Kevin Tod Haug is a visual effects supervisor who has worked in the film industry since the 1970s. He and Chris Corbould were nominated for the BAFTA Award for Best Special Visual Effects for their work on Quantum of Solace (2008). [1] He was nominated for the Primetime Emmy Award for Outstanding Special Visual Effects for his work on American Gods (2017).
Haug began in the film industry in the 1970s as a motion control programmer. In the 1980s, he became involved with video productions that began using computer-generated effects. In the following decade, he worked on visual effects for television commercials and for two music videos directed by Mark Romanek. Haug's first role on a feature film as visual effects supervisor came with The Game when one of its producers, Ceán Chaffin who had worked with him on previous commercial and video projects, hired him. [2] Haug was active as a visual effects supervisor from 1997 through 2003 before he decided to do visual effects work on more modest projects for independent film directors. He worked as visual effects designer for Marc Forster on the 2004 film Finding Neverland . Haug said the position was similar to production designer in how it had greater involvement earlier in a film's production rather than just at the end. Haug was also one of the founders of the production service FX Cartel. [3]
Framestore Limited(The) is a British animation and visual effects studio based in Chancery Lane in London. Formed in 1986, it acquired and subsequently merged with the Computer Film Company in 1997. Framestore specialises in effects for film, television, video games, and other media. It is the largest production house within Europe, employing roughly 2500 staff — 1000 in London, and 1500 across offices in Chicago, New York, Los Angeles, Montreal, Vancouver, Mumbai and Beijing.
Marc Forster is a German-Swiss filmmaker. He is best known for directing the feature films Monster's Ball, Finding Neverland, Stranger than Fiction, Quantum of Solace, World War Z, and Christopher Robin, and has directed numerous television commercials as well. He is a BAFTA, Golden Globe, and Independent Spirit Award nominee.
Animal Logic is an Australian animation and visual effects digital studio based at Disney Studios in Sydney, New South Wales in Australia, Vancouver in Canada, and Rideback Ranch in Los Angeles, California. Established in 1991, Animal Logic has produced visual effects and animation for feature films such as the Academy Award-winning Happy Feet, Legend of the Guardians: The Owls of Ga'Hoole, Walking with Dinosaurs 3D,The Lego Movie andPeter Rabbit. The company was also recognized for its work as lead visual effects vendor on Baz Luhrmann's The Great Gatsby, which won Outstanding Achievement in Visual Effects at the 3rd AACTA Awards ceremony. In 2018, Peter Rabbit was presented with a range of accolades, including the AACTA Award for Best Visual Effects or Animation, and Australian Production Design Guild Awards (APDG) in Visual Effects Design and Drawing, Concept Illustration & Concept Models for Screen. Most recently, the company has produced work for the Warner Animation Group's The Lego Movie 2: The Second Part and Marvel Studios' Captain Marvel. It is a subsidiary of Netflix.
Doug Chiang is an American film designer and artist. He currently serves as vice president and executive creative director of Lucasfilm.
Rhythm & Hues Studios was an American visual effects and animation company, that received the Academy Award for Best Visual Effects in 1995 for Babe, in 2008 for The Golden Compass, and in 2013 for Life of Pi. It also received four Scientific and Technical Academy Awards.
Mike Tucker is a Welsh special effects expert who worked for many years at the BBC Television Visual Effects Department, and now works as an Effects Supervisor for his own company, The Model Unit. He is also the author of a variety of spin-offs relating to the television series Doctor Who and novelisations based on episodes of the television series Merlin. He sometimes co-writes with Robert Perry.
DNEG is a British visual effects, computer animation, and stereo conversion studio that was founded in 1998 in London, and rebranded as DNEG in 2014 after a merger with Indian VFX company Prime Focus, it was named after the letters "D" and "Neg" from their former name.
Scanline VFX is a global visual effects and animation company founded 1989 in Munich. The studio is led by VFX Supervisor Stephan Trojansky. The company has 7 locations including Munich, Stuttgart, Los Angeles, Vancouver, Montreal, London, and Seoul.
