Kepenek

Last updated

A kepenek is a thick, tent-like Turkish traditional shepherd's outer garment. It is a sleeveless, buttonless garment made of felt worn on the shoulders and covering the whole body from the shoulders down. It is made of three parts: one for the back and two (the same as the back, cut in half along the length) for the front. The parts are stitched together along the shoulder lines and all the way down. Usually white, a kepenek may have some adornments. [1] Made from wool, or a combination of goat hair and wool, kepenek are also waterproof. [2] [3]

A kepenek can be as much as one centimeter thick, and is sold according to weight. The dry weight of a kepenek is typically around 6kg, however if a kepenek is rained on its weight can increase to 10kg. [4] A kepenek is stiff enough to stand erect without any additional support. [5] While usually worn as garments, they may also function as a makeshift tent, allowing mobile shepherds to sleep in cold environments. [6]

See also

Related Research Articles

<span class="mw-page-title-main">Suit</span> Western business attire of matching jacket and trousers

A suit, also called a lounge suit, business suit, dress suit, or formal suit is a set of clothes comprising a suit jacket and trousers of identical textiles generally worn with a collared dress shirt, necktie, and dress shoes. A skirt suit is similar, but with a matching skirt instead of trousers. It is currently considered semi-formal wear or business wear in contemporary Western dress codes, however when the suit was originally developed it was considered an informal or more casual option compared to the prevailing clothing standards of aristocrats and businessmen. The lounge suit originated in 19th-century Britain as sportswear and British country clothing, which is why it was seen as more casual than citywear at that time, with the roots of the suit coming from early modern Western Europe formal court or military clothes. After replacing the black frock coat in the early 20th century as regular daywear, a sober one-coloured suit became known as a lounge suit.

<i>Kurta</i> Various forms of loose and long shirts or tunics worn traditionally in South Asia

A kurta is a loose collarless shirt or tunic worn in many regions of South Asia, and now also worn around the world. Tracing its roots to Central Asian nomadic tunics, or upper body garments, of the late-ancient- or early-medieval era, the kurta has evolved stylistically over the centuries, especially in South Asia, as a garment for everyday wear as well as for formal occasions.

Clothing in India varies with the different ethnicities, geography, climate, and cultural traditions of the people of each region of India. Historically, clothing has evolved from simple garments like kaupina, langota, achkan, lungi, sari, to perform rituals and dances. In urban areas, western clothing is common and uniformly worn by people of all social levels. India also has a great diversity in terms of weaves, fibers, colors, and the material of clothing. Sometimes, color codes are followed in clothing based on the religion and ritual concerned. The clothing in India also encompasses a wide variety of Indian embroidery, prints, handwork, embellishments, and styles of wearing clothes. A wide mix of Indian traditional clothing and western styles can be seen in India.

<span class="mw-page-title-main">Poncho</span> Cape- or blanket-like outer garment

A poncho is a kind of plainly formed, loose outer garment originating in the Americas, traditionally and still usually made of fabric, and designed to keep the body warm. Ponchos have been used by the Native American peoples of the Andes, Patagonia, and the Valley of Mexico since pre-Hispanic times, in places now under the territory of Argentina, Bolivia, Brazil, Chile, Colombia, Ecuador, Mexico, Peru, Uruguay, and Venezuela, and have also become familiar in parts of the U.S. A rain poncho is made from a watertight material designed to keep the body dry from the rain.

<span class="mw-page-title-main">Tunic</span> Simple T-shaped or sleeveless garment, usually unfitted, of archaic origin

A tunic is a garment for the torso, usually simple in style, reaching from the shoulders to a length somewhere between the hips and the ankles. It might have arm-sleeves, either short or full-length. Most forms have no fastenings. The name derives from the Latin tunica, the basic garment worn by both men and women in Ancient Rome, which in turn was based on earlier Greek garments that covered wearers' waists.

<span class="mw-page-title-main">Shawl</span> Simple item of clothing, loosely worn over the shoulders, upper body and arms

A shawl is a simple item of clothing, loosely worn over the shoulders, upper body and arms, and sometimes also over the head. It is usually a rectangular piece of cloth, but can also be square or triangular in shape. Other shapes include oblong shawls. It is associated with the inhabitants of the northern Indian subcontinent—particularly Kashmir and Punjab—and Central Asia, but can be found in many other parts of the world.

<span class="mw-page-title-main">Mukluk</span> Soft boot worn by Arctic peoples

Mukluks or kamik are soft boots, traditionally made of reindeer (caribou) skin or sealskin, and worn by Indigenous Arctic peoples, including Inuit, Iñupiat, and Yup'ik.

<span class="mw-page-title-main">Burka (Caucasus)</span> Type of rough raincoat

A burka is a coat made from felt or karakul.

<span class="mw-page-title-main">Smock-frock</span> Traditional rural mans outer garment

A smock-frock or smock is an outer garment traditionally worn by rural workers, especially shepherds and waggoners. Today, the word smock refers to a loose overgarment worn to protect one's clothing, for instance by a painter.

<span class="mw-page-title-main">Quechquemitl</span> Indigenous garment from Mexico

The quechquemitl is a garment which has been worn by certain indigenous ethnicities in Mexico since the pre-Hispanic period. It usually consists of two pieces of rectangular cloth, often woven by hand, which is sewn together to form a poncho or shawl like garment, which is usually worn hanging off the shoulders. It can be constructed of various different fabrics, often with intricate weaves, and is typically highly decorated, most often with embroidery.

