Karol Berger (born 1947) is a Polish-American musicologist.
Berger obtained his PhD from Yale University in 1975 [1] and taught at Boston University from 1975 to 1982. [2] He is currently a retired member of the Department of Music at Stanford University, where he holds the Osgood Hooker Professorship in Fine Arts. [1] He is the recipient of awards from the Alfred Jurzykowski Foundation (1995) and the Swiss Musicological Society (the 2011 Glarean Award), [3] and the Alexander von Humboldt Foundation (the 2014 Humboldt Research Award). He is a foreign member of the Polish Academy of Sciences, an honorary member of the American Musicological Society, a member of the American Academy of Arts and Sciences, a foreign member of the Polish Academy of Arts and Sciences (Cracow), and a foreign member of the Academia Europaea.
Berger’s work has focused on the vocal polyphony of the Renaissance, aesthetic theory, and Austro-German music from the early eighteenth to the early twentieth century.
He is married to the musicologist Anna Maria Busse Berger.
Christoph Wolff is a German musicologist. He is best known for his works on the music, life, and period of Johann Sebastian Bach. Christoph Wolff is an emeritus professor of Harvard University, and was part of the faculty since 1976, and former director of the Bach Archive in Leipzig from 2001 to 2014.
Musica ficta was a term used in European music theory from the late 12th century to about 1600 to describe pitches, whether notated or added at the time of performance, that lie outside the system of musica recta or musica vera as defined by the hexachord system of Guido of Arezzo.
The American Musicological Society (AMS) is a musicological organization which researches, promotes and produces publications on music. Founded in 1934, the AMS was begun by leading American musicologists of the time, and was crucial in legitimizing musicology as a scholarly discipline.
Richard Filler Taruskin was an American musicologist and music critic who was among the leading and most prominent music historians of his generation. The breadth of his scrutiny into source material as well as musical analysis that combines sociological, cultural, and political perspectives has incited much discussion, debate and controversy. He regularly wrote music criticism for newspapers including The New York Times. He researched a wide variety of areas, but a central topic was Russian music from the 18th century to the present day. Other subjects he engaged with include the theory of performance, 15th-century music, 20th-century classical music, nationalism in music, the theory of modernism, and analysis. He is best known for his monumental survey of Western classical music, the six-volume Oxford History of Western Music. His awards include the first Noah Greenberg Award from the American Musicological Society in 1978 and the Kyoto Prize in Arts and Philosophy in 2017.
Maynard Elliott Solomon was an American music executive and musicologist, a co-founder of Vanguard Records as well as a music producer. Later, he became known for his biographical studies of Viennese Classical composers, specifically Beethoven, Mozart (biography), and Schubert. Solomon was the first to openly propose the highly disputed theory of Schubert's homosexuality in a scholarly setting.
Anna Maria Busse Berger is an American musicologist. Busse Berger received her PhD from Boston University in 1986, and since 1989 she has taught at University of California, Davis, where she is now a Distinguished Professor of Music. She is a scholar of Medieval and Renaissance History and Theory and is the former chair of the UC Davis music department. She was born in Hamburg, Germany, and has lived in the United States since 1976. She is married to the musicologist Karol Berger.
Margaret Bent CBE, is an English musicologist who specializes in music of the late medieval and Renaissance eras. In particular, she has written extensively on the Old Hall Manuscript, English masses as well as the works of Johannes Ciconia and John Dunstaple.
William Oliver Strunk was an American musicologist. Charles Rosen called him one of the most influential American musicologists of the 1930s to the 1960s. He was known for his anthology Source Readings in Music History (1950) and his work on Byzantine music. He was the son of Elements of Style coauthor William Strunk, Jr. (1869–1946)
Otto Kinkeldey was an American music librarian and musicologist. He was the first president of the American Musicological Society and held the first chair in musicology at any American university.
The Handel Reference Database (HRD) is the largest documentary collection on George Frideric Handel (1685–1759) and his times. It was launched in January 2008 on the server of the Center for Computer Assisted Research in the Humanities (CCARH) at Stanford University. Originally assembled by Ilias Chrissochoidis to support his PhD dissertation "Early Reception of Handel's Oratorios, 1732–1784: Narrative-Studies-Documents", it now includes about 4,000 items and 800,000 words. HRD is organized chronologically, covering the period from 1685 to 1784 and focusing on Handel's British career and reception. It includes transcriptions of printed and manuscript sources, some of which remain unpublished and external links to early secondary literature on the composer. The project received financial support from Houghton Library, Harvard University (2010–11) and UCLA's William Andrews Clark Memorial Library (2011–12).
Zofia Helman is a Polish musicologist and an honorary member of the Polish Composers' Union.
Zofia Lissa was a Polish music educator and musicologist.
Daniel Heartz (1928–2019) was an American musicologist and professor emeritus of music at the University of California, Berkeley.
John A. Rice is an American musicologist. Born in 1956, he studied music history at the University of California, Berkeley. He has taught music history at the University of Washington, Colby College, the University of Houston, the University of Texas at Austin, the University of Pittsburgh and the University of Michigan. He has received grants from the Alexander von Humboldt Foundation, the National Endowment for the Humanities, and the American Philosophical Society.
Dexter Edge is an American musicologist.
Thomas Forrest Kelly is an American musicologist, musician, and scholar. He is the Morton B. Knafel Professor of Music at Harvard University. His most recent books include: The Role of the Scroll (2019), Capturing Music: The Story of Notation (2014), and Music Then and Now (2012).
Mark Everist is a British music historian, critic and musicologist.
Martha Feldman is an American musicologist and cultural historian. Since 1990 she has taught at the University of Chicago where she is Ferdinand Schevill Distinguished Service Professor in the Department of Music and the College. Feldman also holds appointments to the faculty of Theater and Performance Studies and serves as affiliated faculty in Romance Languages and Literatures and at the Center for the Study of Gender and Sexuality. Born in Philadelphia to a family of artists, she studied at the University of Pennsylvania, where she earned her doctorate in Music History and Theory in 1987. She is married to composer and jazz musician Patricia Barber.
The American Institute of Musicology (AIM) is a musicological organization that researches, promotes and produces publications on early music. Founded in 1944 by Armen Carapetyan, the AIM's chief objective is the publication of modern editions of medieval, Renaissance and early Baroque compositions and works of music theory. The AIM is based in Rome, with offices in Cambridge, Massachusetts. Musicologists who have been particularly associated with the AIM include John Caldwell, Frank D'Accone, Ursula Gunther, Charles Hamm, Albert Seay and Gilbert Reaney.
Professor Ruth HaCohen is an Israeli musicologist and a cultural historian. She holds the Artur Rubinstein Chair of Musicology at the Hebrew University of Jerusalem. Ruth HaCohen is the recipient of the 2022 Rothschild Prize in the Humanities. In 2017, she was elected as Corresponding member by the American Musicological Society (AMS) "for outstanding contributions to the advancement of scholarship in music."