Karrie Keyes | |
---|---|
Born | December 2, 1967 |
Origin | United States |
Genres | Rock, Punk Rock |
Years active | 1986–present |
Karrie Keyes is an American audio engineer and the executive director of SoundGirls, a non-profit organization that supports women in the sound industry. She has been the monitor engineer for Pearl Jam and Eddie Vedder for over 25 years [1] [2] and has toured with Soundgarden, Fugazi, Sonic Youth, Neil Young, [3] and the Red Hot Chili Peppers. Keyes was one of very few women working as a live sound engineer in the 1980s and is recognized for her contributions to helping women in the sound industry (which is estimated to be 95% men). [4] She was a 2017 honoree of the She Rocks Awards. [5]
Keyes was born and raised in Los Angeles. [6] She would "fall in love" with songs she heard on the radio. She took music lessons from third grade to middle school (playing flute and clarinet) [6] and gravitated towards the arts and music in high school. [7] She was a fan of music who attended concerts and shows. In high school, she wasn't presented with career options in the music industry. She aspired to be a writer and to travel the world. [8]
Keyes was a fan of punk music as a teenager. [1] At 17, she was taking some classes at a community college and worked a part-time job in retail. [6]
Her first opportunity in sound came when she met sound engineer Dave Rat in 1986 [9] at a Black Flag show on the In My Head tour. She was 17 at the time. Keyes worked her way to the front before the show and talked to Rat. He invited Keyes to the stage after the show and taught her how to wrap mic cables. The next day, she was in Palo Alto with Black Flag and knew she wanted to do sound. [10]
Dave Rat owned a sound company, Rat Sound, and brought Keyes to work for him. Her first job was loading and unloading PA equipment from trucks at shows. [1] She learned how to set up sound systems, do wiring and set change, how the gear worked, and troubleshooting. Rat Sound did a lot of punk rock shows in Southern California and the two did most shows themselves (with the occasional third person). Keyes was able to quit her part-time job and not go back to school. [10]
She was taking any job offered from punk music to gospel to mariachi. [1]
Keyes and Rat lived in a warehouse without hot water for two years so they could put money back into the business (for expenses like equipment, insurance and gas). [6] She worked for Rat Sound from 1986 to 2005. In addition to sound work, she helped with accounting and bills and in her final five years, HR and management. [6]
In her career, Keyes has primarily worked as a monitor engineer. [10]
Her first tour was with The Untouchables working as a system tech for their Southern California gigs. When their front of house engineer left, she moved into mixing monitors for them until 1990. [10] Keyes was monitor engineer for The Red Hot Chili Peppers who she toured with from 1990 to 2000. She met Pearl Jam in 1991 when they were opening for RHCP on the Blood Sugar Sex Magic Tour. [10]
In 1995, Keyes toured with Neil Young on the Mirror Ball Tour. She was hired to tour with Fugazi because she did their location shows regularly and knew what they needed. [6]
Keyes says monitor mixing is "not for the weak of heart." She says it's considered one of the most difficult jobs on tour. [7]
Pearl Jam hired Keyes in 1992 to finish their tour, which she did between RHCP tours. [7] Keyes said the crew is like family because of how long they have been together. [6]
As of 2016, the band uses a mix of in-ear monitors and wedges (Rat S Wedges for Eddie Vedder and EAW Microwedges for the rest of the band). The lead guitar player (Mike McCready) relies mainly on in-ear monitors. Keyes uses a DiGiCo SD5 console for their shows. [6]
Some Pearl Jam fans recognize her as the "microphone girl" because she is on stage checking mics before the show begins. [11]
Keyes co-founded SoundGirls in 2013 with Michelle Sabolchick Pettinato with the mission of "empowering the next generation of women in audio." SoundGirls is looking to increase the number of women in the workforce, which is currently at 5 percent. [4] [12]
Keyes and Sabolchick met when they were on a panel together at the 2012 AES Convention in San Francisco. The panel was hosted by the Women's Audio Mission called "Women of Professional Concert Sound" and was moderated by Terri Winston, the founder of WAM. The five panelists had never met before but found a lot of similarities in their experiences, work ethics and interests. They also recognized they had hadn't crossed paths or been able to support each other but they bonded "like sisters." [9] Keyes and Pettinato decided to do something after. The original idea of Soundgirls was to create a website where women in audio could meet and network. [7]
