."
The String Quartet No. 14 in A♭ major, Op. 105, B. 193, was the last string quartet completed by Antonín Dvořák, even though it was published before his String Quartet No. 13. Dvořák finished his Fourteenth Quartet in 1895, when he had returned to Bohemia after his visit to America. The gestation of the Quartet had actually begun in America and lasted six months, which was rather protracted for the composer. This Quartet marked an important point in Dvořák's development because he would devote himself almost exclusively to writing explicit program music, namely symphonic poems and operas, afterwards.
The six String Quartets, Op. 76 by Joseph Haydn were composed in 1797 or 1798 and dedicated to the Hungarian count Joseph Georg von Erdődy (1754–1824). They form the last complete set of string quartets that Haydn composed. At the time of the commission, Haydn was employed at the court of Prince Nicolaus Esterházy II and was composing the oratorio The Creation as well as Princess Maria Hermenegild Esterházy's annual mass.
The Op. 33 String Quartets were written by Joseph Haydn in the summer and Autumn of 1781 for the Viennese publisher Artaria. This set of string quartets has several nicknames, the most common of which is the "Russian" quartets, because Haydn dedicated the quartets to the Grand Duke Paul of Russia and many of the quartets were premiered on Christmas Day, 1781, at the Viennese apartment of the Duke's wife, the Grand Duchess Maria Feodorovna. The "Russian" quartets were some of Wolfgang Amadeus Mozart's favorite works by Haydn and in 1785 Mozart dedicated six string quartets to Haydn in admiration of the quartets.
The six string quartets opus 20 by Joseph Haydn are among the works that earned Haydn the sobriquet "the father of the string quartet". The quartets are considered a milestone in the history of composition; in them, Haydn develops compositional techniques that were to define the medium for the next 200 years.
The six string quartets, K. 155–160, were composed by Wolfgang Amadeus Mozart in late 1772 and early 1773 when Mozart was sixteen and seventeen years of age. Because they were composed in Milan while he was working on his opera Lucio Silla, they are popularly known as the Milanese Quartets. Before this set was composed, Mozart had written one earlier string quartet, so these six quartets are ordinally numbered from No. 2 to No. 7. The quartets are written in a plan of keys of D-G-C-F-B♭-E♭ following the circle of fifths.
The six string quartets, K. 168–173, were composed by Wolfgang Amadeus Mozart in late 1773 in Vienna. These are popularly known as the Viennese Quartets. Mozart may have hoped to have them published at the time, but they were only published posthumously by Johann André in 1801 as Mozart's Op. 94.
Johannes Brahms's String Quartet No. 1 in C minor and String Quartet No. 2 in A minor were completed in Tutzing, Bavaria, during the summer of 1873, and published together that autumn as Op. 51. They are dedicated to his friend Theodor Billroth.
The three String Trios, Op. 9 were composed by Ludwig van Beethoven in 1797–98. He published them in Vienna in 1799, with a dedication to his patron Count Johann Georg von Browne (1767–1827). They were first performed by the violinist Ignaz Schuppanzigh with two colleagues from his string quartet. According to the violinist and conductor Angus Watson, these were probably Franz Weiss on viola and either Nikolaus Kraft or his father Anton on cello. Each of the trios consists of four movements:
The String Quartets, Op. 50, were composed by Joseph Haydn in 1787. The set of six quartets was dedicated to King Frederick William II of Prussia. For this reason the set is commonly known as the Prussian Quartets. Haydn sold the set to the Viennese firm Artaria and, without Artaria's knowledge, to the English publisher William Forster. Forster published it as Haydn's Opus 44. Haydn's autograph manuscripts for Nos. 3 to 6 of the set were discovered in Melbourne, Australia, in 1982.
The Hungarian composer György Ligeti published three string quartets throughout his life: two string quartets proper and a student piece from 1950 published towards the end of Ligeti's life. The first two string quartets proper represent both his early period, inspired by Béla Bartók, and middle period, which was largely micropolyphonic.
The Piano Quartets, WoO 36, by Ludwig van Beethoven are a set of three piano quartets, completed in 1785 when the composer was aged 14. They are scored for piano, violin, viola and cello. He composed a quartet in C major, another in E-flat major, and a third in D major. They were first published posthumously in 1828, however numbered in a different order: Piano Quartet No. 1 in E-flat major, Piano Quartet No. 2 in D major, and Piano Quartet No. 3 in C major.
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