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Musicology is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus. Some geographers and anthropologists have an interest in musicology, so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist.
The School for Advanced Studies in the Social Sciences is a graduate grande école and grand établissement in Paris focused on academic research in the social sciences. It is regarded as one of the most prestigious institutions of graduate education in France. The school awards Master and PhD degrees alone and conjointly with the grandes écoles École Normale Supérieure, École Polytechnique, and École pratique des hautes études.
The Elder Conservatorium of Music, also known as "The Con", is Australia's senior academy of music and is located in the centre of Adelaide, the capital of South Australia. It is named in honour of its benefactor, Sir Thomas Elder. Dating in its earliest form from 1883, it has a history in professional training for musical performance, musical composition, research in all fields of music, and music education. The Elder Conservatorium of Music and its forerunners have been parts of the University of Adelaide since the early 1880s.
The American Musicological Society (AMS) is a musicological organization which researches, promotes and produces publications on music. Founded in 1934, the AMS was begun by leading American musicologists of the time, and was crucial in legitimizing musicology as a scholarly discipline.
Richard Filler Taruskin was an American musicologist and music critic who was among the leading and most prominent music historians of his generation. The breadth of his scrutiny into source material as well as musical analysis that combines sociological, cultural, and political perspectives has incited much discussion, debate and controversy. He regularly wrote music criticism for newspapers including The New York Times. He researched a wide variety of areas, but a central topic was Russian music from the 18th century to the present day. Other subjects he engaged with include the theory of performance, 15th-century music, 20th-century classical music, nationalism in music, the theory of modernism, and analysis. He is best known for his monumental survey of Western classical music, the six-volume Oxford History of Western Music. His awards include the first Noah Greenberg Award from the American Musicological Society in 1978 and the Kyoto Prize in Arts and Philosophy in 2017.
S. A. Kumari Durga was a musicologist and ethnomusicologist from the Indian state of Tamil Nadu. She was the founder of the Centre for Ethnomusicology based in Chennai.
Jane Davidson is Professor of Creative and Performing Arts (Music) at The University of Melbourne and Deputy Director of the Australian Research Council's Centre of Excellence for the History of Emotions.
Dimitrije Bužarovski Ph.D. is a Macedonian composer, versatile artist and a scholar with interests in different fields: composition, musicology, computer and electronic music, performance, teaching and research.
Arundhati Virmani is an Indian historian. She was a reader in history at Delhi University until 1992. She teaches at the École des Hautes Études en Sciences Sociales in Marseille. She is the co-founder of the Biennale Européenne d'Histoire Locale with Jean Boutier.
Glenda Dawn Goss is an American author and music historian whose special interests are music and culture, early modernism, critical editing, and European-American points of cultural contact. Her most notable work has revolved around the life and works of the Finnish composer, Jean Sibelius.
The École pratique des hautes études, abbreviated EPHE, is a French postgraduate top level educational institution, a Grand Établissement.
Ellen Rosand is an American musicologist, historian, and opera critic who specializes in Italian music and poetry of the 16th through 18th centuries. Her work has been particularly focused on the music and culture of Venice and Italian opera of the baroque era. She is an acknowledged expert on the operas of Handel and Vivaldi, and on Venetian opera. Her books include Opera in Seventeenth-Century Venice: The Creation of a Genre and Monteverdi's last operas: a Venetian trilogy. She has also contributed articles to numerous publications, including The New Grove Dictionary of Music and Musicians.
Rose Rosengard Subotnik is a leading American musicologist, generally credited with introducing the writing of Theodor Adorno to English-speaking musicologists in the late 1970s.
Mark Everist is a British music historian, critic and musicologist.
François Lesure was a French librarian and musicologist.
Anselm Gerhard is a German musicologist and opera scholar.
Mary Elizabeth Caroline Bartlet was a Canadian-born musicologist known for her scholarship on French music, and particularly opera, in the 18th and 19th centuries. She also produced pioneering critical editions of the scores for Rossini's Guillaume Tell and Rameau's Platée. At the time of her death, she was a professor of music at Duke University and a director of the American Musicological Society.
Harry White is an Irish musicologist and university professor. With specialisations in Irish musical and cultural history, the music of the Austrian baroque composer Johann Joseph Fux, and the development of Anglo-American musicology since 1945, he is one of the most widely published and influential academics in his areas of research. White is also a poet, with two published collections of poetry.
The Society for Musicology in Ireland (SMI) is an Irish learned society in the field of musicology. Founded in 2003, it reflects the growing research activity and the increasing academic tuition available at Irish universities in the fields of music and musicology that has been visible since the early 1990s. Since 2011, the SMI benefits from charitable tax exemption by the Revenue Commissioners.
Barbara Lucy Kelly is a musicologist specializing in 19th- and early 20th-century French music, an area in which she is widely regarded as a leading authority. She has dual UK and Irish citizenship. She is the Head of School of Music and Professor of Music at the University of Leeds and is currently the first female President of the Royal Musical Association (2021–2023).
References
- ↑ See https://findanexpert.unimelb.edu.au/profile/12867-kerry-murphy; accessed 29 March 2020.
- ↑ "Kerry Murphy". Melbourne Conservatorium of Music. Retrieved 25 November 2012..
- ↑ "Reports from the 24th National Conference". Newsletter No. 55 September 2001. Musicological Society of Australia (MSA). September 2001. ISSN 0155-0543. Archived from the original on 16 February 2011. Retrieved 14 February 2010..
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