Kiera Duffy (born 1979) is an American opera singer born in Philadelphia. A soprano, Duffy is also an accomplished pianist. She has earned bachelor's and master's degrees from Westminster Choir College.
Kiera Duffy (born 1979) is an American opera singer born in Philadelphia. A soprano, Duffy is also an accomplished pianist. She has earned bachelor's and master's degrees from Westminster Choir College.
When Duffy learned that Westminster Choir College's program in choral conducting was not available to undergraduates, she began to study vocal performance under professor Laura Brooks Rice, who became her mentor and continued as her voice coach after college. Duffy graduated in 2003 with a Master of Music degree in voice performance and pedagogy. [1] She now studies with Edith Bers. [2]
Duffy has appeared with the New York Philharmonic, Los Angeles Philharmonic, Toledo Opera, Atlanta Symphony Orchestra, Pacific Symphony Orchestra, Mormon Tabernacle Choir, Utah Symphony, and Opera Theatre of St. Louis, Metropolitan Opera, among others.
She has sung at the Tanglewood Music Festival as Despina in Cosi fan tutte by Mozart, and as Tebaldo in Don Carlo by Verdi, both with conductor James Levine. She has also appeared at the Spoleto Festival USA, the Wexford Opera Festival, and with the Chicago Symphony Orchestra's 'Beyond the Score' production of Schoenberg's Pierrot lunaire. [3]
Contemporary works in which Duffy has appeared include Neither by Morton Feldman at the Wien Modern festival, The Ghosts of Versailles by John Corigliano, and the American premiere of What Next? by Elliott Carter. [4] [5]
She has also recorded Strauss lieder with pianist Roger Vignoles. [6]
In September 2016 she premiered the role of Bess in Missy Mazzoli and Royce Vavrek's opera Breaking the Waves . She received unanimous acclaim with Fred Plotkin of WQXR proclaiming her turn the "performance of the year." [7] In 2024, Duffy reprised the role with Detroit Opera. [8]
Duffy was previously the head of undergraduate voice studies at the University of Notre Dame, [9] and is now an Associate Professor of Voice at the Eastman School of Music. [10]
Duffy was a finalist in the 2007 Metropolitan Opera National Council Auditions. In 2008 she was the recipient of a Sullivan Foundation grant. She has also received recognition from the Young Concert Artists International Competition and the Philadelphia Orchestra Greenfield Competition. [4] [5]
Dreimal sieben Gedichte aus Albert Girauds "Pierrot lunaire", commonly known simply as Pierrot lunaire, Op. 21, is a melodrama by Arnold Schoenberg. It is a setting of 21 selected poems from Albert Giraud's cycle of the same name as translated into German by Otto Erich Hartleben. The work is written for reciter who delivers the poems in the Sprechstimme style accompanied by a small instrumental ensemble. Schoenberg had previously used a combination of spoken text with instrumental accompaniment, called "melodrama", in the summer-wind narrative of the Gurre-Lieder, which was a fashionable musical style popular at the end of the nineteenth century. Though the music is atonal, it does not employ Schoenberg's twelve-tone technique, which he did not use until 1921.
Dame Janet Abbott Baker is an English mezzo-soprano best known as an opera, concert, and lieder singer.
Adele Addison is an American lyric soprano who was a figure in the classical music world during the 1950s and 1960s. Although she did appear in several operas, Addison spent most of her career performing in recital and concert. Her performances spanned a wide array of literature from the Baroque period to contemporary compositions. She is best remembered today as the singing voice for Bess in the 1959 movie, Porgy and Bess. Known for her polished and fluent tone, Addison made a desirable Baroque vocal artist. She can be heard on numerous recordings, of which her Baroque performances are perhaps her best work. Many of her recordings were made with the New York Philharmonic under the baton of Leonard Bernstein.
Jan (Janice) DeGaetani was an American mezzo-soprano known for her performances of contemporary classical vocal compositions.
In Canada, classical music includes a range of musical styles rooted in the traditions of Western or European classical music that European settlers brought to the country from the 17th century and onwards. As well, it includes musical styles brought by other ethnic communities from the 19th century and onwards, such as Indian classical music and Chinese classical music. Since Canada's emergence as a nation in 1867, the country has produced its own composers, musicians and ensembles. As well, it has developed a music infrastructure that includes training institutions, conservatories, performance halls, and a public radio broadcaster, CBC, which programs a moderate amount of Classical music. There is a high level of public interest in classical music and education.
