Pottery is the process and the products of forming vessels and other objects with clay and other raw materials, which are fired at high temperatures to give them a hard and durable form. The place where such wares are made by a potter is also called a pottery. The definition of pottery, used by the ASTM International, is "all fired ceramic wares that contain clay when formed, except technical, structural, and refractory products". End applications include tableware, decorative ware, sanitary ware, and in technology and industry such as electrical insulators and laboratory ware. In art history and archaeology, especially of ancient and prehistoric periods, pottery often means only vessels, and sculpted figurines of the same material are called terracottas.
Champa was a collection of independent Cham polities that extended across the coast of what is present-day central and southern Vietnam from approximately the 2nd century CE until 1832. According to earliest historical references found in ancient sources, the first Cham polities were established around the 2nd to 3rd centuries CE, in the wake of Khu Liên's rebellion against the rule of China's Eastern Han dynasty, and lasted until when the final remaining principality of Champa was annexed by Emperor Minh Mạng of the Vietnamese Nguyễn dynasty as part of the expansionist Nam tiến policy. The kingdom was known variously as Nagaracampa, Champa (ꨌꩌꨛꨩ) in modern Cham, and Châmpa (ចាម្ប៉ា) in the Khmer inscriptions, Chiêm Thành in Vietnamese and Zhànchéng in Chinese records, and al-Ṣanf in Middle Eastern Muslim records.
Porcelain is a ceramic material made by heating raw materials, generally including kaolinite, in a kiln to temperatures between 1,200 and 1,400 °C. The greater strength and translucence of porcelain, relative to other types of pottery, arise mainly from vitrification and the formation of the mineral mullite within the body at these high temperatures. End applications include tableware, decorative ware such as figurines, and products in technology and industry such as electrical insulators and laboratory ware.
Pottery and porcelain is one of the oldest Japanese crafts and art forms, dating back to the Neolithic period. Types have included earthenware, pottery, stoneware, porcelain, and blue-and-white ware. Japan has an exceptionally long and successful history of ceramic production. Earthenwares were made as early as the Jōmon period, giving Japan one of the oldest ceramic traditions in the world. Japan is further distinguished by the unusual esteem that ceramics hold within its artistic tradition, owing to the enduring popularity of the tea ceremony. During the Azuchi-Momoyama period (1573-1603), kilns throughout Japan produced ceramics with unconventional designs. In the early Edo period, the production of porcelain commenced in the Hizen-Arita region of Kyushu, employing techniques imported from Korea. These porcelain works became known as Imari wares, named after the port of Imari from which they were exported to various markets, including Europe.
Celadon is a term for pottery denoting both wares glazed in the jade green celadon color, also known as greenware or "green ware", and a type of transparent glaze, often with small cracks, that was first used on greenware, but later used on other porcelains. Celadon originated in China, though the term is purely European, and notable kilns such as the Longquan kiln in Zhejiang province are renowned for their celadon glazes. Celadon production later spread to other parts of East Asia, such as Japan and Korea, as well as Southeast Asian countries, such as Thailand. Eventually, European potteries produced some pieces, but it was never a major element there. Finer pieces are in porcelain, but both the color and the glaze can be produced in stoneware and earthenware. Most of the earlier Longquan celadon is on the border of stoneware and porcelain, meeting the Chinese but not the European definitions of porcelain.
Imari ware is a Western term for a brightly-coloured style of Arita ware Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyūshū. They were exported to Europe in large quantities, especially between the second half of the 17th century and the first half of the 18th century.
Korean ceramic history begins with the oldest earthenware from around 8000 BC. Throughout the history, the Korean peninsula has been home to lively, innovative, and sophisticated art making. Long periods of stability have allowed for the establishment of spiritual traditions, and artisan technologies specific to the region. Korean ceramics in Neolithic period have a unique geometric patterns of sunshine, or it is decorated with twists. In Southern part of Korea, Mumun pottery were popular. Mumun togi used specific minerals to make colors of red and black. Korean pottery developed a distinct style of its own, with its own shapes, such as the moon jar or Buncheong sagi which is a new form between earthenware and porcelain, white clay inlay celadon of Goryeo, and later styles like minimalism that represents Korean Joseon philosophers' idea. Many talented Korean potters were captured and brought to Japan during the invasions of Korea, where they heavily contributed to advancing Japanese pottery. Arita ware, founded by Yi Sam-pyeong opened a new era of porcelain in Japan. Another Japanese representative porcelain, Satsuma ware was also founded by Dang-gil Shim and Pyeong-ui Park. 14th generation of Su-kwan Shim have been using the same name to his grandfather and father to honor they are originally Korean, 14th Su-kwan Shim is honorable citizen of Namwon, Korea.
Kakiemon is a style of Japanese porcelain, with overglaze decoration called "enameled" ceramics. It was originally produced at the factories around Arita, in Japan's Hizen province from the Edo period's mid-17th century onwards. The quality of its decoration was highly prized in the West and widely imitated by major European porcelain manufacturers during the Rococo period.
