Karin Hansson

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Karin Margareta Kjellsdotter Hansson (1967, Gothenburg) is a Swedish artist and researcher.

Contents

Life

Karin Hansson graduated in 1994 from the Royal Institute of Art in Stockholm. [1] [2] 2015 she defender her thesis Accommodating differences Power, belonging, and representation online [3] at the Department of Computer and Systems Sciences, Stockholm University.

She is an Associate Professor in Computer and Systems Sciences and researcher at The School of Natural Sciences, Technology and Environmental Studies at Södertörn University. In her research practice she combines a critical perspective with applied design research, contributing to research in areas such as net activism, [4] [5] crowdsourcing, [6] [7] digital heritage, [8] [9] participatory research methods, [10] [11] [12] and artistic research. [13] [14]

Career

Hansson is one of the Swedish pioneers in political art and new media. [1] [15] [16] In her work as an artist and art curator she has given the development of the information society a critical artistic comment, with art projects such as Best Before, [17] Money, [18] Public Opinion, [19] Performing the Common, [20] and Work a Work. [21] Karin Hansson founded the artists' group Association for Temporary Art [a: t] (1996) together with Åsa Andersson Broms, Nils Claesson, Astrid Trotzig, and Josefin Ericsson. [22] She was also active in CRAC (Creative Room for Art and Computing), a media lab for artist that opened in Stockholm 1998. [23]

Related Research Articles

<span class="mw-page-title-main">Stigmergy</span> Social network mechanism of indirect coordination

Stigmergy is a mechanism of indirect coordination, through the environment, between agents or actions. The principle is that the trace left in the environment by an individual action stimulates the performance of a succeeding action by the same or different agent. Agents that respond to traces in the environment receive positive fitness benefits, reinforcing the likelihood of these behaviors becoming fixed within a population over time.

<span class="mw-page-title-main">Crowdsourcing</span> Sourcing services or funds from a group

Crowdsourcing involves a large group of dispersed participants contributing or producing goods or services—including ideas, votes, micro-tasks, and finances—for payment or as volunteers. Contemporary crowdsourcing often involves digital platforms to attract and divide work between participants to achieve a cumulative result. Crowdsourcing is not limited to online activity, however, and there are various historical examples of crowdsourcing. The word crowdsourcing is a portmanteau of "crowd" and "outsourcing". In contrast to outsourcing, crowdsourcing usually involves less specific and more public groups of participants.

Sven Ove Hansson is a Swedish philosopher. He is a professor of philosophy and chair of the Department of Philosophy and History of Technology at the Royal Institute of Technology (KTH) in Stockholm, Sweden. He is an author and scientific skeptic, with a special interest in environmental risk assessment, as well as in decision theory and belief revision.

The Special Interest Group on Computer–Human Interaction (SIGCHI) is one of the Association for Computing Machinery's special interest groups which is focused on human–computer interactions (HCI).

<span class="mw-page-title-main">Issue-based information system</span> Argumentation scheme

The issue-based information system (IBIS) is an argumentation-based approach to clarifying wicked problems—complex, ill-defined problems that involve multiple stakeholders. Diagrammatic visualization using IBIS notation is often called issue mapping.

<span class="mw-page-title-main">Elizabeth F. Churchill</span> Psychologist

Elizabeth Frances Churchill is a British American psychologist specializing in human-computer interaction (HCI) and social computing. She is a Director of User Experience at Google. She has held a number of positions in the ACM including Secretary Treasurer from 2016 to 2018, and Executive Vice President from 2018 to 2020.

<span class="mw-page-title-main">Activism</span> Efforts to make change in society toward a perceived greater good

Activism consists of efforts to promote, impede, direct or intervene in social, political, economic or environmental reform with the desire to make changes in society toward a perceived common good. Forms of activism range from mandate building in a community, petitioning elected officials, running or contributing to a political campaign, preferential patronage of businesses, and demonstrative forms of activism like rallies, street marches, strikes, sit-ins, or hunger strikes.

<span class="mw-page-title-main">Karin Bergöö Larsson</span> Swedish artist (1859–1928)

Karin Larsson, née Bergöö, was a Swedish artist and designer who collaborated with her husband, Carl Larsson, as well as being often depicted in his paintings.

<span class="mw-page-title-main">Social machine</span>

A social machine is an environment comprising humans and technology interacting and producing outputs or action which would not be possible without both parties present. It can also be regarded as a machine, in which specific tasks are performed by human participants, whose interaction is mediated by an infrastructure. The growth of social machines has been greatly enabled by technologies such as the Internet, the smartphone, social media and the World Wide Web, by connecting people in new ways.

<span class="mw-page-title-main">Joan Greenbaum</span> American political economist and labor activist

Joan Greenbaum is an American political economist, labor activist, and Professor Emerita at the CUNY Graduate Center and LaGuardia Community College. She also taught and conducted research at Aarhus University, and the University of Oslo (Informatics) (1995–96). Her numerous books and articles focus on participatory design of technology information systems, technology and workplace organization, and gender and technology.

