Khaled Barakeh | |
|---|---|
| Born | 1976 (age 48–49) |
| Education | Faculty of Fine Arts, Damascus Funen Art Academy (MFA) Städelschule (Meisterschüler) |
| Occupations |
|
| Years active | 2005–present |
| Organization | coculture e.V. |
| Website | www |
Khaled Barakeh (born 1976) is a Syrian contemporary artist and cultural activist based in Berlin, Germany. Originally a calligrapher trained as a painter in Damascus, he later studied in Denmark and Germany, developing a multidisciplinary practice.
Barakeh was born in 1976 in a suburb of Damascus, Syria, where he spent his early years. He studied Fine Arts at Damascus University, completing his undergraduate studies in 2005. In 2008, he moved to Denmark to study and further develop his artistic practice, enrolling at the Funen Art Academy, where he earned a Master of Arts degree in 2010. He later became a Meisterschüler under Simon Starling at the Städelschule in Frankfurt am Main. [1]
After relocating from Syria to Europe, Barakeh shifted from painting to a multidisciplinary practice that incorporates installation, social engagement, and conceptual approaches. His work addresses themes of social injustice, migration, and displacement, often reflecting his experience as an exiled Syrian artist. [2]
His public work is The Muted Demonstration was presented on the grassy area outside a courthouse in Koblenz, Germany, during the war-crimes trial of former Syrian intelligence officials. The installation consisted of 49 faceless figures dressed in clothing of torture victims, standing silently with raised arms as a visual protest visible from the courtroom windows. [3]
In June 2024, he curated the performative exhibition ABSENCED at Malmö City Library in Sweden. The project brought together artists who had been censored or “cancelled” in Germany, particularly around pro-Palestinian expression, and included installations such as printers generating prints and letters, as well as booklets documenting cases of suppression. [4]
Also in 2024, Barakeh presented The Shake at The MAC in Belfast, Northern Ireland. Supported by the Cultural Bridge programme and the Arts Council of Northern Ireland, the exhibition reflected on what unites rather than divides communities. [5]
Earlier solo presentations include Die blaue Stunde (The Blue Hour) at the Museum für Kunst und Gewerbe Hamburg in 2018, [6] [ better source needed ] and Aufheben at Galerie Heike Strelow in Frankfurt am Main. In 2022, he exhibited Design of Necessity in Copenhagen, a participatory project engaging Syrian activists, photographers, and refugees in Denmark, exploring resilience and collective memory. [7] In 2024, he also collaborated on Syrian Images Beyond the Archive at the University of Copenhagen, part of the “Archiving the Future” programme linking art and scholarship. [8]
Barakeh has participated in major international group exhibitions. In 2018, he took part in the Busan Biennale in South Korea, where his work was shown alongside other international artists in the main exhibition Divided We Stand. [9] He was also featured in the group exhibition In Plain Sight at Smack Mellon, New York, in 2020, which brought together artists addressing surveillance, state violence, and visibility. [10] In 2023–24, his work appeared in Cities Under Quarantine: The Mailbox Project at Mathaf: Arab Museum of Modern Art in Doha, Qatar, among dozens of contributing artists. [11]