Katharina Pepijn

Last updated

Portrait of Norbertus van Couwerven, abbot of St Michael's Katharina Pepijn - Norbertus van Couwerven, abbot of St Michael's.jpg
Portrait of Norbertus van Couwerven, abbot of St Michael's

Katharina Pepijn or Catharina Pepijn [1] (baptized on 13 February 1619, Antwerp - 12 November 1688, Antwerp) was a Flemish painter who was known for her history paintings and portraits. [2]

Contents

Life

Very little is known about the life and training of Katharina Pepijn. She was the daughter of Marten Pepijn and Marie Huybrechts. [3] She likely trained with her father, a prominent painter in Antwerp. [4] In 1654, she became a member of the Antwerp Guild of St. Luke as a 'wijnmeester', i.e. the daughter of a master. [5]

Very little is known about her career. At the end of her life, she was renting a house in a beguinage. She was taken ill and was cared for by a nurse. After she died, she was buried at Antwerp Cathedral. [6]

Work

Katharina Pepijn was known in her time as a history and portrait painter. [4]

Currently, only two works are attributed to Katharina Pepijn. Both are portraits of abbots of St. Michael's Abbey, Antwerp, executed with oil on canvas in the 1650s. That of Abbot Johannes Chrysostomus vander Sterre was made shortly after his death in 1652. The other is of Abbot Norbertus van Couwerven. Both paintings were originally kept at St. Michael's Abbey. [5] Her portraits are in the style of Rubens and van Dyck. [7]

Notes

  1. Name variations: Kathelijn Pepyn, Kathelyn Pepijn, Kathelijn Pepijn, Kathelyn Pepyn
  2. Katharina Pepijn at the Netherlands Institute for Art History (in Dutch)
  3. Marten Pepijn at the Netherlands Institute for Art History (in Dutch)
  4. 1 2 Catharina Pepyn, Marten’s dochter, in Album der St.-Lukasgilde : uitgegeven op last harer letterkundige afdeeling de violieren, Antwerp: J.-E. Buschmann (1855), p. 56 (in Dutch)
  5. 1 2 Catharina Pepijn in Frans Jozef Peter van den Branden, Geschiedenis der Antwerpsche Schilder-school, vol. 1, Buschmann, 1883, p. 477 (in Dutch)
  6. Katlijne Van Der Stighelen, Mirjam Westen, Maaike Meijer, A chacun sa grace: Femmes artistes en Belgique et au Pays-Bas 1500-1950, Ludion, 1999, p. 170 (in French)
  7. Ursula Härting. "Pepyn, Maarten." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 16 March 2015

Related Research Articles

<span class="mw-page-title-main">Frans Floris</span> Flemish painter (1519–1570)

Frans Floris, Frans Floris the Elder or Frans Floris de Vriendt was a Flemish painter, draughtsman, print artist and tapestry designer. He is mainly known for his history paintings, allegorical scenes and portraits. He played an important role in the movement in Northern Renaissance painting referred to as Romanism. The Romanists had typically travelled to Italy to study the works of leading Italian High Renaissance artists such as Michelangelo, Raphael and their followers. Their art assimilated these Italian influences into the Northern painting tradition.

<span class="mw-page-title-main">Gonzales Coques</span> Flemish painter (c. 1616–1684)

Gonzales Coques was a Flemish painter of portraits and history paintings. Because of his artistic proximity to and emulation with Anthony van Dyck he received the nickname de kleine van Dyck. Coques was also active as an art dealer.

<span class="mw-page-title-main">Catharina van Hemessen</span> Flemish Renaissance painter

Caterina or Catharina van Hemessen was a Flemish Renaissance painter. She is the earliest female Flemish painter for whom there is verifiable extant work. She is mainly known for a series of small-scale female portraits completed between the late 1540s and early 1550s and a few religious compositions.

<span class="mw-page-title-main">Frans Pourbus the Elder</span> Flemish painter (1545–1581)

Frans Pourbus the Elder was a Flemish Renaissance painter who is known primarily for his portraits and religious compositions, as well as a few genre scenes. He was the son of the prominent Bruges painter and cartographer Pieter Pourbus and the father of Frans Pourbus the Younger who became an international portraitist of the European ruling class.

<span class="mw-page-title-main">Cornelis Saftleven</span> Dutch painter (c. 1607–1681)

Cornelis Saftleven was a Dutch painter who worked in a great variety of genres. Known in particular for his rural genre scenes, his range of subjects was very wide and included portraits, farmhouse interiors, rural and beach scenes, landscapes with cattle, history paintings, scenes of Hell, allegories, satires and illustrations of proverbs.

<span class="mw-page-title-main">Maerten de Vos</span> Flemish painter (1532–1603)

Maerten de Vos, Maerten de Vos the Elder or Marten de Vos was a Flemish painter. He is known mainly for his history and allegorical paintings and portraits. He was, together with the brothers Ambrosius Francken I and Frans Francken I, one of the leading history painters in the Spanish Netherlands after Frans Floris career slumped in the second half of the sixteenth century as a result of the Iconoclastic fury of the Beeldenstorm.

