Kamalky Laureano (born 1983) is a Dominican-born Mexican hyperrealist painter. [1] [2] Living in Mexico City since 2006, he has made his life and work in that country.
He still continues to create artwork as a freelancer and can be found on Instagram, Facebook and his personal website. [3]
Laureano began investing in his art when he enrolled into the National School of Fine Arts in Santo Domingo in 2002. [3] Then was later accepted into the prestigious school, Altos De Chavon School of Design in 2004 and affiliated with Parsons(NY). [4] [3] [5] Laureano continued to produce work in Mexico and was able to win scholarships to continue supporting the Faculty of Arts and Design of the National Autonomous University of Mexico. [6]
Laureano explains that he takes inspiration from the world through his perspective. He believes that art imitates life and that art should be able to have a life of its own in many ways. [4] The paintings look like high-resolution photos at first glance. These large detailed portraits include textures such as skin, freckles, and pores. [7] He can depict faces clearly while also including shading and blurs. [8] These photo-realistic portraits and landscapes which are large-scale acrylic on canvas. [9] [10] These detailed works are what earned him sponsorships from suppliers such as Liquitex. [3] He uses art to communicate the conscious living of the world around us and continues to work as an artist located in Mexico City since 2006. [11]
Many people were mesmerized by the photorealism technique that was demonstrated in his work with the use of acrylic paint. [3] He is most recognized work is the hyper-realistic portraits, made with incredibly strong details in eyes, skin, and hair textures in acrylic. [11] [12]
Since Laureano has been creating art in Mexico. He was one of five Dominican artists that were offered to participate for an exhibition aiming to present the collaborating cultures and the Dominican contemporary art that was being produced in Mexico in 2021. [6] This exhibition included other artists that were living and producing art in Mexico, America Rodriguez, Daysi Baes, Niurka Guzman, Madeline Jimenez, Dorit Weil, Jose Francisco Baez Ferreira, Javier Reyes, and Mexican guest Jose Luis Bustamante. [13]
In 2013 Galeria Tiro an Blanco, located in Guadalajara held an exhibition. Jean Berard, a photographer works were displayed along side Laureano's larger paintings. [14] The exhibition focused on hyperrealist artists that are able to capture humans to give the illusion of realism and to take a closer look into human characteristics. [14]
In 2014 he was able to participate in these exhibitions, Light Field, Beauty is in the Eye of the Beholder, and Ritual Mother, each at Primo Piano Living Gallery in Lecce, Italy. [15] Laureano’s work has been showcased in different countries, including Italy, Argentina, France, and Mexico. [1] He was featured in the Paul Mahder Gallery in the past and his work has been offered at auctions multiple times. [16]
Hyperrealism is a genre of painting and sculpture resembling a high-resolution photograph. Hyperrealism is considered an advancement of photorealism by the methods used to create the resulting paintings or sculptures. The term is primarily applied to an independent art movement and art style in the United States and Europe that has developed since the early 1970s. Carole Feuerman is the forerunner in the hyperrealism movement along with Duane Hanson and John De Andrea.
Leopoldo Flores was a Mexican artist mostly known for his murals and other monumental works which are concentrated in the city of Toluca, State of Mexico. He was born into a poor family in rural State of Mexico, but his artistic ability was evident early and he was able to attend the Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda" and receive a scholarship to study in Paris. His best known works are the Cosmovitral a large work in stained glass and the Aratmósfera, a “land art” piece both located in Toluca. The first is used as a symbol for the State of Mexico and the latter dominates the main stadium and the hill behind it at the main campus of the Universidad Autónoma del Estado de México (UAEM). He received a number of recognitions of his work from the State of Mexico and an honorary doctorate from the UAEM, which also founded the Museo Universitario Leopoldo Flores to house and promote his work. Despite advanced Parkinson's disease, until his death Flores was still an active artist.
Arturo Estrada Hernández is a Mexican painter, one of a group of Frida Kahlo’s students called “Los Fridos.” Estrada is mostly known for his mural work, which remains faithful to the figurative style and ideology of Mexican muralism. He has created murals in various parts of Mexico in both public and private places, including a 1988 mural found in the Centro Médico metro station in Mexico City. He has also taught classes at the Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda", where he was a student, since 1948 and continues to give classes there and other venues. He lives in his birthplace: Panindicuaro, Michoacán.
Jaime Antonio Gumercindo González Colson was a Dominican modernist painter, writer, and playwright born in Tubagua, Puerto Plata in 1901. He is remembered as one of the most important Dominican artists of the 20th century, and as one of the leading figures of the modernist movement in 20th century Dominican art, along with Yoryi Morel, Dario Suro, and Celeste Woss y Gil.
