The Kelton Foundation, also known as the Richard Kelton Foundation, in Santa Monica, California, was founded in 1983 as a private charitable organization by real estate developer Richard Kelton, who died in 2019. [1] [2] Its main activities comprise "ethnographic, scientific and artistic investigations of humankind and the sea", [3] and it holds a vast collection of artworks, known as the Kelton Foundation Collection, or Kelton Collection.
Kelton was particularly interested in maritime art of the Pacific region, China Trade art, ethnographic materials, and Aboriginal Australian art, and travelled and collected works until around 2007. He mounted his first exhibition in 1980 at the Pacific Asia Museum in Pasadena, believed to be the first Aboriginal Australian art exhibition in the United States. [1] The foundation mounts exhibitions, lends its objects and art to other institutions, and provides assistance to scholars undertaking related research. [3]
The Kelton Collection has held works by contemporary Indigenous Australian artists including Takariya Napaltjarri, [4] Daisy Leura Nakamarra, [5] Minnie Pwerle [6] and Dhuwarrwarr Marika. [7] Kelton had a particularly close affinity with Emily Kame Kngwarreye and Clifford Possum Tjapaltjarri, but many many other artists are represented, from Arnhem Land, the Tiwi Islands, the eastern Kimberley region of Western Australia, and elsewhere. [1]
The foundation also funds the Blue World Web Museum, [3] a "virtual museum" focused on maritime art, whose goal is to mount exhibitions on subjects otherwise unavailable online; to educate; and to stimulate public interest in maritime museums. [8]
In December 2020, Kelton's estate sold more than 250 works to Swiss collector Bruno Raschle for around US$10m. The Foundation continues its philanthropic connection to Australia, focusing on First Nations health and education projects. [1]
Australian art is any art made in or about Australia, or by Australians overseas, from prehistoric times to the present. This includes Aboriginal, Colonial, Landscape, Atelier, early-twentieth-century painters, print makers, photographers, and sculptors influenced by European modernism, Contemporary art. The visual arts have a long history in Australia, with evidence of Aboriginal art dating back at least 30,000 years. Australia has produced many notable artists of both Western and Indigenous Australian schools, including the late-19th-century Heidelberg School plein air painters, the Antipodeans, the Central Australian Hermannsburg School watercolourists, the Western Desert Art Movement and coeval examples of well-known High modernism and Postmodern art.
Emily Kame Kngwarreye was an Aboriginal Australian artist from the Utopia community in the Northern Territory. She is one of the most prominent and successful artists in the history of Australian art.
Yirrkala is a small community in East Arnhem Region, Northern Territory, Australia, 18 kilometres (11 mi) southeast of the large mining town of Nhulunbuy, on the Gove Peninsula in Arnhem Land. Its population comprises predominantly Aboriginal Australians of the Yolngu people, and it is also home to a number of Mission Aviation Fellowship pilots and engineers based in Arnhem Land, providing air transport services.
Minnie Pwerle was an Australian Aboriginal artist. She came from Utopia, Northern Territory, a cattle station in the Sandover area of Central Australia 300 kilometres (190 mi) northeast of Alice Springs.
Papunya Tula, registered as Papunya Tula Artists Pty Ltd, is an artist cooperative formed in 1972 in Papunya, Northern Territory, owned and operated by Aboriginal people from the Western Desert of Australia. The group is known for its innovative work with the Western Desert Art Movement, popularly referred to as "dot painting". Credited with bringing contemporary Aboriginal art to world attention, its artists inspired many other Australian Aboriginal artists and styles.
Kathleen Petyarre was an Australian Aboriginal artist. Her art refers directly to her country and her Dreamings. Petyarre's paintings have occasionally been compared to the works of American Abstract Expressionists Jackson Pollock and Mark Rothko, and even to those of J.M.W. Turner. She has won several awards and is considered one of the "most collectable artists in Australia". Her works are in great demand at auctions. Petyarre died on 24 November 2018, in Alice Springs, Australia.
Wandjuk Djuwakan Marika OBE, was an Aboriginal Australian painter, actor, composer and Indigenous land rights activist. He was a member of the Rirratjingu clan of the Yolngu people of north-east Arnhem Land in the Northern Territory of Australia, and the son of Mawalan 1 Marika.
Makinti Napanangka was a Pintupi-speaking Indigenous Australian artist from Australia's Western Desert region. She was referred to posthumously as Kumentje. The term Kumentje was used instead of her personal name as it is customary among many indigenous communities not to refer to deceased people by their original given names for some time after their deaths. She lived in the communities of Haasts Bluff, Papunya, and later at Kintore, about 50 kilometres (31 mi) north-east of the Lake MacDonald region where she was born, on the border of the Northern Territory and Western Australia.
