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A digital synthesizer is a synthesizer that uses digital signal processing (DSP) techniques to make musical sounds. This in contrast to older analog synthesizers, which produce music using analog electronics, and samplers, which play back digital recordings of acoustic, electric, or electronic instruments. Some digital synthesizers emulate analog synthesizers; others include sampling capability in addition to digital synthesis.
An electronic musical instrument or electrophone is a musical instrument that produces sound using electronic circuitry. Such an instrument sounds by outputting an electrical, electronic or digital audio signal that ultimately is plugged into a power amplifier which drives a loudspeaker, creating the sound heard by the performer and listener.
Fairlight may refer to:
Digital music technology encompasses the use of digital instruments, computers, electronic effects units, software, or digital audio equipment by a performer, composer, sound engineer, DJ, or record producer to produce, perform or record music. The term refers to electronic devices, instruments, computer hardware, and software used in performance, playback, recording, composition, mixing, analysis, and editing of music.
A music sequencer is a device or application software that can record, edit, or play back music, by handling note and performance information in several forms, typically CV/Gate, MIDI, or Open Sound Control, and possibly audio and automation data for digital audio workstations (DAWs) and plug-ins.
A groovebox is a self-contained electronic or digital musical instrument for the production of live, loop-based electronic music with a high degree of user control facilitating improvisation. The term "Groovebox" was originally used by Roland Corporation to refer to its MC-303, released in 1996. The term has since entered general use, and the concept dates back to the Movement Computer Systems Drum Computer in 1981 and Fairlight CMI Page R in 1982.
The Fairlight CMI is a digital synthesizer, sampler, and digital audio workstation introduced in 1979 by Fairlight. It was based on a commercial licence of the Qasar M8 developed by Tony Furse of Creative Strategies in Sydney, Australia. It was one of the earliest music workstations with an embedded sampler and is credited for coining the term sampling in music. It rose to prominence in the early 1980s and competed with the Synclavier from New England Digital.
A music workstation is an electronic musical instrument providing the facilities of:
A sampler is an electronic musical instrument that records and plays back samples. Samples may comprise elements such as rhythm, melody, speech, sound effects or longer portions of music.
CMI may refer to:
Fairlight is a digital audio company based in Sydney. In 1979, it released its Series I Fairlight CMI, one of the earliest digital audio workstations (DAWs) with a digital audio sampler. Their subsequent Series II and III CMIs featured a graphic sequencer known as Page R, during a time when most computerised music sequencers required coding skills.
Thomas Elroy Oberheim, known as Tom Oberheim, is an American audio engineer and electronics engineer best known for designing effects processors, analog synthesizers, sequencers, and drum machines. He has been the founder of four audio electronics companies, most notably Oberheim Electronics. He was also a key figure in the development and adoption of the MIDI standard. He is also a trained physicist.
Electronics Today International or ETI was a magazine for electronics hobbyists and professionals.
A synthesizer is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments and may be synchronized to other equipment via MIDI.
E-mu Systems was a software synthesizer, audio interface, MIDI interface, and MIDI keyboard manufacturer. Founded in 1971 as a synthesizer maker, E-mu was a pioneer in samplers, sample-based drum machines and low-cost digital sampling music workstations.
Peter Vogel is an Australian inventor and technologist known for developing the Fairlight CMI.
Kia Silverbrook is an Australian independent inventor and scientist. He is one of the most prolific inventors in the world, and has been granted 4,747 US utility patents as of 14 February 2022. Internationally, he has 9,874 patents or patent applications registered at the international patent document database (INPADOC). Silverbrook has founded companies and developed products in a wide range of disciplines, including computer graphics, video and audio production, scientific computing, factory automation, digital printing, liquid crystal displays (LCDs), molecular electronics, internet software, content management, genetic analysis, MEMS devices, security inks, photovoltaic solar cells, and interactive paper.
Bruce Robert Jackson was an Australian audio engineer who co-founded JANDS, an Australian audio, lighting and staging company. He joined American touring audio engineer Roy Clair and mixed concert stage monitors for Elvis Presley in the 1970s. With Clair Brothers, a concert sound company, Jackson designed audio electronics including a custom mixing console. Beginning in 1978, Jackson toured as Bruce Springsteen's band engineer for a decade, using Clair Brothers sound systems. A business interest in Fairlight CMI in Sydney introduced Jackson to digital audio, and he subsequently founded the digital audio company Apogee Electronics in Santa Monica, California, where he lived at the time. After selling his share of Apogee, Jackson co-founded with Roy and Gene Clair a joint venture which produced the Clair iO, a loudspeaker management system for control of complex concert sound systems. Jackson turned the venture commercial with the help of Dave McGrath's Lake Technology. Dolby Laboratories bought the technology and formed Dolby Lake with Jackson as vice president, then in 2009 Lab.gruppen acquired the brand. Jackson was honoured with the Parnelli Innovator Award in 2005 for his inventive loudspeaker controller.
Monotron is the collective name of a series of miniature monophonic analogue synthesisers produced by Korg, a Japanese manufacturer of electronic musical instruments. There are three models in the series: the original Monotron, the Monotron Duo and the Monotron Delay. The models share a minimalist set of synthesis components, consisting only of a voltage-controlled oscillator, voltage-controlled filter, a voltage-controlled amplifier and a low-frequency oscillator.
The original score to the 1991 science-fiction action film, Terminator 2: Judgment Day is composed by Brad Fiedel. The film, directed by James Cameron is a sequel to the 1984 film The Terminator, and the second instalment in the Terminator franchise. Fiedel who scored for the first film using synthesisers and electronic instruments, had produced the score for Terminator 2, in an "acoustic and organic manner". According to Fiedel, he created the score in such a way, to bring a "warmer tone" on depicting the relationship with young John Connor and the Terminator. The recording and production process involved two CMI machines and synthesisers, with an ensemble orchestra assisting the electronic sounds.
References
- ↑ O'Grady, Anthony (1982-09-21), "Showbiz Rock 'N' Roll Becomes Boom 'N' Bust", The Bulletin, 102 (5332), John Haynes and J.F. Archibald: 62, ISSN 0007-4039
- 1 2 3 "This audio pioneer is set to transform the way you hear music". Australian Financial Review. 2022-05-15. Retrieved 2022-10-22.
- 1 2 "Fairlight The Whole Story". www.anerd.com. Retrieved 2022-10-22.
- ↑ Trask, Simon (May 1987). "Fairlight's Father". Music Technology (May 1987): 72–75.
- 1 2 3 "Computer musical instrument by Fairlight Instruments". collection.maas.museum. Retrieved 2022-10-22.
- ↑ "CSIRO annual report. 1987/1988, PP no. 37 of 1989". CSIRO. Retrieved 2022-10-22.
- ↑ Taylor, Beth. "Fairlight". NATIONAL FILM AND SOUND ARCHIVE OF AUSTRALIA. Retrieved 22 Oct 2022.
- ↑ "AUSSIES AT THE OSCARS". Ausfilm. Retrieved 2022-10-22.
- ↑ "SoundStageAustralia.com - Interview – DEQX's Kim Ryrie & Alan Langford". www.soundstageaustralia.com. Retrieved 2022-10-22.
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