Kiera Duffy (born 1979) is an American opera singer born in Philadelphia. A soprano, Duffy is also an accomplished pianist. She has earned bachelor's and master's degrees from Westminster Choir College.
Kiera Duffy (born 1979) is an American opera singer born in Philadelphia. A soprano, Duffy is also an accomplished pianist. She has earned bachelor's and master's degrees from Westminster Choir College.
When Duffy learned that Westminster Choir College's program in choral conducting was not available to undergraduates, she began to study vocal performance under professor Laura Brooks Rice, who became her mentor and continued as her voice coach after college. Duffy graduated in 2003 with a Master of Music degree in voice performance and pedagogy. [1] She now studies with Edith Bers. [2]
Duffy has appeared with the New York Philharmonic, Los Angeles Philharmonic, Toledo Opera, Atlanta Symphony Orchestra, Pacific Symphony Orchestra, Mormon Tabernacle Choir, Utah Symphony, and Opera Theatre of St. Louis, Metropolitan Opera, among others.
She has sung at the Tanglewood Music Festival as Despina in Cosi fan tutte by Mozart, and as Tebaldo in Don Carlo by Verdi, both with conductor James Levine. She has also appeared at the Spoleto Festival USA and at the Wexford Opera Festival.
In addition to the baroque and classical repertoire, contemporary works in which Duffy has appeared include Neither by Morton Feldman at the Wien Modern festival, The Ghosts of Versailles by John Corigliano, and the American premiere of What Next? by Elliott Carter. [3] [4]
She has also recorded Strauss lieder with pianist Roger Vignoles. [5]
In September 2016 she premiered the role of Bess in Missy Mazzoli and Royce Vavrek's opera Breaking the Waves . She received unanimous acclaim with Fred Plotkin of WQXR proclaiming her turn the "performance of the year." [6]
Duffy is currently the head of undergraduate voice studies at the University of Notre Dame. [7]
Duffy was a finalist in the 2007 Metropolitan Opera National Council Auditions. In 2008 she was the recipient of a Sullivan Foundation grant. She has also received recognition from the Young Concert Artists International Competition and the Philadelphia Orchestra Greenfield Competition. [3] [4]
Dame Janet Abbott Baker is an English mezzo-soprano best known as an opera, concert, and lieder singer.
Kathleen Deanna Battle is an American operatic soprano known for her distinctive vocal range and tone. Born in Portsmouth, Ohio, Battle initially became known for her work within the concert repertoire through performances with major orchestras during the early and mid-1970s. She made her opera debut in 1975. Battle expanded her repertoire into lyric soprano and coloratura soprano roles during the 1980s and early 1990s, until her eventual dismissal from the Metropolitan Opera in 1994. She later has focused on recording and the concert stage. After a 22-year absence from the Met, Battle performed a concert of spirituals at the Metropolitan Opera House in November 2016, and again in May 2024.
Adele Addison is an American lyric soprano who was a figure in the classical music world during the 1950s and 1960s. Although she did appear in several operas, Addison spent most of her career performing in recital and concert. Her performances spanned a wide array of literature from the Baroque period to contemporary compositions. She is best remembered today as the singing voice for Bess in the 1959 movie, Porgy and Bess. Known for her polished and fluent tone, Addison made a desirable Baroque vocal artist. She can be heard on numerous recordings, of which her Baroque performances are perhaps her best work. Many of her recordings were made with the New York Philharmonic under the baton of Leonard Bernstein.
Angela M. Brown is an American dramatic soprano particularly admired for her portrayal of Verdi heroines.
In Canada, classical music includes a range of musical styles rooted in the traditions of Western or European classical music that European settlers brought to the country from the 17th century and onwards. As well, it includes musical styles brought by other ethnic communities from the 19th century and onwards, such as Indian classical music and Chinese classical music. Since Canada's emergence as a nation in 1867, the country has produced its own composers, musicians and ensembles. As well, it has developed a music infrastructure that includes training institutions, conservatories, performance halls, and a public radio broadcaster, CBC, which programs a moderate amount of Classical music. There is a high level of public interest in classical music and education.