Carola Hansson-Boëthius is a Swedish novelist, dramatist and translator.

Digital labor or digital labour represents an emergent form of labor characterized by the production of value through interaction with information and communication technologies such as digital platforms or artificial intelligence. Examples of digital labor include on-demand platforms, micro-working, and user-generated data for digital platforms such as social media. Digital labor describes work that encompasses a variety of online tasks. If a country has the structure to maintain a digital economy, digital labor can generate income for individuals without the limitations of physical barriers.

<span class="mw-page-title-main">Bohus Stickning</span>

Bohus Stickning was a Swedish knitting cooperative that was active between 1939 and 1969. It was established as a cottage industry to provide income for poor families in Bohuslän (Sweden) during the Great Depression. Knitwear designed by the founder Emma Jacobsson and other designers was handknit by women in Bohuslän Province and sold to department stores, boutiques and fashion houses both in Sweden and internationally.

<span class="mw-page-title-main">RATS Theatre</span>

RATS Theatre – Research in Arts and Technology in Society is established in 2008 by Rebecca Örtman. It is known for creating artistic digital productions on the web, mobile and public spaces as a tool of inspiration and a platform for dialogue between research and public. RATS Theatre is today part of Stockholm University. Its productions were met successfully in Sweden and internationally.

Feminist HCI is a subfield of human-computer interaction (HCI) that applies feminist theory, critical theory and philosophy to social topics in HCI, including scientific objectivity, ethical values, data collection, data interpretation, reflexivity, and unintended consequences of HCI software. The term was originally used in 2010 by Shaowen Bardzell, and although the concept and original publication are widely cited, as of 2020 Bardzell's proposed frameworks have been rarely used since.

<span class="mw-page-title-main">Nils Claesson</span>

Nils Taki Claesson, is an artist, filmmaker, author, and artistic researcher at the Royal Institute of Art in Stockholm.

<span class="mw-page-title-main">Stellan Claësson</span> Swedish actor (1886–1970)

Erik Stellan Claësson was a Swedish film producer. He was married to actress Karin Swanstrom and ran SF Studios for over a decade. He was responsible for first sighting Ingrid Bergman and introducing her to cinema.

<span class="mw-page-title-main">Kenneth Möllersten</span> Swedish researcher

Kenneth Karl Mikael Möllersten is a Swedish researcher. He holds a PhD in chemical engineering and an MSc in mechanical engineering, both from the Royal Institute of Technology (KTH), Stockholm, Sweden. Möllersten is a consultant and researcher at IVL Swedish Environmental Research Institute, was previously affiliated as a researcher with Mälardalen University and is currently affiliated with KTH.

<span class="mw-page-title-main">Axel Gjöres</span> Swedish politician (1889–1979)

Axel Gjöres (1889–1979) was a Swedish social democrat politician who served in different government posts. He was the minister of supply between 1941 and 1947 and minister of commerce and industry between 1947 and 1948.

Christopher Kenneth Ingle Williams is a professor at the School of Informatics, University of Edinburgh, working in Artificial intelligence, and particularly the areas of Machine learning and Computer vision.