Darío Antonio Suro García-Godoy was a Dominican painter, art critic, and diplomat from La Vega, Dominican Republic, remembered as one of the most influential Dominican artists from the 20th century. Suro's paintings encompassed a wide range of styles from the impressionist mood of his early paintings, to the neo-realism of his maturity, and finally to the abstraction of his later works. Together with his contemporaries Yoryi Morel, Jaime Colson, and Celeste Woss y Gil, he is known as one of the progenitors of modernist art in the Dominican Republic.
Francisco Cárdenas Martínez also known as Pancho Cárdenas is a Mexican artist. He was born in Iztapalapa, east of Mexico City.
Pablo Kubli is a Mexican sculptor specializing in metals, a member of Mexico’s Salón de la Plástica Mexicana. He initially trained in law and public administration in college, completing bachelor’s and master’s in visual arts later in life. He has one doctorate from the Universidad Politecnica de Valencia, Spain. He's been exhibiting individually since 1991, with most of his works consisting of steel plates and other pieces assembled with nuts and bolts with both organic and geometric forms.
José Victor Crowley is a self-taught Mexican painter who specializes in abstract informalism. He is classified as a member of the Generación de la Ruptura, and his influence is strongly based on his experience in Europe at the beginning of his career. His career has spanned over fifty years, becoming a member of Mexico’s Salón de la Plástica Mexicana in 2006.
Jesús Álvarez Amaya was a Mexican painter and graphic artist, mostly known for mural work and his graphic work as head of the Taller de Gráfica Popular, which he led from 1967 until his death. His murals can be found in various parts of the country and his art mostly have social and political themes.
Rodolfo Hurtado was a Mexican artist, considered to be part of the “Intermediate Generation” or that which came to prominence after the Generación de la Ruptura. His works are abstract but maintain a strong link to the figurative, which gives them a dream-like quality. Although he won awards and was a member of the Salón de la Plástica Mexicana during his lifetime, his work is not well known now in part because he did not do as much to promote it as other artists did.
Francisco Icaza was a Mexican artist best known for his drawings about his travels and his oil paintings. He spent much of his life living in and visiting various countries around the world. He began painting as a child while living as a refugee in the Mexican embassy in Germany. Icaza exhibited his work both in Mexico and abroad in Europe, South America, the Middle East, Asia and India, most notably at his three major solo exhibitions at the Museo de Arte Moderno in Mexico City. He also painted a mural dedicated to Bertolt Brecht, La Farándula, at the Casino de la Selva in Cuernavaca, a focus of controversy when the work was moved and restored in the early 2000s. He painted additional murals for the Mexican Pavilion at the HemisFair in Texas ; for the Mexican Pavilion at Expo 67 in Montreal, Canada ; and for the Mexican Pavilion in Osaka at Expo '70. This last mural is held at the Museo de Arte Abstracto Manuel Felguérez in Zacatecas City. He was an active member of the Salón de la Plástica Mexicana and also a member and founder of several important Mexican artistic movements including Los Interioristas, El Salón Independiente, and La Confrontación 66.
Paulina Lavista is a Mexican photographer, noted for her controversial work which has tested the limits of the field. She is the daughter of a composer and a painter, beginning a career in modeling and cinema before moving into photographic work in the 1960s. She began with portrait work, with one of her first clients being longtime partner Salvador Elizondo, and later breaking into more artistic work with a series of nudes for the magazine Su Otro Yo. She has photographed many subjects from the Mexican art scene as well as images of people in every day activity, mostly in Mexico. She is a member of the Salón de la Plástica Mexicana.
Tito Enrique Canepa Jiménez was a leading Dominican painter of the generation that came of age in the 1930s and 1940s. Canepa's artistic identity was shaped in New York City, where he lived from the age of 21, never returning to stay in his native country. Despite this distance, or perhaps because of it, as León David has pointed out, his works always evince a certain dominicanidad without his setting out to achieve it as a goal — a dominicanidad that is never folkloric. Of the three modernist Dominican painters of the 1930s and 40s singled out by Rafael Díaz Niese as most significant — Canepa, Colson and Suro — Canepa is the one whose artistic activity developed in the most continuous absence from his native country, and the one longest resident in New York. Cánepa is accented in Spanish but not in the original Ligurian.
Elsa Núñez is a Dominican abstract artist whose work spans more than 50 years. Elsa is the daughter of Mercedes Castillo de Núñez and Ramón Antonio Núñez. Her mother was a high school teacher, and her father served as a general in the Dominican military. Elsa's parents had 12 children and raised them in a strict Catholic environment during the Rafael Trujillo dictatorship.
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