<span class="mw-page-title-main">Serbian traditional clothing</span> Description of clothing style

Serbian traditional clothing, also called as Serbian national costume or Serbian dress, refers to the traditional clothing worn by Serbs living in Serbia, Croatia, Bosnia and Herzegovina, Montenegro, and the extended Serbian diaspora communities in Austria, Australia, Bulgaria, Canada, France, Germany, Greece, Hungary, North Macedonia, Romania, Russia, Slovenia, United States, etc. Like any traditional dress of a nation or culture, it has been lost to the advent of urbanization, industrialization, and the growing market of international clothing trends. The wide range of regional folk costumes show influence from historical Austrian, Hungarian, German, Italian, and Ottoman Turkish presence. Nonetheless, the costumes are still a pinnacle part of Serbian folk culture. From the 19th century and onwards, Serbs have adopted western-styled clothing. This change has started in larger settlements such as cities and towns, although it was not uncommon to see rural women in traditional working costumes all the way until the end of 1970s. Today, these national costumes are only worn by some elderly in rural areas but are most often worn with connection to special events and celebrations, mostly at ethnic festivals, religious and national holidays, weddings, tourist attractions, and by dancing groups who dance the traditional Serbian kolo, or circle dance.

<span class="mw-page-title-main">Broadcloth</span> Dense, woven cloth, historically of wool

Broadcloth is a dense, plain woven cloth, historically made of wool. The defining characteristic of broadcloth is not its finished width but the fact that it was woven much wider and then heavily milled in order to shrink it to the required width. The effect of the milling process is to draw the yarns much closer together than could be achieved in the loom and allow the individual fibres of the wool to bind together in a felting process, which results in a dense, blind face cloth with a stiff drape which is highly weather-resistant, hard wearing and capable of taking a cut edge without the need for being hemmed.

<span class="mw-page-title-main">Kaunakes</span> Woollen skirt or cloak worn around 2,500 BC

A kaunakes or persis was a woollen mantle associated with ancient Mesopotamia and Persia. It was woven in a tufted pattern suggesting overlapping petals or feathers, either by sewing tufts onto the garment or by weaving loops into the fabric.

<span class="mw-page-title-main">Clothing in the ancient world</span> What people wore in antiquity as inferred from archaeological and historical evidence

The preservation of fabric fibers and leathers allows for insights into the attire of ancient societies. The clothing used in the ancient world reflects the technologies that these peoples mastered. In many cultures, clothing indicated the social status of various members of society.

<span class="mw-page-title-main">Romanian traditional clothing</span> Traditional clothing of Romanians

Romanian traditional clothing refers to the national costume worn by Romanians, who live primarily in Romania and Moldova, with smaller communities in Ukraine and Serbia. Today, the vast majority of Romanians wear modern-style dress on most occasions, and the garments described here largely fell out of use during the 20th century. However, they can still be seen in more remote areas, on special occasions, and at ethnographic and folk events. Each historical region has its own specific variety of costumes.

<span class="mw-page-title-main">Clothing in ancient Greece</span>

Clothing in ancient Greece refers to clothing starting from the Aegean bronze age to the Hellenistic period. Clothing in ancient Greece included a wide variety of styles but primarily consisted of the chiton, peplos, himation, and chlamys. Ancient Greek civilians typically wore two pieces of clothing draped about the body: an undergarment and a cloak. The people of ancient Greece had many factors that determined what they wore and when they wore it.

<span class="mw-page-title-main">Sindhi clothing</span> Clothing style of Sindh

Sindhi clothing are a part of the Sindhi culture. Sindhi women and men wear the Shalwar Qameez or the Kurta with Pyjama. Women also wear Sari or ghagra. However, before the adoption of the Shalwar kameez, kurta, the Sari as well as other articles of clothing, Sindhis had their own traditional costumes.

Yak fiber is the term commonly used to refer yak fiber wool produced from the coat hair of yaks, a long-haired bovine mainly found in the Himalayan region, Tibetan plateau, and some areas of Mongolia and Central Asia.

<i>Jibba</i> Coat worn by Mahdists in Sudan, 1880s

The jibba or jibbah, originally referring to an outer garment, cloak or coat, is a long coat worn by Muslim men. During the Mahdist State in Sudan at the end of the 19th century, it was the garment worn by the followers of the Mahdī. Muhammad Ahmad proclaimed himself al-Mahdī al-Muntaẓar, successor of the Islamic prophet Muhammad, in 1881. He exhorted his followers to join a jihad against Turco-Egyptian Sudan.

<span class="mw-page-title-main">Shepherd's hat</span>

A shepherd's hat is a head covering, used by a shepherd to ward off the sun and the elements. Along with a crook, it is an important tool for the shepherd.

References

  1. KONYA KEÇECİLİĞİNDE ÇOBAN KEPENEĞİ Archived 2014-02-22 at the Wayback Machine (Shepherd Kepenek in Konya Felting), by H. Nurgül BeGiç, Millî Folklor, 2012, Yıl 24, Sayı 94 (retrieved February 15, 2014)
  2. Glassie, Henry (1993). Turkish Traditional Art Today. Indiana University Press. p. 360. ISBN   978-0-253-32555-6.
  3. Fouchier, Sabine (2009-02-12). Felt. A&C Black. p. 20. ISBN   978-0-7136-8494-0.
  4. Ryder, M.L. (1983). Sheep & Man. Duckworth. p. 218. ISBN   978-0-7156-1655-0 . Retrieved 2023-10-24.
  5. Textiles Magazine. Textile Institute. 1999. p. 15. Retrieved 2023-10-24.
  6. Sümer, Faruk (26 August 2013). The Book of Dede Korkut: A Turkish Epic. University of Texas Press. p. 253. ISBN   978-0-292-75834-6.