A kikoi is a traditional rectangle of woven cloth originating from Africa. Considered a part of Swahili culture, the kikoi is mostly worn by the coastal men but now includes the Maasai people of Kenya [1] as well as men from Tanzania and Zanzibar. It is most commonly viewed a type of sarong.
The kikoi is made of cotton and patterns are woven rather than dyed into the fabric. [1] As with all sarongs, it is a single piece of cloth which is wrapped around the waist, and rolled over outwards a couple of times. Outside of their intended use as a sarong, they can be used as a sling to hold a baby, towel, or a head wrap.
The kikoi emerged from cultural exchange between East Africans and their trading partners from nations like Somalia centuries ago. [2] [3] The garment remains a popular souvenir for tourists visiting Kenya. [4]
A turban is a type of headwear based on cloth winding. Featuring many variations, it is worn as customary headwear by people of various cultures. Communities with prominent turban-wearing traditions can be found in the Indian subcontinent, Southeast Asia, the Middle East, the Balkans, the Caucasus, Central Asia, North Africa, West Africa, East Africa, and amongst some Turkic peoples in Russia.
The Samburu are a Nilotic people of north-central Kenya. Traditionally, they are semi-nomadic pastoralists who primarily herd cattle but also keep sheep, goats and camels. They refer to themselves as Lokop or Loikop, a term varied interpretations among the Samburu. Some believe it means "owners of the land" while others have different interpretations.
A sari is a women's garment from the Indian subcontinent. It consists of an un-stitched stretch of woven fabric arranged over the body as a robe, with one end attached to the waist, while the other end rests over one shoulder as a stole, sometimes baring a part of the midriff. It may vary from 4.1 to 8.2 metres in length, and 60 to 120 centimetres in breadth, and is a form of ethnic wear in India, Sri Lanka, Nepal, Bangladesh, and Pakistan. There are various names and styles of sari manufacture and draping, the most common being the Nivi style. The sari is worn with a fitted bodice also called a choli and a petticoat called ghagra, parkar, or ul-pavadai. It remains fashionable in the Indian subcontinent today.
A sarong or a sarung is a large tube or length of fabric, often wrapped around the waist, worn in Southeast Asia, South Asia, Western Asia, Northern Africa, East Africa, West Africa, and on many Pacific islands. The fabric often employs woven plaid or checkered patterns or may be brightly colored by means of batik or ikat dyeing. Many modern sarongs have printed designs, often depicting animals or plants. Different types of sarongs are worn in different places in the world, notably the lungi in the Indian subcontinent and the izaar in the Arabian Peninsula.
The mundu is a garment worn around the waist in the Indian states of Kerala, Tamil Nadu, the Lakshadweep archipelago, and the Indian Ocean island nation of Maldives. It is closely related to sarongs like dhotis and lungis. It is normally woven in cotton and coloured white or cream. The colour is dependent on whether the cotton is bleached or unbleached. A khadaṟ muṇṭŭ is made using handlooms. When unbleached, the mundu is called nēriyatu. In modern times, two types of mundu are prevalent—the single and the double. A single mundu is wrapped only once around the waist, while the double one is folded in half before wearing. A mundu is usually starched before use.
The malong is a traditional Filipino-Bangsamoro rectangular or tube-like wraparound skirt bearing a variety of geometric or okir designs. The malong is traditionally used as a garment by both men and women of the numerous ethnic groups in the mainland Mindanao and parts of the Sulu Archipelago. They are wrapped around at waist or chest-height and secured by tucked ends, with belts of braided material or other pieces of cloth, or are knotted over one shoulder. They were traditionally hand-woven, with the patterns usually distinctive to a particular ethnic group. However, modern malong are usually machine-made or even imported, with patterns that mimic the traditional local designs.
A lavalava, sometime written as lava-lava, also known as an 'ie, short for 'ie lavalava, is an article of daily clothing traditionally worn by Polynesians and other Oceanic peoples. It consists of a single rectangular cloth worn similarly to a wraparound skirt or kilt. The term lavalava is both singular and plural in the Samoan language.
Tupenu is the Tongan term for a wrapped garment also called a sarong, lungi, or lava-lava, worn through much of South Asia, Southeast Asia, Arabian Peninsula, the Horn of Africa and Oceania. It is analogous to the kilt worn in Scotland.