Since then, SoundGirls has grown to over 4,000 members and chapters worldwide. The organization assists with mentorships, job placement, workshops, and scholarships. [9] The organization is inclusive of all genders and non-conforming genders. [7] Keyes is currently the executive director and runs the organization on a daily basis. [8]
In 2015, SoundGirls started holding recording camps in the summer for girls. [13] These events are held in California, New York, Philadelphia, and St. Louis. [4]
In 2018, SoundGirls teamed up with Spotify to create the EQL Directory, an international database for women working in audio and music production. [14] [15]
Keyes says of women in the industry, "Women must work harder, smarter, and be tougher, and by being those things is how you overcome adversity. Since starting SoundGirls I have learned that the issues women face are not limited to women; it affects all marginalized people. The industry needs diversity." [8]
Keyes and Dave Rat had twin daughters in 1997 [7] and Keyes toured while pregnant. They continued to work together professionally for many years.
The two tried to balance their tour schedules as much as possible and Keyes likened it to a military family where a parent may be gone for months at a time. [7] She says of being a working mom, ""It took me probably till they were three or four to actually come to terms with, 'You know what, I'm actually a better mother if I'm doing what I love doing.' So that when I'm here, I'm completely here." [1]
Keyes has been based in California for most of her career but lived in Seattle briefly during the Grunge era. [6] One of her daughters has worked on the Warped Tour. [16]
Keyes was an honoree at the 2017 She Rocks Awards at the NAMM Show in Anaheim, CA. [17] [8] The She Rocks awards honors women who stand out within the music industry. [5]
In 2019, Keyes won the audio innovator award for her work with soundgirls at the Parnelli Awards. [18]
Yield is the fifth studio album by American rock band Pearl Jam, released on February 3, 1998. Following a short promotional tour for its previous album, No Code (1996), Pearl Jam recorded Yield throughout 1997 at Studio Litho and Studio X in Seattle, Washington. The album was hailed as a return to the band's early, straightforward rock sound, and marked a more collaborative effort from the band as opposed to relying heavily on frontman Eddie Vedder to compose the song lyrics.
The NAMM Show is an annual event in the United States that is organized by the National Association of Music Merchants (NAMM), who describe it as "the industry’s largest stage, uniting the global music, sound and entertainment technology communities".
In the performing arts, front of house (FOH) is the part of a performance venue that is open to the public. In theatres and live music venues, it consists of the auditorium and foyers, as opposed to the stage and backstage areas. In a theatre, the front of house manager is responsible for welcoming guests, refreshments, and making sure the auditorium is set out properly. By contrast, back of house (BOH) refers to any operations that are not visible to the audience, such as props management, costume design, stage set fabrication, lighting control, and other support functions.
Tchad Blake is an American record producer, audio engineer, mixer and musician.
Arturia is a French electronics company founded in 1999 and based in Grenoble, France. The company designs and manufactures audio interfaces and electronic musical instruments, including software synthesizers, drum machines, analog synthesizers, digital synthesizers, MIDI controllers, sequencers, and mobile apps.
Sylvia Lenore Massy is an American record producer, mixer, engineer, instructor and author. Massy is renowned for her multifaceted production/mixing and engineering skills, with her first major breakthrough occurring with 1993's Undertow, the full-length triple platinum-selling debut for Los Angeles alternative metal band Tool as well as her work with System of a Down, Johnny Cash, Red Hot Chili Peppers, and Brazilian band South Cry.
Leslie Ann Jones is a multiple Grammy Award-winning recording engineer working as Director of Music Recording and Scoring at Skywalker Sound, a Lucasfilm, Ltd. company. She is a past Chair of the National Academy of Recording Arts and Sciences Board of Trustees, the organization that awards Grammys, and in 2018 was inducted into the TEC Awards Hall of Fame. She is the daughter of novelty drummer, percussionist and bandleader Spike Jones and his wife, singer Helen Grayco.