Westminster Choir College (WCC) is an historic conservatory of music, currently operating on the campus of Rider University, in Lawrenceville, New Jersey. Rider's College of Arts and Sciences consists of Westminster Choir College and an additional three schools.
Bernard Rands is a British-American contemporary classical composer. He studied music and English literature at the University of Wales, Bangor, and composition with Pierre Boulez and Bruno Maderna in Darmstadt, Germany, and with Luigi Dallapiccola and Luciano Berio in Milan, Italy. He held residencies at Princeton University, the University of Illinois, and the University of York before emigrating to the United States in 1975; he became a U.S. citizen in 1983. In 1984, Rands's Canti del Sole, premiered by Paul Sperry, Zubin Mehta, and the New York Philharmonic, won the Pulitzer Prize for Music. He has since taught at the University of California, San Diego, the Juilliard School, Yale University, and Boston University. From 1988 to 2005 he taught at Harvard University, where he is Walter Bigelow Rosen Professor of Music Emeritus.
Sarah Elizabeth Royle Walker is an English mezzo-soprano.
Ann Murray is an Irish mezzo-soprano.
Gurre-Lieder is a tripartite oratorio followed by a melodramatic epilogue for five vocal soloists, narrator, three choruses, and grand orchestra. The work, which is based on an early song cycle for soprano, tenor and piano, was composed by the then-Austrian composer Arnold Schoenberg from 1900 to 1903. After a break, he resumed orchestration in 1910 and completed it in November 1911. It sets to music the poem cycle Gurresange by the Danish novelist Jens Peter Jacobsen.
Tod Machover, is a composer and an innovator in the application of technology in music. He is the son of Wilma Machover, a pianist and Carl Machover, a computer scientist.
Alessandra Marc, born Judith Borden is an American dramatic soprano who has appeared at many of the world's opera houses and orchestras. Marc is particularly known for her interpretations of the works of Richard Strauss, Richard Wagner, Giuseppe Verdi, music of the Second Viennese School, and the title role in Puccini's Turandot.
Bethany Beardslee is an American soprano. She is particularly noted for her collaborations with major 20th-century composers, such as Igor Stravinsky, Milton Babbitt, Pierre Boulez, George Perle, Sir Peter Maxwell Davies and her performances of great contemporary classical music by Arnold Schoenberg, Alban Berg, Anton Webern. Her legacy amongst mid-century composers was as a "composer's singer"—for her commitment to the highest art of new music. Milton Babbitt said of her "She manages to learn music no one else in the world can. She can work, work, work." In a 1961 interview for Newsweek, Beardslee flaunted her unflinching repertoire and disdain for commercialism: "I don't think in terms of the public... Music is for the musicians. If the public wants to come along and study it, fine. I don't go and try to tell a scientist his business because I don't know anything about it. Music is just the same way. Music is not entertainment."
Arianna Zukerman is an American lyric soprano who has performed with some of the world's finest orchestras and opera companies. Her voice was described in The Washington Post as "remarkable" combining the "range, warmth and facility of a Rossini mezzo with shimmering, round high notes and exquisite pianissimos."
Misha Quint is a Russian-born classical cellist and music director.
Martha Lipton was an American operatic mezzo-soprano and music educator who is best known for her career performing at the Metropolitan Opera from 1944-1961. A native of New York City, she began her training as a vocalist with her mother who had a brief career as a concert soprano under the name Estelle Laiken. She later studied both privately and at the School of Musicianship for Singers, Inc and the Juilliard School. She made her professional concert debut while still a student in 1933 at Carnegie Hall, performing in a concert of light opera excerpts with the New York Light Opera Guild. In 1936 she began working as a church vocalist at both Riverside Church and Temple Emanu-El of New York.
The Chamber Symphony No. 1 in E major, Op. 9 is a composition by Austrian composer Arnold Schoenberg.
Jake Runestad is an American composer and conductor of classical music based in Minneapolis, Minnesota. He has composed music for a wide variety of musical genres and ensembles, but has achieved greatest acclaim for his work in the genres of opera, orchestral music, choral music, and wind ensemble. One of his principal collaborators for musical texts has been Todd Boss.
Elizabeth Laurence is a classical mezzo-soprano singer. She is best known for her performances of 20th century operatic repertoire, and has created several operatic roles.
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