Bihu is of three types and it is an important cultural festival unique to the Indian state of Assam – 'Rongali' or 'Bohag Bihu' observed in April, 'Kongali' or 'Kati Bihu' observed in October or November, and 'Bhogali' or 'Magh Bihu' observed in January. The festivals present an admixture of Tibeto-Barman, Austroasiatic and Indo-Aryan traditions entwined so intricately that it is impossible to separate them—festivals which are uniquely Assamese to which all communities of Assam had contributed elements. The Rongali Bihu is the most important of the three, celebrating spring festival. The Bhogali Bihu or the Magh Bihu is a harvest festival, with community feasts. The Kongali Bihu or the Kati Bihu is the sombre, thrifty one reflecting a season of short supplies and is an animistic festival.
The music of Assam consists various genres of folk and modern music, drawing its artistic basis from the history of Assam, from Assamese culture and its ancient traditions. In recent times, starting from the late eighties, popular artistes have modernized the music catering to local popular demand.
Indian folk music is diverse because of India's enormous cultural and traditional diversity. It is sung in various languages and dialects throughout the length and breadth of this vast nation and exported to different parts of the world owing to migration.
Bhupen Hazarika was an Indian playback singer, lyricist, musician, poet, actor, artist, editor, filmmaker, professor and politician from Assam, widely known as Sudha Kontho. His songs were written and sung mainly in the Assamese language by himself, are marked by humanity and universal brotherhood and have been translated and sung in many languages, most notably in Bengali and Hindi.
The culture of Assam is traditionally a hybrid one, developed due to cultural assimilation of different ethno-cultural groups under various political-economic systems in different periods of its history.
Bishnu Prasad Rabha (1909–1969) was an Indian cultural figure from Assam, known for his contributions in the fields of music, dance, painting, literature as well as political activism. As an advocate of people's cultural movement, he drew heavily from different genres of classical and folk cultural traditions. Considered a doyen of the Culture of Assam, the Assamese people affectionately call him Kalaguru. He is also called by Marxists as Sainik Silpi for his active participation in the armed struggle, led by the Revolutionary Communist Party of India (RCPI).
Borgeets are a collection of lyrical songs that are set to specific ragas but not necessarily to any tala. These songs, composed by Srimanta Sankardeva and Madhavdeva in the 15th-16th centuries, are used to begin prayer services in monasteries, e.g. Satra and Namghar associated with the Ekasarana Dharma; and they also belong to the repertoire of Music of Meghalaya outside the religious context. They are a lyrical strain that express the religious sentiments of the poets reacting to different situations, and differ from other lyrics associated with the Ekasarana Dharma. Similar songs composed by others are not generally considered borgeets.
Rameshwar Pathak was an acclaimed Kamrupi Lokgeet singer from Kamrup, Assam, India. He also worked as a teacher in Arya Vidyapeeth Higher Secondary and Multipurpose School, Guwahati from 1963 to 1996.
Angaraag Mahanta, known by his stagename Papon, is an Indian playback singer and composer from Assam. Papon has also sung in many languages apart from Assamese like Hindi, Bengali, Tamil and Marathi. He is the lead vocalist and founder of the folk-fusion band Papon and The East India Company. He is the son of the noted Assamese singer Khagen Mahanta and Archana Mahanta.
Beauty Sharma Barua is a singer from Assam, India. She is one of the best-known and most respected Assamese folk music, Indian classical music, ghazal and bhajan singers of Assam. More popularly known as The Melody Queen of Assam and Beauty Baideu, she has recorded over a thousand songs for All India Radio, Doordarshan, albums and others. She has sung songs in over six regional Indian languages, though primarily in Assamese and Hindi. Beauty Barua married renowned writer and lyricist Dwijendra Mohan Sharma (1948–2006), called the Man with Melody in His Pen by The Daily Telegraph, in 1976.
Ojapali is a traditional shamanistic type of indigenous folk dance from Assam in the northeastern region of India. Ojapali is believed to have evolved from Kathakata tradition and is performed in a group; it is believed to be one of the oldest art forms of Assam. Originally evolved in the Kamata state the western and northern part of river Brahmaputra later limited to Darrang area under the patronisation of Darrangi King Dharmanarayana. The repertoire of this performance consists of songs, dialogues, gesture, improvised acting and dramatisation etc. The group consists of an Oja, who leads the performance and four or five palies, who supplement the performance with continuously playing cymbal. Among the Palies Daina pali who stand on the right-hand side of the Oja is the active one and he and Oja take the performance forward. Many believe that Shankardev took inspiration from Ojapali to create his Ankiya Bhaona. Moreover, he also created his own Sattriya Ojapali. Generally Darrangi Suknanni Ojapali sings the lyrics written by Sukabi Narayanadeva in Padmapurana. Padma Purana covers the story of serpent goddess Maroi(manasa devi). Ojapali is associated with Shakti Puja, including the deities manasa, kali, durga, kesikhaiti, kakogoshani etc.
Mayukh Hazarika is an Indian playback singer and music director from Assam. He is the frontman of Delhi based band Mayukh Hazarika and the Brahmaputra Balladeers. He is the son of legendary Assamese musician duo Jayanta Hazarika and Manisha Hazarika and nephew of Dr Bhupen Hazarika.
Kalpana Patowary is an Indian playback and Folk Singer from Assam. She recorded her first album 'Xuror Ene Jonak' in Assamese language when she was merely 16 years old.She has recorded songs and folk music in several Indian languages, with Bhojpuri music being the major genre.
Simanta Shekhar is an Indian singer, composer and music producer from Assam. He was appointed by the government of Assam to chair the Assam State Film Finance and Development Corporation. Shekhar's music consists mainly of folk fusion and Indi-pop. He is well-known for his Assamese songs. He had five consecutive hit songs. His first recorded mainstream song, 'Tora Doi', was a hit.
Padmanav Bordoloi is an Indian singer, performer, songwriter, music composer and anchor from the state of Assam. He has sung many songs in Assamese, Hindi, Nepali, Bengali, Marathi and English. He was nominated for Global Indian Music Academy (GIMA) Award 2016 for the Best Music Debut Non-Film segment for his first ever Hindi composition Teri Jo Baatein Hain. Padmanav is the second male singer from Assam to be nominated for this coveted title after Angaraag Papon Mahanta.
Archana Mahanta was a renowned folk singer from Assam, India. Archana Mahanta and her late husband Khagen Mahanta had an enormous contribution in popularising and preserving Assamese folk music. The musical couple often performed together, singing many duet hits.
Prabhat Sarma was a folk exponent and flutist from Assam, India.
Dulal Manki is an Indian Assamese folk artist and musician. He is one of the traditional folk music artists from Tea-garden community of Assam. In 2021, the Government of India awarded him the Padma Shri for his contribution on music.
Sudakshina Sarma was an Indian Assamese language singer and musician. In a career spanning over seven decades, Sarma recorded songs in a variety of genres across Assamese music spanning both classical and modern including Borgeet, Kamrupi Lokgeet, and Goalpariya Lokogeet. She also popularized Jyoti Sangeet, songs written by Assamese writer and lyricist Jyoti Prasad Agarwala and also Rabindra Sangeet.
