Karin Beier (born 1965 in Cologne) is a German theatre director.
After studying English in Cologne, Karin Beier moved into theatre. She established an English language theatre and staged Shakespeare plays in their source language. Theatres began to grow in popularity, and she became the director of the Düsseldorf Theatre. Here she was able to display her first professional theatre production. In Düsseldorf she studied under Iraqi director David Mouchtar-Samorai.
After her 1994 production of Romeo and Juliet she was invited to the Berliner Theatertreffen and granted an award by the leading German theater magazine Theater heute. The following year she directed productions at the Deutsches Schauspielhaus in Hamburg, Schauspielhaus Bochum, Munich Kammerspiele, and the Burgtheater in Vienna.
In 2004 and 2005 she directed at the Nibelungen-Festival in Worms, performing Christian Friedrich Hebbel's 1861 play Nibelungen .
Since 2007 Beier was the director of the main playhouse in Cologne (Schauspiel Köln). On January 11, 2013 Beier said goodbye before her move to the Deutsches Schauspielhaus, [1] with her last production of an antique drama, The Trojan Women by Euripides. It was based on the work of Jean-Paul Sartre. [2]
Jürgen Flimm was a German theatre and opera director, theatre manager, and academic teacher. Flimm was first active in drama, and made the Thalia Theater in Hamburg one of the most successful German theatres when he managed it from 1985 to 2000. He was general manager of the Salzburg Festival and RuhrTriennale festivals, and intendant of the Berlin State Opera from 2010 to 2018. He directed internationally, including Beethoven's Fidelio at the Metropolitan Opera, the 2000 Ring cycle production at the Bayreuth Festival, and the 2002 world premiere of Friedrich Cerha's Der Riese vom Steinfeld at the Vienna State Opera.
Gustaf Gründgens, born Gustav Heinrich Arnold Gründgens, was one of Germany's most famous and influential actors of the 20th century, and artistic director of theatres in Berlin, Düsseldorf, and Hamburg. His career continued unimpeded through the years of the Nazi regime; the extent to which this can be considered as deliberate collaboration with the Nazis is hotly disputed.
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Schauspiel Köln is a theatre and company in Cologne, North Rhine-Westphalia, Germany. It forms together with the Cologne Opera and other houses the Bühnen der Stadt Köln. The listed building has 830 seats in the Grand House, 120 in the locksmith and 60 in the refreshment room. In addition, the listed 'Halle Kalk' has 200 seats, it was used until closing in the summer of 2015 because of the danger of collapse. Since the 2013/14 season Depot 1 and Depot 2 have been used as interim venues during the extensive renovation of the Schauspielhaus on the site of the former Carlswerk in Schanzenstraße in Cologne-Mülheim.
Igor Bauersima is a Swiss writer, director, architect and scenographer. From the late 1990 onward he became a prime mover of new German theater, pioneering the combination of live action and videoprojection in innovative ways, while firmly grounding his plays on philosophical concepts. He pays particular attention to issues relating to problems of morality, human identity, the individual and his relation to society. His work often addresses controversial subjects, either directly or by implication.
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Angela Richter is a German–Croatian theatre director and author.
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Aleksandar Denić is a Serbian visual artist, stage designer and film production designer. He is known as a scenographer of feature films, as well as for his work at major theatres including Berlin, Hamburg, Stuttgart, Bayreuth, Paris, Zurich, Wien, Salzburg, Köln and Munich.
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Georg Quander is a German opera and film director, music journalist, writer and culture manager. From 1991 to 2002, he was artistic director of the Deutsche Staatsoper Berlin. From 2005 to 2013, he was councillor for arts and culture of the city of Cologne. Since 2018, he has been the artistic director of the Musikkultur Rheinsberg gGmbH.
Interview with Karin Beier in: Vivien Gröning, Kirsten Sass: WOMAN@WORK Wege nach dem Abi – Wie FRAU heute Karriere macht. 22 Interviews mit erfolgreichen Frauen. Renningen 2014, ISBN 978-3-8169-3237-6.