Katharina Pepijn or Catharina Pepijn [1] (baptized on 13 February 1619, Antwerp - 12 November 1688, Antwerp) was a Flemish painter who was known for her history paintings and portraits. [2]
Very little is known about the life and training of Katharina Pepijn. She was the daughter of Marten Pepijn and Marie Huybrechts. [3] She likely trained with her father, a prominent painter in Antwerp. [4] In 1654, she became a member of the Antwerp Guild of St. Luke as a 'wijnmeester', i.e. the daughter of a master. [5]
Very little is known about her career. At the end of her life, she was renting a house in a beguinage. She was taken ill and was cared for by a nurse. After she died, she was buried at Antwerp Cathedral. [6]
Katharina Pepijn was known in her time as a history and portrait painter. [4]
Currently, only two works are attributed to Katharina Pepijn. Both are portraits of abbots of St. Michael's Abbey, Antwerp, executed with oil on canvas in the 1650s. That of Abbot Johannes Chrysostomus vander Sterre was made shortly after his death in 1652. The other is of Abbot Norbertus van Couwerven. Both paintings were originally kept at St. Michael's Abbey. [5] Her portraits are in the style of Rubens and van Dyck. [7]
Frans Floris, Frans Floris the Elder or Frans Floris de Vriendt was a Flemish painter, draughtsman, print artist and tapestry designer. He is mainly known for his history paintings, allegorical scenes and portraits. He played an important role in the movement in Northern Renaissance painting referred to as Romanism. The Romanists had typically travelled to Italy to study the works of leading Italian High Renaissance artists such as Michelangelo, Raphael and their followers. Their art assimilated these Italian influences into the Northern painting tradition.
Gonzales Coques was a Flemish painter of portraits and history paintings. Because of his artistic proximity to and emulation with Anthony van Dyck he received the nickname de kleine van Dyck. Coques also worked as an art dealer.
Caterina or Catharina van Hemessen was a Flemish Renaissance painter. She is the earliest female Flemish painter for whom there is verifiable extant work. She is mainly known for a series of small-scale female portraits completed between the late 1540s and early 1550s and a few religious compositions.
Cornelis de Vos was a Flemish painter, draughtsman and art dealer. He was one of the leading portrait painters in Antwerp and is best known for his sensitive portraits, in particular of children and families. He was also successful in other genres including history, religious and genre painting. He was a regular collaborator with Rubens.
Frans Pourbus the Elder was a Flemish Renaissance painter who is known primarily for his portraits and religious compositions, as well as a few genre scenes. He was the son of the prominent Bruges painter and cartographer Pieter Pourbus and the father of Frans Pourbus the Younger who became an international portraitist of the European ruling class.
Maerten de Vos, Maerten de Vos the Elder or Marten de Vos was a Flemish painter. He is known mainly for his history and allegorical paintings and portraits. He was, together with the brothers Ambrosius Francken I and Frans Francken I, one of the leading history painters in the Spanish Netherlands after Frans Floris career slumped in the second half of the sixteenth century as a result of the Iconoclastic fury of the Beeldenstorm.
Marten Ryckaert or Maerten Ryckaert, was a Flemish landscape painter. He was known for his small, usually imaginary landscapes in an Italianate style.
Bonaventura Peeters (I) or Bonaventura Peeters the Elder (23 July 1614 – 25 July 1652) was a Flemish painter, draughtsman and etcher. He became one of the leading marine artists in the Low Countries in the first half of the 17th century with his depictions of marine battles, storms at sea, shipwrecks and views of ships in rivers and harbours.
Ambrosius Brueghel was a Flemish painter from the famous Brueghel family of artists. Less prolific and less well-known than a number of his family members, his oeuvre is not very well understood and is believed to comprise Baroque still lifes, garland paintings as well as landscapes.
Marten Pepijn was a Flemish painter who was mainly known for his large-scale history paintings and to a lesser extent for his smaller genre scenes.
Lucas Franchoys the Elder or Lucas Francois (1574–1643) was a Flemish painter of history paintings and portraits.
Marten van Valckenborch or Marten van Valckenborch the Elder, was a Flemish Renaissance painter, mainly known for his landscapes and city scapes. He also made allegorical paintings and some portraits. After commencing his career in the Spanish Netherlands, he later migrated to Frankfurt in Germany where he and other members of his extended family of artists played an important role in local artistic developments.
Jacques Ignatius de Roore or Jacobus Ignatius de Roore was a Flemish painter, copyist, art dealer and art collector who worked in the Southern Netherlands and the Dutch Republic.
Paulus Pontius was a Flemish engraver and painter. He was one of the leading engravers connected with the workshop of Peter Paul Rubens. After Rubens' death, Pontus worked with other leading Antwerp painters such as Anthony van Dyck and Jacob Jordaens.
Pieter Scheemaeckers, Pieter Scheemackers, Pieter Scheemaeckers I or Pieter Scheemaeckers the Elder was a Flemish sculptor who played an important role in the development of Baroque church sculpture in the late 17th-century Habsburg Netherlands. He was also known for his marble funerary monuments an small scale ivory works. He was the father of Peter Scheemakers who became a leading sculptor of portraits and church monuments in 18th century London.
Pieter-Jozef Verhaghen was a Flemish painter of large-scale religious and mythological scenes. He is regarded as the last representative of the so-called Flemish School of painting. In particular, he is seen as continuing the artistic tradition of Flemish Baroque painting as exemplified by Rubens in the late 18th century and into the 19th century. He was highly regarded during his lifetime and enjoyed the patronage of eminent patrons and religious institutions. He was appointed first court painter to Empress Maria Theresa of Austria who also provided him a stipend to travel abroad to further his artistic studies.
François Xaver Henri Verbeeck or Frans Verbeeck was a Flemish painter known mainly for his genre scenes and paintings of merry and gallant companies.
Willem Kerricx or Willem Kerricx the Elder was a Flemish sculptor active in Antwerp. His works comprise mostly sculptured church furniture, individual sculptures, both portrait busts as well as statues of saints for churches and funerary monuments. His style shows the transition from the highly dramatic expressiveness of the Antwerp late Baroque towards a more gracious and elegant Rococo style. He operated a large workshop in Antwerp which was continued by his son into the middle of the 18th century.
Willem Ignatius Kerricx was a Flemish sculptor, painter, draftsman, architect, engineer, playwright and author active in Antwerp in the first half of the 18th century. His sculptural works comprise mostly sculptured church furniture, individual sculptures, mainly statues of saints for churches and a few funerary monuments. His sculptural style is typical for the late Flemish Baroque while he shows a preference for Classicism in his architectural projects. He took over the large family sculpture workshop in Antwerp. As a painter he created both history paintings for churches and still lifes. He was also employed as an architect and engineer, mainly on reconstruction projects. In his youth, he composed a number of comedies and tragedies for the Antwerp theatre.
Maria Tassaert was a Flemish still life painter active in Antwerp. She had a short career during which she painted garland paintings, a type of still life painting comprising a garland of flowers around a devotional or other image. She was a member of the Tassaert family of artists, which was active in the Habsburg Netherlands, France, Prussia and England in the 17th and 18th centuries.