Karin Hansson

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Karin Margareta Kjellsdotter Hansson (born 1967) is a Swedish artist and researcher.

Biography

Hansson was born in Gothenburg.

She graduated in 1994 from the Royal Institute of Art in Stockholm. [1] [2] 2015 she defender her thesis Accommodating Differences Power, Belonging, and Representation Online [3] at the Department of Computer and Systems Sciences, Stockholm University.

Hansson is one of the Swedish pioneers in political art and new media. [1] [4] [5] In her work as an artist and art curator she has given the development of the information society a critical artistic comment, with art projects such as Best Before, [6] Money, [7] Public Opinion, [8] Performing the Common, [9] and Work a Work. [10] Karin Hansson founded the artists' group Association for Temporary Art [a: t] (1996) together with Åsa Andersson Broms, Nils Claesson, Astrid Trotzig, and Josefin Ericsson. [11] She was also active in CRAC (Creative Room for Art and Computing), a media lab for artist that opened in Stockholm 1998. [5]

She is an Associate Professor in Computer and Systems Sciences and researcher at The School of Natural Sciences, Technology and Environmental Studies at Södertörn University. In her research practice she combines a critical perspective with applied design research, contributing to research in areas such as net activism, [12] [13] crowdsourcing, [14] [15] digital heritage, [16] [17] participatory research methods, [18] [19] [20] and artistic research. [21] [22]

References

  1. 1 2 Bydler, Charlotte (2003). "Markerat kroppslig: Om fysiska möten med digital konst" [Marked Corporeal: On Physical Encounters with Digital Art]. In Eriksson, Yvonne; Göthlund, Anette (eds.). Från modernism till samtidskonst: Svenska kvinnliga konstnärer[From Modernism to Contemporary Art: Swedish Women Artists] (in Swedish). Lund, Sweden: Bokförlaget Signum. pp. 129–154. ISBN   91-87896-53-2. OCLC   56924959.
  2. ↑ Jansson, Mathias (2004). "Konstnärerna och internet" [The Artists and Internet]. Konstperspektiv. 2004 (2).
  3. ↑ Hansson, Karin (2014). Accommodating Differences Power, Belonging, and Representation Online. Love Ekenberg, Ina Wagner, Stockholms universitet. Samhällsvetenskapliga fakulteten. Stockholm: Department of Computer and Systems Sciences, Stockholm University. ISBN   9789176490846. OCLC   1023238760.
  4. ↑ Orrghen, Anna (2015). "ICT in Art in Sweden 1993–2011: Tool, Medium and Theme". History of Nordic Computing 4. IFIP Advances in Information and Communication Technology. Vol. 447. pp. 78–89. doi:10.1007/978-3-319-17145-6_9. ISBN   978-3-319-17144-9. S2CID   42755459.
  5. 1 2 Ekeberg, Jonas; Olaussen, Elin Maria; Tandberg, Karen Christine (2019). Postnordisk : den nordiske kunstscenens vekst og fall 1976-2016. Oslo. ISBN   978-82-93104-22-3. OCLC   1149279404.{{cite book}}: CS1 maint: location missing publisher (link)
  6. ↑ Association for temporary art (1999). Bäst före : Best before. Stockholm: Konstnärsnämnden. ISBN   91-630-8445-7. OCLC   186286298.
  7. ↑ Hansson, Karin; Claesson, Nils; Steen, Jan (2002). Money. Stockholm: Swedish Institute. ISBN   91-631-2137-9. OCLC   938669901.
  8. ↑ "Den allmänna opinionen". temporaryart.org. Retrieved 2 June 2022.
  9. ↑ Hansson, Karin, ed. (2015). Föreställningar om det gemensamma. Performing the Common. Berlin: Revolver Publishing. ISBN   978-3-95763-268-5. OCLC   933211804.
  10. ↑ Hansson, Karin; Claesson, Nils; Kentros, George (2022). After Work A book about the meaning of Work (1 ed.). Stockholm. ISBN   9789188241177. OCLC   1310756648.{{cite book}}: CS1 maint: location missing publisher (link)
  11. ↑ Arrhenius, Sara; Birnbaum, Daniel; Nilsson, John Peter (1999). Like Virginity, Once Lost: Five Views of Nordic Art Now. Propexus. ISBN   9789187952173.
  12. ↑ Hansson, Karin; Cerratto Pargman, Teresa; Bardzell, Shaowen (1 December 2021). "Materializing activism". Computer Supported Cooperative Work. 30 (5): 617–626. doi: 10.1007/s10606-021-09412-5 . ISSN   1573-7551. S2CID   239977767.
  13. ↑ Hansson, Karin; Sveningsson, Malin; Ganetz, Hillevi (1 December 2021). "Organizing Safe Spaces: #MeToo Activism in Sweden". Computer Supported Cooperative Work. 30 (5): 651–682. doi: 10.1007/s10606-021-09410-7 . ISSN   1573-7551. S2CID   243827441.
  14. ↑ Hansson, Karin; Ludwig, Thomas (1 September 2019). "Crowd Dynamics: Conflicts, Contradictions, and Community in Crowdsourcing". Computer Supported Cooperative Work. 28 (5): 791–794. doi: 10.1007/s10606-018-9343-z . ISSN   1573-7551. S2CID   254419331.
  15. ↑ Hansson, Karin; Ludwig, Thomas; Aitamurto, Tanja (1 September 2019). "Capitalizing Relationships: Modes of Participation in Crowdsourcing". Computer Supported Cooperative Work. 28 (5): 977–1000. doi:10.1007/s10606-018-9341-1. ISSN   1573-7551. S2CID   254424241.
  16. ↑ Hansson, Karin; Pargman, Teresa Cerratto; Bardzell, Shaowen (1 December 2021). "Materializing activism". Computer Supported Cooperative Work. 30 (5): 617–626. doi: 10.1007/s10606-021-09412-5 . ISSN   1573-7551. S2CID   239977767.
  17. ↑ Hansson, Karin; Näslund Dahlgren, Anna (1 March 2022). "Crowdsourcing historical photographs: autonomy and control at the Copenhagen City Archives". Computer Supported Cooperative Work. 31 (1): 1–32. doi: 10.1007/s10606-021-09418-z . ISSN   1573-7551. S2CID   244854585.
  18. ↑ Hansson, Karin (2020). "Remembering (Art)Work: Collective Memory-Work in Higher Arts Education and Research". Other Education. 9 (1): 112–135.
  19. ↑ Love Ekenberg; et al. (18 January 2017). Deliberation, Representation, Equity: Research Approaches, Tools and Algorithms for Participatory Processes. Open Book Publishers. pp. 55–. ISBN   978-1-78374-306-3.
  20. ↑ Hansson, Karin; Forlano, Laura; Choi, Jaz Hee-jeong; DiSalvo, Carl; Pargman, Teresa Cerratto; Bardzell, Shaowen; Lindtner, Silvia; Joshi, Somya (1 October 2018). "Provocation, Conflict, and Appropriation: The Role of the Designer in Making Publics". Design Issues. 34 (4): 3–7. doi: 10.1162/desi_a_00506 . ISSN   0747-9360. S2CID   57559508.
  21. ↑ Hansson, Karin. "Artist Salary Now!". Parse Journal. Spring 2019 (9).
  22. ↑ Hansson, Karin (2013). "Konst som deltagande metodologi" [Art as participatory research]. Tidskrift för Genusvetenskap (in Swedish). 34 (1): 25–47. doi: 10.55870/tgv.v34i1.3400 . ISSN   2001-1377. S2CID   154061789.


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