Ngoia Pollard Napaltjarri is a Walpiri-speaking Indigenous artist from Australia's Western Desert region. Ngoia Pollard married Jack Tjampitjinpa, who became an artist working with the Papunya Tula company, and they had five children.
Contemporary Indigenous Australian art is the modern art work produced by Indigenous Australians, that is, Aboriginal Australians and Torres Strait Islander people. It is generally regarded as beginning in 1971 with a painting movement that started at Papunya, northwest of Alice Springs, Northern Territory, involving Aboriginal artists such as Clifford Possum Tjapaltjarri and Kaapa Tjampitjinpa, and facilitated by white Australian teacher and art worker Geoffrey Bardon. The movement spawned widespread interest across rural and remote Aboriginal Australia in creating art, while contemporary Indigenous art of a different nature also emerged in urban centres; together they have become central to Australian art. Indigenous art centres have fostered the emergence of the contemporary art movement, and as of 2010 were estimated to represent over 5000 artists, mostly in Australia's north and west.
Gulumbu Yunupingu, after her death known as Djotarra or Ms Yunupingu, was an Australian Aboriginal artist and women's leader from the Yolngu people of Arnhem Land, in the Northern Territory of Australia.
Kaapa Mbitjana Tjampitjinpa was a contemporary Indigenous Australian artist of Anmatyerre, Warlpiri and Arrernte heritage. One of the earliest and most significant artists at Papunya in Australia's Northern Territory in the early 1970s, he was a founding member and inaugural chairman of the Papunya Tula artists company, and pivotal to the establishment of modern Indigenous Australian painting.
Johnny Bulunbulun (1946-2010) was a Ganalbingu Aboriginal artist.
Roy Dadaynga Marika was an Aboriginal Australian artist and Indigenous rights activist. He was a member of the Marika family, brother of Mawalan 1 Marika, Mathaman Marika, Milirrpum Marika and Dhunggala Marika.
Nyapanyapa Yunupingu was an Australian Yolngu painter and printmaker who lived and worked in the community at Yirrkala, Arnhem Land, in the Northern Territory. Yunupingu created works of art that drastically diverge from the customs of the Yolngu people and made waves within the art world as a result. Due to this departure from tradition within her oeuvre, Yunupingu's work had varying receptions from within her community and the broader art world.
Dhuwarrwarr Marika, also known as Banuminy, a female contemporary Aboriginal artist. She is a Yolngu artist and community leader from East Arnhem Land in the Northern Territory of Australia. She belongs to the Dhuwa moiety of the Rirratjingu clan in the homeland of Yalangbara, daughter of Mawalan Marika. Marika is an active bark painter, carver, mat maker, and printmaker.
Mawalan Marika, also referred to as Mawalan 2 Marika to distinguish from his grandfather Mawalan 1 Marika (c.1908-1967), is a Yolngu artist and land custodian of Arnhem Land in the Northern Territory of Australia. He is the son of well-known artist and leader Wandjuk Marika, and nephew to Banduk Marika.
Milirrpum Marika, also known as Jacky and also referred to simply as Milirrpum, was a Yolngu artist and community leader from East Arnhem Land, Northern Territory of Australia. He was best known for his involvement in the landmark court case Milirrpum v Nabalco Pty Ltd (1971), aka the Gove land rights case, which was the first significant legal case for Indigenous land right and native title in Australia and led to the federal Aboriginal Land Rights Act 1976.
Mathaman Marika (c.1920–1970) was an Aboriginal Australian artist and Indigenous rights activist. He was a member of the Rirratjingu clan of the Yolngu people of north-east Arnhem Land in the Northern Territory, and one of the well-known Marika family, brother of Mawalan 1 Marika, Milirrpum Marika, Roy Dadaynga Marika, and Dhunggala Marika. Mathaman was second oldest after Mawalan.
A memorial pole, also known as hollow log coffin, burial pole, lorrkkon, ḻarrakitj, or ḏupun, is a hollow tree trunk decorated with elaborate designs, made by the Yolngu and Bininj peoples of Arnhem Land in the Northern Territory of Australia. Originally used to hold the bones of deceased people or for burial ceremonies, they are now made as works of art. The permanent exhibit at the National Gallery of Australia, Aboriginal Memorial, consists of 200 hollow log coffins, created by 43 artists.