Lao ceramics refers to ceramic art and pottery designed or produced as a form of Lao art. The tradition of Lao ceramics dates back to the third millennium BCE. Pottery and ceramics were an essential part of the trade between Laos and its neighbours.
Paul Soldner was an American ceramic artist, noted for his experimentation with the 16th-century Japanese technique called raku, introducing new methods of firing and post firing, which became known as American Raku.
Pottery and porcelain, is one of the oldest Japanese crafts and art forms, dating back to the Neolithic period. Kilns have produced earthenware, pottery, stoneware, glazed pottery, glazed stoneware, porcelain, and blue-and-white ware. Japan has an exceptionally long and successful history of ceramic production. Earthenwares were created as early as the Jōmon period, giving Japan one of the oldest ceramic traditions in the world. Japan is further distinguished by the unusual esteem that ceramics holds within its artistic tradition, owing to the enduring popularity of the tea ceremony.
Native American pottery is an art form with at least a 7500-year history in the Americas. Pottery is fired ceramics with clay as a component. Ceramics are used for utilitarian cooking vessels, serving and storage vessels, pipes, funerary urns, censers, musical instruments, ceremonial items, masks, toys, sculptures, and a myriad of other art forms.
Peter Voulkos was an American artist of Greek descent. He is known for his abstract expressionist ceramic sculptures, which crossed the traditional divide between ceramic crafts and fine art. He established the ceramics department at the Los Angeles County Art Institute and at UC Berkeley.
The history of Asian art includes a vast range of arts from various cultures, regions and religions across the continent of Asia. Developments of art in Asia historically parallel those in Western art, in general a few centuries earlier. East Asian art had significant influence on Western art, and vice versa. Near Eastern art and South Asian art also had a significant influence on Western art. Excluding prehistoric art, the art of Mesopotamia represents the oldest forms of art in Asia.
Studio pottery is pottery made by professional and amateur artists or artisans working alone or in small groups, making unique items or short runs. Typically, all stages of manufacture are carried out by the artists themselves. Studio pottery includes functional wares such as tableware and cookware, and non-functional wares such as sculpture. Studio potters can be referred to as ceramic artists, ceramists, ceramicists or as an artist who uses clay as a medium. Much studio pottery is tableware or cookware, but an increasing number of studio potters produce non-functional or sculptural items. In Britain since the 1980s, there has been a distinct trend away from functional pottery, for example, the work of artist Grayson Perry. Some studio potters now prefer to call themselves ceramic artists, ceramists or simply artists. Studio pottery is represented by potters all over the world and has strong roots in Britain. Art pottery is a related term, used by many potteries from about the 1870s onwards, in Britain and America; it tends to cover larger workshops, where there is a designer supervising the production of skilled workers who may have input into the pieces made. The heyday of British and American art pottery was about 1880 to 1940.
The history of Cambodian art ) stretches back centuries to ancient times, but the most famous period is undoubtedly the Khmer art of the Khmer Empire (802–1431), especially in the area around Angkor and the mainly 12th-century temple-complex of Angkor Wat, initially Hindu and subsequently Buddhist. After the collapse of the empire these and other sites were abandoned and overgrown, allowing much of the era's stone carving and architecture to survive to the present day. Traditional Cambodian arts and crafts include textiles, non-textile weaving, silversmithing, stone carving, lacquerware, ceramics, wat murals, and kite-making.
Vietnamese ceramics refers to ceramic art and pottery as a form of Vietnamese art and industry. Vietnamese pottery and ceramics has a long history spanning back to thousands of years ago, including long before Chinese domination, as archeological evidence supports.
Kbach are traditional decorative elements of Cambodian architecture. While 'kbach' may refer to any sort of art-form style in the Khmer language, such as a gesture in Khmer classical dance, kbach rachana specifically refers to decorative ornament motifs. Kbach are also used in decorating of Cambodian silver crafts, furniture, regalia, murals, pottery, ceramics, stone carving etc.