Rat Sound Systems is a sound equipment provider of touring sound reinforcement equipment and services to the concert touring industry, based in Camarillo, California.
An audio engineer helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer... the nuts and bolts."
Phil Dudderidge is a British sound engineering entrepreneur. He is a notable figure in the professional audio industry, having worked as Led Zeppelin's concert sound mixer, and later co-founding Soundcraft Electronics Ltd before serving as Chairman of Focusrite Audio Engineering Ltd.
The NAMM Oral History Program is an oral history project and archive of recordings of interviews with people from all aspects of the music products industry, including music instrument retailers, musical instrument and product creators, suppliers and sales representatives, music educators and advocates, publishers, live sound and recording pioneers, innovators, founders, and musicians.
Gimel Androus Keaton, professionally better known by his pseudonym Young Guru, is an American audio engineer, record producer, disc jockey, and record executive from Wilmington, Delaware. In 2019, Young Guru won a Grammy Award for Best Urban Contemporary Album for mixing the album Everything Is Love by The Carters. He has worked with many leading recording artists, most notably Jay-Z and Kanye West, and an April 2015 The Wall Street Journal profile called him "the most famous and successful engineer in the history of hip-hop".
Laura B. Whitmore is a music marketer, singer/songwriter, event producer, and founder of the Women's International Music Network. She currently lives in Onset, MA.
Women's Audio Mission is a non-profit organization and recording studio complex based in San Francisco and Oakland, California, whose mission is to promote "the advancement of women and gender-diverse people in music production and the recording arts."
"Privacy" is a song by American singer Chris Brown from his eighth studio album, Heartbreak on a Full Moon. After being previewed at the beginning of 2017, it was released by RCA Records as the third single from the album on March 24, 2017. The song is an R&B slow jam fully written by Brown, and produced by David Doman and Jim Stewart, where Brown both sings and raps. The lyrics of the song were described as "an explicit portrait of a wild sex night".
Kimberly A. Rosen is an American Grammy-nominated audio mastering engineer. Since 2009, she owns and runs a mastering studio in Ringwood, New Jersey.
Lenise Diane Bent is an American audio engineer who has worked in both the music and film industry. She was one of a handful of women working in the Hollywood recording studio business in a technical role during the 1970s, and was the first woman to receive an RIAA Platinum album for her engineering of AutoAmerican by Blondie.
SoundGirls is a professional advocacy organization aiming to empower women working in the audio industry. It was co-founded in 2013 by Pearl Jam’s monitor engineer Karrie Keyes, and Michelle Sabolchick Pettinato, Front of house mixer for Styx, Mr. Big and Elvis Costello. The organization's mission is "empowering the next generation of women in audio" and increasing the number of women in the workforce, which is currently under 5% in some disciplines of the industry.
Jett Galindo is a Filipino mastering engineer based in Los Angeles who has worked on albums for artists including Barbra Streisand, Weezer, Selena Gomez, Neil Young, and Pink Floyd.
Catharine Wood is an American composer, songwriter, musician, producer, audio engineer and studio owner associated with both popular music and music for picture. Her work is primarily influenced by folk, rock, pop and soul music. In addition to being a vocal activist for songwriters, Wood is recognized for her contributions as a recording arts leader and mentor by AES and NAMM presenting alongside Grammy winning Leslie Ann Jones and Lenise Bent. She has been highlighted in two UK published Routledge academic books as a trailblazer in the professional music engineering and producer community: “Women in Audio” and “Gender in Music Production” in Chapters 4 and 13 respectively. In 2022, Wood was elected to The Recording Academy Los Angeles Chapter Board of Governors.
{{cite book}}
: CS1 maint: location missing publisher (link){{cite book}}
: CS1 maint: location missing publisher (link){{cite book}}
: CS1 maint: location missing publisher (link)