Kathleen Beeler | |
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Born | |
Nationality | American |
Occupation | Cinematographer |
Kathleen Beeler is an American cinematographer, best known for her work with Trinh T. Minh-ha and Lynn Hershman Leeson. She got her start working with Mike B. Anderson on Alone in the T-Shirt Zone , which she co-wrote, produced, was production designer, and acted in. She also shot Anderson's Kamillions and has done special effects photography for numerous higher-profile films. Beeler, along with Trinh T. Minh-ha, won the Excellence in Cinematography Award at the 1992 Sundance Film Festival for her work on the documentary Shoot for the Contents. [1]
Kathleen Hanna is an American singer, musician and pioneer of the feminist punk riot grrrl movement, and punk zine writer. In the early-to-mid-1990s she was the lead singer of feminist punk band Bikini Kill, and then fronted Le Tigre in the late 1990s and early 2000s. Since 2010, she has recorded as the Julie Ruin.
Kiều Chinh is a Vietnamese-American actress, producer, humanitarian, lecturer and philanthropist.
Alexander de Renzy was an American director and producer of pornographic movies.
Trinh T. Minh-ha is a Vietnamese filmmaker, writer, literary theorist, composer, and professor. She has been making films for over thirty years and may be best known for her films Reassemblage'', made in 1982, and Surname Viet Given Name Nam, made in 1985. She has received several awards and grants, including the American Film Institute's National Independent Filmmaker Maya Deren Award, and Fellowships from the John Simon Guggenheim Foundation, the National Endowment for the Arts and the California Arts Council. Her films have been the subject of twenty retrospectives.
Kathleen Kinmont is an American actress who starred in film and on television. Kinmont is best known for starring in horror films. She is best known as Cheyenne Phillips in TV series Renegade (1992-96) starring Lorenzo Lamas.
The Stand is a 1994 American post-apocalyptic television miniseries based on the 1978 novel of the same name by Stephen King. King also wrote the teleplay and has a minor role in the series. It was directed by Mick Garris, who previously directed the original King screenplay/film Sleepwalkers (1992). In order to satisfy expectations from King fans and King himself, The Stand is a mostly faithful adaptation to the original book, with only minor changes to material that would otherwise have not met broadcast standards and practices, and in order to keep ABC content.
Mike B. Anderson, sometimes credited as Mikel B. Anderson, is an American television director who works on The Simpsons and has directed numerous episodes of the show, and was animated in "The Secret War of Lisa Simpson" as cadet Anderson. While a college student, he directed the live action feature films Alone in the T-Shirt Zone and Kamillions. Since 1990, he has worked primarily in animation including being a consulting producer on the series, The Oblongs, and story consultant on Tripping the Rift.
Chintara Sukapatana, born Chittima Sukapatana, nickname Mam, is a Thai actress. Her best-known role was as Trinh in the 1987 Hollywood film, Good Morning, Vietnam, in which she co-starred opposite Robin Williams. At the time, she had a Bachelor in Business Administration and was a Master in Public Administration student at Krirk University.
Herman Yau Lai-to is a Hong Kong film director, screenwriter and cinematographer.
Lê Hồng Nhung is a Vietnamese singer. She is a top-ranking singer of Vietnamese contemporary music and has great achievements in the successful innovation of Vietnamese music since the 1990s. Nhung is also known for her many performances of Trịnh Công Sơn's songs. She is one of the four divas of Vietnam. Through music, she has brought great inspiration and musical creativity to later generations' singers, including Mỹ Tâm, Tùng Dương, Uyên Linh, Noo Phước Thịnh and Vũ Cát Tường.
Khánh Ly is a Vietnamese-American singer. She performed many songs written by Vietnamese composer Trịnh Công Sơn and rose to fame in the 1960s. She married South Vietnam journalist Nguyễn Hoàng Đoan in 1975.