References

  1. 1 2 Bydler, Charlotte (2003). "Markerat kroppslig: Om fysiska möten med digital konst" [Marked Corporeal: On Physical Encounters with Digital Art]. In Eriksson, Yvonne; Göthlund, Anette (eds.). Från modernism till samtidskonst: Svenska kvinnliga konstnärer[From Modernism to Contemporary art: Swedish Women Artists] (in Swedish). Lund, Sweden: Bokförlaget Signum. pp. 129–154. ISBN   91-87896-53-2. OCLC   56924959.
  2. Jansson, Mathias (2004) ”Konstnärerna och internet” [The Artists and Internet], Konstperspektiv (2)04. Available on Internet: http://www.konstperspektiv.nu
  3. Hansson, Karin (2014). Accommodating differences Power, belonging, and representation online. Love Ekenberg, Ina Wagner, Stockholms universitet. Samhällsvetenskapliga fakulteten. Stockholm: Department of Computer and Systems Sciences, Stockholm University. ISBN   9789176490846. OCLC   1023238760.
  4. Hansson, Karin; Pargman, Teresa Cerratto; Bardzell, Shaowen (2021-12-01). "Materializing activism". Computer Supported Cooperative Work. 30 (5): 617–626. doi: 10.1007/s10606-021-09412-5 . ISSN   1573-7551. S2CID   239977767.
  5. Hansson, Karin; Sveningsson, Malin; Ganetz, Hillevi (2021-12-01). "Organizing Safe Spaces: #MeToo Activism in Sweden". Computer Supported Cooperative Work. 30 (5): 651–682. doi: 10.1007/s10606-021-09410-7 . ISSN   1573-7551. S2CID   243827441.
  6. Hansson, Karin; Ludwig, Thomas (2019-09-01). "Crowd Dynamics: Conflicts, Contradictions, and Community in Crowdsourcing". Computer Supported Cooperative Work. 28 (5): 791–794. doi: 10.1007/s10606-018-9343-z . ISSN   1573-7551. S2CID   254419331.
  7. Hansson, Karin; Ludwig, Thomas; Aitamurto, Tanja (2019-09-01). "Capitalizing Relationships: Modes of Participation in Crowdsourcing". Computer Supported Cooperative Work. 28 (5): 977–1000. doi:10.1007/s10606-018-9341-1. ISSN   1573-7551. S2CID   254424241.
  8. Hansson, Karin; Pargman, Teresa Cerratto; Bardzell, Shaowen (2021-12-01). "Materializing activism". Computer Supported Cooperative Work. 30 (5): 617–626. doi: 10.1007/s10606-021-09412-5 . ISSN   1573-7551. S2CID   239977767.
  9. Hansson, Karin; Dahlgren, Anna Näslund (2022-03-01). "Crowdsourcing historical photographs: autonomy and control at the Copenhagen City Archives". Computer Supported Cooperative Work. 31 (1): 1–32. doi: 10.1007/s10606-021-09418-z . ISSN   1573-7551. S2CID   244854585.
  10. Hansson, Karin (2020). "Remembering (Art)Work: Collective Memory-Work in Higher Arts Education and Research". Other Education. 9 (1): 112–135.
  11. Love Ekenberg; et al. (18 January 2017). Deliberation, Representation, Equity: Research Approaches, Tools and Algorithms for Participatory Processes. Open Book Publishers. pp. 55–. ISBN   978-1-78374-306-3.
  12. Hansson, Karin; Forlano, Laura; Choi, Jaz Hee-jeong; DiSalvo, Carl; Pargman, Teresa Cerratto; Bardzell, Shaowen; Lindtner, Silvia; Joshi, Somya (2018-10-01). "Provocation, Conflict, and Appropriation: The Role of the Designer in Making Publics". Design Issues. 34 (4): 3–7. doi: 10.1162/desi_a_00506 . ISSN   0747-9360. S2CID   57559508.
  13. Hansson, Karin. "Artist Salary Now!". Parse Journal. Spring 2019 (9).
  14. Hansson, Karin (2013). "Konst som deltagande metodologi [Art as participatory research]". Tidskrift för Genusvetenskap (in Swedish) (1): 25–47. doi: 10.55870/tgv.v34i1.3400 . ISSN   2001-1377. S2CID   154061789.
  15. Orrghen, Anna (2015). "ICT in Art in Sweden 1993–2011: Tool, Medium and Theme". History of Nordic Computing 4. IFIP Advances in Information and Communication Technology. Vol. 447. pp. 78–89. doi:10.1007/978-3-319-17145-6_9. ISBN   978-3-319-17144-9. S2CID   42755459.
  16. Ekeberg, Jonas (2019). Postnordisk : den nordiske kunstscenens vekst og fall 1976-2016. Elin Maria Olaussen, Karen Christine Tandberg. [Oslo]. ISBN   978-82-93104-22-3. OCLC   1149279404.{{cite book}}: CS1 maint: location missing publisher (link)
  17. Association for temporary art (1999). Bäst före : Best before. Stockholm: Konstnärsnämnden. ISBN   91-630-8445-7. OCLC   186286298.
  18. Money. Karin Hansson, Nils Claesson, Jan Steen. Stockholm: Swedish Institute. 2002. ISBN   91-631-2137-9. OCLC   938669901.{{cite book}}: CS1 maint: others (link)
  19. "Den allmänna opinionen". www.temporaryart.org. Retrieved 2022-06-02.
  20. Föreställningar om det gemensamma = Performing the common. Karin Hansson, Love Ekenberg, Moderna museet. Berlin: Revolver Publishing. 2015. ISBN   978-3-95763-268-5. OCLC   933211804.{{cite book}}: CS1 maint: others (link)
  21. Hansson, Karin; Claesson, Nils; Kentros, George (2022). After Work A book about the meaning of Work (1 ed.). Stockholm. ISBN   9789188241177. OCLC   1310756648.{{cite book}}: CS1 maint: location missing publisher (link)
  22. Sara Arrhenius; Daniel Birnbaum; John Peter Nilsson (1999). Like virginity, once lost: five views of Nordic art now. Propexus. ISBN   9789187952173.
  23. Ekeberg, Jonas (2019). Postnordisk : den nordiske kunstscenens vekst og fall 1976-2016. Elin Maria Olaussen, Karen Christine Tandberg. [Oslo]. ISBN   978-82-93104-22-3. OCLC   1149279404.{{cite book}}: CS1 maint: location missing publisher (link)