The Southeast Asian Ceramics Museum is a history museum in Bangkok University, Pathum Thani, Thailand, displaying Southeast Asian ceramics.
The Museum of Ceramics, housed in the former East Liverpool Post Office, is a ceramics museum that contains an extensive collection of ceramic wares produced in and around East Liverpool, Ohio, United States. The museum is operated by a Museum of Ceramics Foundation and by the Ohio Historical Society in a city long known as "America's Crockery City" and "The Pottery Capital of the Nation."
A ceramics museum is a museum wholly or largely devoted to ceramics, usually ceramic art. Its collections may also include glass and enamel, but typically concentrate on pottery, including porcelain. Most national collections are in a more general museum covering all of the arts, or just the decorative arts. However, there are a number of specialized ceramics museums, with some focusing on the ceramics of just one country, region or manufacturer. Others have international collections, which may be centered on ceramics from Europe or East Asia or have a more global emphasis.
Thai ceramics refers to ceramic art and pottery designed or produced as a form of Thai art. The tradition of Thai ceramics dates back to the third millennium BCE. Much of Thai pottery and ceramics in the later centuries was influenced by Chinese ceramics, but has always remained distinct by mixing indigenous styles with preferences for unique shapes, colors and decorative motifs. Thai pottery and ceramics were an essential part of the trade between Thai and its neighbors during feudalistic times, throughout many dynasties.
The Museo Regional de la Cerámica in Tlaquepaque, Jalisco, Mexico is located on Independencia Street in the center of the city. The museum is one of two main ceramics museums in the city, with the other being the Pantaleon Panduro Museum. It was established in 1954 to preserve and promote indigenous handcrafts of Jalisco, especially the state’s ceramic tradition. The emphasis is still on ceramics but the museum also has a room dedicated to Huichol art and holds events related to various types of indigenous crafts and culture.
Khmer Ceramics & Fine Arts Centre, formerly known as National Centre for Khmer Ceramics Revival (NCKCR), is an organization aiming to rediscover and reintroduce Khmer ancestral pottery techniques and support the development of contemporary Khmer ceramics art. In the process, the centre creates economic opportunities, helping to decrease poverty in Cambodia. It is located in Siem Reap, Cambodia.
Susan Harnly Peterson was an American artist, ceramics teacher, author and professor.
Ceramic art is art made from ceramic materials, including clay. It may take forms including artistic pottery, including tableware, tiles, figurines and other sculpture. As one of the plastic arts, ceramic art is one of the visual arts. While some ceramics are considered fine art, as pottery or sculpture, most are considered to be decorative, industrial or applied art objects. Ceramics may also be considered artefacts in archaeology. Ceramic art can be made by one person or by a group of people. In a pottery or ceramic factory, a group of people design, manufacture and decorate the art ware. Products from a pottery are sometimes referred to as "art pottery". In a one-person pottery studio, ceramists or potters produce studio pottery.
The conservation and restoration of Ancient Greek pottery is a sub-section of the broader topic of conservation and restoration of ceramic objects. Ancient Greek pottery is one of the most commonly found types of artifacts from the ancient Greek world. The information learned from vase paintings forms the foundation of modern knowledge of ancient Greek art and culture. Most ancient Greek pottery is terracotta, a type of earthenware ceramic, dating from the 11th century BCE through the 1st century CE. The objects are usually excavated from archaeological sites in broken pieces, or shards, and then reassembled. Some have been discovered intact in tombs. Professional conservator-restorers, often in collaboration with curators and conservation scientists, undertake the conservation-restoration of ancient Greek pottery.
Burmese ceramics refers to ceramic art and pottery designed or produced as a form of Burmese art. The tradition of Burmese ceramics dates back to the third millennium BCE. Pottery and ceramics were an essential part of the trade between Myanmar and its neighbours.