Frances Yeend was an American classical soprano who had an active international career as a concert and opera singer during the 1940s through the 1960s. She had a long and fruitful association with the New York City Opera (NYCO) between 1948 and 1958, after which she joined the roster of principal sopranos at the Metropolitan Opera where she sang between 1961 and 1963. She also had an extensive concert career, particularly in the United States. By 1963 she had sung in more than 200 orchestral concerts in North American with major symphonies like the New York Philharmonic, the Boston Symphony Orchestra, the Philadelphia Orchestra, the Cleveland Orchestra, and the Chicago Symphony Orchestra among others.
Westminster Choir College (WCC) is an historic conservatory of music, currently operating on the campus of Rider University, in Lawrenceville, New Jersey. Rider's College of Arts and Sciences consists of Westminster Choir College and an additional three schools.
Bernard Rands is a British-American contemporary classical composer. He studied music and English literature at the University of Wales, Bangor, and composition with Pierre Boulez and Bruno Maderna in Darmstadt, Germany, and with Luigi Dallapiccola and Luciano Berio in Milan, Italy. He held residencies at Princeton University, the University of Illinois, and the University of York before emigrating to the United States in 1975; he became a U.S. citizen in 1983. In 1984, Rands's Canti del Sole, premiered by Paul Sperry, Zubin Mehta, and the New York Philharmonic, won the Pulitzer Prize for Music. He has since taught at the University of California, San Diego, the Juilliard School, Yale University, and Boston University. From 1988 to 2005 he taught at Harvard University, where he is Walter Bigelow Rosen Professor of Music Emeritus.
Sarah Elizabeth Royle Walker is an English mezzo-soprano.
Judith Blegen is an American soprano, particularly associated with light lyric roles of the French, Italian and German repertories.
Florence Quivar is an American operatic mezzo-soprano who is considered to be "one of the most prominent singers of her generation." She has variously been described as having a "rich, earthy sound and communicative presence" as "always reliable" and as "a distinguished singer, with a warm, rich voice and a dignified performing presence." From 1977 to 1997 she was a regular performer at the Metropolitan Opera where she gave more than 100 performances.
The Metropolitan Cathedral Church of St David, also known as St David's Cathedral, Cardiff, is a Catholic cathedral in the city centre of Cardiff, Wales, and is the centre of the Archdiocese of Cardiff.
Arianna Zukerman is an American lyric soprano who has performed with some of the world's finest orchestras and opera companies. Her voice was described in The Washington Post as "remarkable" combining the "range, warmth and facility of a Rossini mezzo with shimmering, round high notes and exquisite pianissimos."
Misha Quint is a Russian-born classical cellist and music director.
Angel Joy Blue is an American soprano. She won the Grammy Award for Best Opera Recording for the Metropolitan Opera production of Porgy and Bess in the 63rd Annual Grammy Awards.
Betty Allen was an American operatic mezzo-soprano who had an active international singing career during the 1950s through the 1970s. In the latter part of her career her voice acquired a contralto-like darkening, which can be heard on her recording of Sergei Prokofiev’s Alexander Nevsky with conductor Eugene Ormandy and the Philadelphia Orchestra. She was known for her collaborations with American composers, such as Leonard Bernstein, Aaron Copland, David Diamond, Ned Rorem, and Virgil Thomson among others.
Florence Kirk was an American dramatic soprano who had an active international performance career in operas and concerts from 1937 to 1954. Born in Philadelphia and trained at the Curtis Institute of Music by Elisabeth Schumann, she was particularly associated with the roles of Donna Anna in Mozart's Don Giovanni and the title heroine in Verdi's Aida. Her repertoire included other Verdi heroines like Leonora and Lady Macbeth, Santuzza from Mascagni's Cavalleria rusticana, Minnie in Puccini's La fanciulla del West and the title role in Tosca, and several roles from Richard Wagner's Ring Cycle.
Martha Lipton was an American operatic mezzo-soprano and music educator who is best known for her career performing at the Metropolitan Opera from 1944-1961. A native of New York City, she began her training as a vocalist with her mother who had a brief career as a concert soprano under the name Estelle Laiken. She later studied both privately and at the School of Musicianship for Singers, Inc and the Juilliard School. She made her professional concert debut while still a student in 1933 at Carnegie Hall, performing in a concert of light opera excerpts with the New York Light Opera Guild. In 1936 she began working as a church vocalist at both Riverside Church and Temple Emanu-El of New York.
Angela Meade is an American operatic soprano.
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