A kebaya is an upper garment traditionally worn by women in Southeast Asia, notably in Brunei, Indonesia, Malaysia, Singapore, and Southern Thailand. It is also worn in parts of southern Philippines and Cambodia.
A kitenge or chitenge is an East African, West African and Central African piece of fabric similar to a sarong, often worn by women and wrapped around the chest or waist, over the head as a headscarf, or as a baby sling. Kitenges are made of colorful fabric that contains a variety of patterns and designs. In coastal areas of Kenya and in Tanzania, kitenges often have Swahili sayings written on them. There seems to be a confusion with the Kangas, which indeed carry texts in contrast with kitenges, which apparently typically do not carry texts.
African textiles are textiles from various locations across the African continent. Across Africa, there are many distinctive styles, techniques, dyeing methods, and decorative and functional purposes. These textiles hold cultural significance and also have significance as historical documents of African design.
A sampot, a long, rectangular cloth worn around the lower body, is a traditional dress in Cambodia. It can be draped and folded in several different ways. The traditional dress is similar to the dhoti of Southern Asia. It is also worn in the neighboring countries of Laos and Thailand where it is known as pha nung.
Pakaian is the term for clothing in Malaysia's national language. It is referring to things to wear such as shirts, pants, shoes etc. Since Malaysia is a multicultural nation: Malay, Chinese, Indian and hundreds of other indigenous groups of Malay Peninsula and Borneo, each has its own traditional and religious articles of clothing all of which are gender-specific and may be adapted to local influences and conditions. Previously, traditional clothes were worn daily. However, by excluding Baju Melayu, Baju Kurung many are now only worn on special occasions such as marriage ceremonies and cultural events.
Outside Western cultures, men's clothing commonly includes skirts and skirt-like garments; however, in the Americas and much of Europe, skirts are usually seen as feminine clothing and socially stigmatized for men and boys to wear, despite having done so for centuries. While there are exceptions, most notably the cassock and the kilt, these are not generally considered skirts in the typical sense of fashion wear; rather they are worn as cultural and vocational garments. People have variously attempted to promote the fashionable wearing of skirts by men in Western culture and to do away with this gender distinction.
Khmer traditional clothing refers to the traditional styles of dress worn by the Khmer people throughout history. Tracing their origins back to the early Common Era, the customary styles of dress worn by Khmer people predate the indianization of Southeast Asia. The evolution of these clothing customs can be traced through archaeological artifacts from the 6th century to the post-Angkorian period, evolving from the simple pre-Angkorian Sampot to vibrant and intricately embroidered silk garments.
Baju Kurung is a traditional attire of Malays and traditionally worn by women in Brunei, Indonesia, Malaysia, Singapore and southern Thailand. This type of traditional attire is the national dress of Brunei and Malaysia. In Indonesia, this dress is also worn as a regional attire, commonly observed on the island of Sumatra, particularly by the ethnic Malay and Minangkabau women.
A lamba is the traditional garment worn by men and women that live in Madagascar. The textile, highly emblematic of Malagasy culture, consists of a rectangular length of cloth wrapped around the body.
The national costume of Indonesia is the national attire that represents the Republic of Indonesia. It is derived from Indonesian culture and Indonesian traditional textile traditions. Today the most widely recognized Indonesian national attires include batik and kebaya, although originally those attires mainly belong within the island of Java and Bali, most prominently within Javanese, Sundanese and Balinese culture. Since Java has been the political and population center of Indonesia, folk attire from the island has become elevated into national status.
Balinese textiles are reflective of the historical traditions of Bali, Indonesia. Bali has been historically linked to the major courts of Java before the 10th century; and following the defeat of the Majapahit kingdom, many of the Javanese aristocracy fled to Bali and the traditions were continued. Bali therefore may be seen as a repository not only of its own arts but those of Java in the pre-Islamic 15th century. Any attempt to definitively describe Balinese textiles and their use is doomed to be incomplete. The use of textile is a living tradition and so is in constant change. It will also vary from one district to another. For the most part old cloth are not venerated for their age. New is much better. In the tropics cloth rapidly deteriorates and so virtue is generated by replacing them.
Clothing in Myanmar varies depending on the ethnicity, geography, climate and cultural traditions of the people of each region of Myanmar (Burma). The most widely recognized Burmese national costume is the longyi, which is worn by both males and females nationwide. Burmese clothing also features great diversity in terms of textiles, weaves, fibers, colours and materials, including velvet, silk, lace, muslin, and cotton.