"Blue and white pottery" covers a wide range of white pottery and porcelain decorated under the glaze with a blue pigment, generally cobalt oxide. The decoration was commonly applied by hand, originally by brush painting, but nowadays by stencilling or by transfer-printing, though other methods of application have also been used. The cobalt pigment is one of the very few that can withstand the highest firing temperatures that are required, in particular for porcelain, which partly accounts for its long-lasting popularity. Historically, many other colours required overglaze decoration and then a second firing at a lower temperature to fix that.
Islamic pottery occupied a geographical position between Chinese ceramics, and the pottery of the Byzantine Empire and Europe. For most of the period, it made great aesthetic achievements and influence as well, influencing Byzantium and Europe. The use of drinking and eating vessels in gold and silver, the ideal in ancient Rome and Persia as well as medieval Christian societies, is prohibited by the Hadiths, with the result that pottery and glass were used for tableware by Muslim elites, as pottery also was in China but was much rarer in Europe and Byzantium. In the same way, Islamic restrictions greatly discouraged figurative wall painting, encouraging the architectural use of schemes of decorative and often geometrically patterned titles, which are the most distinctive and original speciality of Islamic ceramics.
Swatow ware or Zhangzhou ware is a loose grouping of mainly late Ming dynasty Chinese export porcelain wares initially intended for the Southeast Asian market. The traditional name in the West arose because Swatow, or present-day Shantou, was the South Chinese port in Guangdong province from which the wares were thought to have been shipped. The many kilns were probably located all over the coastal region, but mostly near Zhangzhou, Pinghe County, Fujian, where several were excavated in the mid-1990s, which has clarified matters considerably.
Chinese ceramics are one of the most significant forms of Chinese art and ceramics globally. They range from construction materials such as bricks and tiles, to hand-built pottery vessels fired in bonfires or kilns, to the sophisticated Chinese porcelain wares made for the imperial court and for export.
Po Binasuor, Ngo-ta Ngo-che, Cei Bunga, Chế Bồng Nga ruled Champa from 1360–1390 CE. He was also known as The Red King in Vietnamese stories. He is different from Po Binnasuar, the king of Panduranga from 1316-1361.
The Hội An wreck lies in the South China Sea 22 nautical miles off the coast of central Vietnam at approximately 16.04°N 108.6°E approximately. It was discovered by fishermen in the early 1990s. The Vietnamese government made several attempts to organise an investigation of the site but its efforts initially were confounded by the water depth of 230 feet (70 m). Between 1996 and 1999, the team, which included the Vietnamese National Salvage Corporation and Oxford University’s Marine Archaeology Research Division, recovered nearly 300,000 artifacts.
Bát Tràng porcelain and pottery is a type of ceramic made in the village of Bát Tràng, on the outskirts of Hanoi, Vietnam. The village is located in an area rich in clay suitable for making ceramic. Bát Tràng ceramics are considered some of the best known porcelain products in Vietnam besides those of Chu Đậu, Biên Hòa, Phù Lãng, Hương Canh, Lái Thiêu and Bầu Trúc. The history of ceramic making in this village can be traced back as far as the 14th century AD during the Ly-Tran dynasty period.
Jingdezhen porcelain is Chinese porcelain produced in or near Jingdezhen in Jiangxi province in southern China. Jingdezhen may have produced pottery as early as the sixth century CE, though it is named after the reign name of Emperor Zhenzong, in whose reign it became a major kiln site, around 1004. By the 14th century it had become the largest centre of production of Chinese porcelain, which it has remained, increasing its dominance in subsequent centuries. From the Ming period onwards, official kilns in Jingdezhen were controlled by the emperor, making imperial porcelain in large quantity for the court and the emperor to give as gifts.
Chinese influences on Islamic pottery cover a period starting from at least the 8th century CE to the 19th century. The influence of Chinese ceramics on Islamic pottery has to be viewed in the broader context of the considerable importance of Chinese culture on Islamic arts in general.
Thai ceramics are ceramic art and pottery designed or produced as a form of Thai art. The tradition of Thai ceramics dates back to the third millennium BCE. Much of Thai pottery and ceramics in the later centuries was influenced by Chinese ceramics, but has always remained distinct by mixing indigenous styles with preferences for unique shapes, colors and decorative motifs. Thai pottery and ceramics were an essential part of the trade between Thailand and its neighbors during feudalistic times, throughout many dynasties.
Lâm Ấp was a kingdom located in central Vietnam that existed from around 192 AD to 629 AD in what is today central Vietnam, and was one of the earliest recorded Champa kingdoms. The name Linyi however had been employed by official Chinese histories from 192 to even 758 AD to describe a particular early Champa kingdom located north of the Hải Vân Pass. The ruins of its capital, the ancient city of Kandapurpura is now located in Long Tho Hill, 3 kilometers to the west of the city of Huế.
The Southeast Asian Ceramic Society (SEACS) was founded in 1969 in Singapore. It is a member of the London-based Oriental Ceramic Society.