Matthew "Matt" Chessé is an American film editor, producer, and director who is mainly associated with Independent films. He was nominated for the Academy Award for Best Film Editing for Finding Neverland (2004). Chessé has edited most of the films directed by Marc Forster.
Dean Wright is a film director and visual effects supervisor, best known for his work on The Lord of the Rings film trilogy and The Chronicles of Narnia: The Lion, the Witch and the Wardrobe.
Joseph Bruce Letteri is a senior visual effects artist, winner of five Academy Awards, four BAFTA awards and four VES awards. He is the current Senior Visual Effects Supervisor of the Academy Award-winning Wētā FX having joined the company in 2001. He has received several awards and nominations as visual effects supervisor, the latest being Avatar: The Way of Water, and previously for War for the Planet of the Apes. He attended Center High School (Pennsylvania) in 1975 and graduated from the University of California, Berkeley in 1981. He gave the keynote address at UC Berkeley's December Convocation on 19 December 2010.
The VFX creative director is a position common in films, television programs, and computer games using a large amount of visual effects (VFX).
Ben Grossmann is a visual effects supervisor in Los Angeles, California. He won an Oscar award for Hugo in 2012, and an Emmy award for The Triangle in 2006. He is the co-founder and CEO of Magnopus, a cross-reality experience company.
Gregory S. Butler is an Academy Award-winning American visual effects supervisor. He graduated from Suffield High School in 1989 and afterwards entered Hampshire College. Despite his initial plans to study history, a work-study job with the audiovisual equipment in the library made him interested in film production. Butler graduated in 1993 with a major in film, television and theater design. Afterwards he moved to California to work for Industrial Light and Magic for 9 months, where after intern work he managed to become an assistant in the effects department, starting with assistant credits in The Mask and Forrest Gump. Following a job at Rocket Science Games until the company's bankruptcy in 1996, Butler went to Tippett Studio and did effects work in Starship Troopers and My Favorite Martian, rising up to a technical director job, and Cinesite for Practical Magic. While reluctant at the requirement of moving to New Zealand, Butler was convinced by his writer-actor brother to jump at the opportunity of working for Weta Digital in The Lord of the Rings. Among his achievements was working on the creation of Gollum. for which he was awarded a Visual Effects Society Award.
Stephen Rosenbaum is an American visual effects artist and supervisor, and has worked on numerous movie, tv and music productions, including six that have won Academy Awards. He has been nominated three times for an Academy Award and two times for a BAFTA Award. He has won both awards twice for his contributions on Forrest Gump and Avatar, and has played artist and supervisor roles on such pioneering films as Jurassic Park, Terminator 2: Judgment Day, The Abyss, X2: X-Men United, Death Becomes Her, Contact and The Perfect Storm.
John Nelson is an American visual effects supervisor. He has won two Academy Awards for Best Visual Effects for his work on the film Gladiator (2000) and Blade Runner 2049 (2017). He has also been nominated for I, Robot (2004) and Iron Man (2008).
Neil Corbould is a British special effects supervisor best known for his work on major blockbuster films such as Gladiator, Saving Private Ryan, Rogue One: A Star Wars Story and Black Hawk Down. He is the brother of fellow special effects supervisors Chris Corbould, Paul Corbould and Ian Corbould
Paul J. Franklin is an English visual effects supervisor who has worked with visual effects since the 1990s. Franklin won the Academy Award for Best Visual Effects and the BAFTA Award for Best Special Visual Effects for Inception (2010), and won a second Academy Award for Best Visual Effects for Interstellar (2014). He shared the wins with Andrew Lockley, Peter Bebb, and Chris Corbould. Franklin has also been nominated for an Academy Award for The Dark Knight (2008). He was nominated for BAFTA Awards for Batman Begins, The Dark Knight (2008), and The Dark Knight Rises (2012).
Jon Thum is a visual effects artist. He contributed work on The Matrix and The Chronicles of Narnia: Prince Caspian. As a supervisor at Prime Focus World in 2012, he led a 70-person team of artists to produce 650 visual effects shots for Dredd 3D.
Stéphane Ceretti is a French visual effects supervisor.