<span class="mw-page-title-main">Marten Ryckaert</span> Flemish painter

Marten Ryckaert or Maerten Ryckaert, was a Flemish landscape painter. He was known for his small, usually imaginary landscapes in an Italianate style.

<span class="mw-page-title-main">Tobias Verhaecht</span>

Tobias Verhaecht (1561–1631) was a painter from Antwerp in the Duchy of Brabant who primarily painted landscapes. His style was indebted to the mannerist world landscape developed by artists like Joachim Patinir and Pieter Bruegel the Elder. He was the first teacher of Pieter Paul Rubens.

<span class="mw-page-title-main">Bonaventura Peeters the Elder</span> Flemish painter

Bonaventura Peeters (I) or Bonaventura Peeters the Elder (23 July 1614 – 25 July 1652) was a Flemish painter, draughtsman and etcher. He became one of the leading marine artists in the Low Countries in the first half of the 17th century with his depictions of marine battles, storms at sea, shipwrecks and views of ships in rivers and harbours.

<span class="mw-page-title-main">Jan Peeters I</span> Flemish painter (1624–1677)

Jan Peeters the Elder or Johannes Peeters was a Flemish Baroque painter and draughtsman. He is known for his seascapes often depicting stormy seas and shipwrecks as well as for his topographical drawings, many of which were engraved by contemporary printmakers and published by the Antwerp printers.

<span class="mw-page-title-main">Marten Pepijn</span> Flemish painter (1575–1643)

Marten Pepijn was a Flemish painter who was mainly known for his large-scale history paintings and to a lesser extent for his smaller genre scenes.

<span class="mw-page-title-main">Lucas Franchoys the Elder</span> Flemish painter

Lucas Franchoys the Elder or Lucas Francois (1574–1643) was a Flemish painter of history paintings and portraits.

<span class="mw-page-title-main">Marten van Valckenborch</span>

Marten van Valckenborch or Marten van Valckenborch the Elder, was a Flemish Renaissance painter, mainly known for his landscapes and city scapes. He also made allegorical paintings and some portraits. After commencing his career in the Spanish Netherlands, he later migrated to Frankfurt in Germany where he and other members of his extended family of artists played an important role in local artistic developments.

<span class="mw-page-title-main">Jacques Ignatius de Roore</span>

Jacques Ignatius de Roore or Jacobus Ignatius de Roore was a Flemish painter, copyist, art dealer and art collector who worked in the Southern Netherlands and the Dutch Republic.

<span class="mw-page-title-main">David Rijckaert II</span> Flemish painter

David Rijckaert II was a Flemish painter and art dealer active in Antwerp. He contributed to the early development of still lifes as an independent genre through his delicate rendering of banquets and sumptuous tabletop still lifes.

<span class="mw-page-title-main">François Xaver Henri Verbeeck</span>

François Xaver Henri Verbeeck or Frans Verbeeck was a Flemish painter known mainly for his genre scenes and paintings of merry and gallant companies.

<span class="mw-page-title-main">Willem Kerricx</span> Flemish sculptor

Willem Kerricx or Willem Kerricx the Elder was a Flemish sculptor active in Antwerp. His works comprise mostly sculptured church furniture, individual sculptures, both portrait busts as well as statues of saints for churches and funerary monuments. His style shows the transition from the highly dramatic expressiveness of the Antwerp late Baroque towards a more gracious and elegant Rococo style. He operated a large workshop in Antwerp which was continued by his son into the middle of the 18th century.

<span class="mw-page-title-main">Willem Ignatius Kerricx</span>

Willem Ignatius Kerricx was a Flemish sculptor, painter, draftsman, architect, engineer, playwright and author active in Antwerp in the first half of the 18th century. His sculptural works comprise mostly sculptured church furniture, individual sculptures, mainly statues of saints for churches and a few funerary monuments. His sculptural style is typical for the late Flemish Baroque while he shows a preference for Classicism in his architectural projects. He took over the large family sculpture workshop in Antwerp. As a painter he created both history paintings for churches and still lifes. He was also employed as an architect and engineer, mainly on reconstruction projects. In his youth, he composed a number of comedies and tragedies for the Antwerp theatre.

<span class="mw-page-title-main">Maria Tassaert</span> Flemish painter

Maria Tassaert was a Flemish still life painter active in Antwerp. She had a short career during which she painted garland paintings, a type of still life painting comprising a garland of flowers around a devotional or other image. She was a member of the Tassaert family of artists, which was active in the Habsburg Netherlands, France, Prussia and England in the 17th and 18th centuries.

<span class="mw-page-title-main">Anna Brueghel</span> Brabant painter (1620–1656)

Anna Brueghel was a Flemish painter from Brabant, none of whose work is known to have been preserved. She was the daughter of Jan Brueghel the Elder, and the wife of David Teniers II. She also went by the name Anna Teniers.