Trần Thu Hà, also known as Hà Trần is a Vietnamese diva and producer. She is considered by the public and critics as one of the four divas in Vietnam, alongside Thanh Lam, Hồng Nhung, and Mỹ Linh.
Venugopal, popularly known as Venu, is an Indian cinematographer and film director who works mainly in Malayalam cinema. An alumnus of the Film and Television Institute of India, Pune and CMS college Kottayam. He has been the recipient of four National Film Awards, including three for Best Cinematography and one Indira Gandhi Award for Best Debut Film of a Director, and four Kerala State Film Awards. He is a founding member of the Indian Society of Cinematographers (ISC).
Ethnocinema, from Jean Rouch’s cine-ethnography and ethno-fictions, is an emerging practice of intercultural filmmaking being defined and extended by Melbourne, Australia-based writer and arts educator, Anne Harris, and others. Originally derived from the discipline of anthropology, ethnocinema is one form of ethnographic filmmaking that prioritises mutuality, collaboration and social change. The practice's ethos claims that the role of anthropologists, and other cultural, media and educational researchers, must adapt to changing communities, transnational identities and new notions of representation for the 21st century.
Helen Lee is a Korean-Canadian film director. Born in Seoul, South Korea, she emigrated to Canada at the age of four and grew up in Scarborough, Ontario. Interested in film at a young age, she took film studies at the University of Toronto and, later, New York University. While in university she was influenced by gender and minority theories, as reflected in her first film, the short Sally's Beauty Spot (1990). While continuing her studies she produced two more films before taking a five-year hiatus to live in Korea beginning in 1995. After her return, she released another short film and her feature film debut, The Art of Woo (2001). She continues to produce films, although at a reduced rate. Lee's films often deal with gender and racial issues, reflecting the state of East Asians in modern society; a common theme in her work is sexuality, with several films featuring interracial relationships.
Vietnam's Next Top Model, Cycle 7 is the seventh season of Vietnam's Next Top Model. It premiered on July 17, 2016 on VTV3. For the fourth time, males were still featured as part of the show. This year, host Phạm Thị Thanh Hằng and Samuel Hoàng reprised their roles in the judging panel. Fashion designer Lý Quí Khánh and fashion stylist & Editor-in-Chief of Đẹp Magazine Hà Đỗ were introduced as new judges. This season's theme is: "Break The Rules: #PhaBoMoiGioiHan".
Reassemblage is a 1982 film by Trinh T. Minh-ha, shot in Senegal picturing the dwellings and everyday life of the Sereer people. The first film by the Vietnamese born filmmaker, writer, literary theorist, composer, and professor, Reassemblage focuses especially on the lives of the village women. Shot on 16mm film and released in 1982, the film challenges ethnographic documentary conventions and explores experimental ways of representing native culture. Minh-ha explains that she intends "not to speak about/Just speak nearby," unlike more conventional ethnographic documentary film. The film is a montage of fleeting images, sounds, and music from Senegal and includes no narration, although there are occasional statements by Trinh T. Minh-ha. None of the statements given by her assign meaning to the scenes, refusing to make the film "about" a "culture". It points to the viewers expectation and the need for the assignment of meaning.
Farewell Summer is a 1992 Vietnamese 35mm romance film adapted from Nguyễn Đông Thức's 1992 novel of the same name. The film was produced by Giaiphong Film Studio and directed by Lê Hoàng Hoa.
Đặng Thị Mỹ Dung, popularly known as Midu, is a Vietnamese actress, model, lecturer and businesswoman. She has been a lecturer in fashion design at Ho Chi Minh City University of Technology (HUTECH) since May 2017.
When the Tenth Month Comes is the first Vietnamese film to be shown in the West after the Vietnam war. The film primarily centers around the misery of a young woman whose husband has died in the war. Despite the peaceful rural setting, the film is shot in black and white illustrating the oppressive and suffocating atmosphere of war. The theme of sadness and the inevitability of death dominates the film, uncovering a painful daily reality - a living imprint of Vietnam's history on the common people.