Kimberley points are a type of Aboriginal stone tool made by pressure flaking [1] both discarded glass and stone. [2] Best known for the points made of glass, these artifacts are an example of adaptive reuse of Western technology by a non-western culture.
They are often used as an indicator that an archaeological site is a post-contact Aboriginal site. [3] There is debate in archaeological literature about the use and significance of these points, with some claims that they were made for sale to tourists and as status items, and not as hunting tools. [4]
A microlith is a small stone tool usually made of flint or chert and typically a centimetre or so in length and half a centimetre wide. They were made by humans from around 35,000 to 3,000 years ago, across Europe, Africa, Asia and Australia. The microliths were used in spear points and arrowheads.
In archaeology, in particular of the Stone Age, lithic reduction is the process of fashioning stones or rocks from their natural state into tools or weapons by removing some parts. It has been intensely studied and many archaeological industries are identified almost entirely by the lithic analysis of the precise style of their tools and the chaîne opératoire of the reduction techniques they used.
A stone tool is, in the most general sense, any tool made either partially or entirely out of stone. Although stone tool-dependent societies and cultures still exist today, most stone tools are associated with prehistoric cultures that have become extinct. Archaeologists often study such prehistoric societies, and refer to the study of stone tools as lithic analysis. Ethnoarchaeology has been a valuable research field in order to further the understanding and cultural implications of stone tool use and manufacture.
In archaeology, lithic analysis is the analysis of stone tools and other chipped stone artifacts using basic scientific techniques. At its most basic level, lithic analyses involve an analysis of the artifact's morphology, the measurement of various physical attributes, and examining other visible features.
The Oldowan was a widespread stone tool archaeological industry (style) in prehistory. These early tools were simple, usually made with one or a few flakes chipped off with another stone. Oldowan tools were used during the Lower Paleolithic period, 2.9 million years ago up until at least 1.7 million years ago (Ma), by ancient Hominins across much of Africa. This technological industry was followed by the more sophisticated Acheulean industry.
Clovis points are the characteristically fluted projectile points associated with the New World Clovis culture, a prehistoric Paleo-American culture. They are present in dense concentrations across much of North America and they are largely restricted to the north of South America. There are slight differences in points found in the Eastern United States bringing them to sometimes be called "Clovis-like". Clovis points date to the Early Paleoindian period, with all known points dating from roughly 13,400–12,700 years ago. As an example, Clovis remains at the Murry Springs Site date to around 12,900 calendar years ago. Clovis fluted points are named after the city of Clovis, New Mexico, where examples were first found in 1929 by Ridgely Whiteman.
In archaeology, a blade is a type of stone tool created by striking a long narrow flake from a stone core. This process of reducing the stone and producing the blades is called lithic reduction. Archaeologists use this process of flintknapping to analyze blades and observe their technological uses for historical purposes.
The Gwion Gwion rock paintings, Gwion figures, Kiro Kiro or Kujon are one of the two major regional traditions of rock art found in the north-west Kimberley region of Western Australia. Key traditional owners have published their own account of the meaning of the images. However the identity of the artists and the age of the art are contended within archaeology and amongst Australian rock art researchers. A 2020 study estimates that most of the anthropomorphic figures were created 12,000 years ago, based on analysis of painted-over wasps' nests. These aspects have been debated since the works were seen, and recorded, in 1891 by pastoralist Joseph Bradshaw, after whom they were named until recent decades. As the Kimberley is home to many traditional owners, the rock art is referred to and known by many different names in the local languages, the most common of which are Gwion Gwion or Kiro Kiro/Giro Giro. The art consists primarily of human figures ornamented with accessories such as bags, tassels and headdresses.
Makassar people from the region of Sulawesi in Indonesia began visiting the coast of Northern Australia sometime around the middle of the 18th century, first in the Kimberley region, and some decades later in Arnhem Land. They were men who collected and processed trepang, a marine invertebrate prized for its culinary value generally and for its supposed medicinal properties in Chinese markets. The term Makassan is generally used to apply to all the trepangers who came to Australia.
The prehistory of Australia is the period between the first human habitation of the Australian continent and the colonisation of Australia in 1788, which marks the start of consistent written documentation of Australia. This period has been variously estimated, with most evidence suggesting that it goes back between 50,000 and 65,000 years. This era is referred as prehistory rather than history because knowledge of this time period does not derive from written documentation. However, some argue that Indigenous oral tradition should be accorded an equal status.
Australian Aboriginal artefacts include a variety of cultural artefacts used by Aboriginal Australians. Most Aboriginal artefacts were multi-purpose and could be used for a variety of different occupations. Spears, clubs, boomerangs and shields were used generally as weapons for hunting and in warfare. Watercraft technology artefacts in the form of dugout and bark canoes were used for transport and for fishing. Stone artefacts include cutting tools and grinding stones to hunt and make food. Coolamons and carriers such as dillybags, allowed Aboriginal peoples to carry water, food and cradle babies. Message sticks were used for communication, and ornamental artefacts for decorative and ceremonial purposes. Aboriginal children’s toys were used to both entertain and educate.
In archaeology, debitage is all the material produced during the process of lithic reduction – the production of stone tools and weapons by knapping stone. This assemblage may include the different kinds of lithic flakes and lithic blades, but most often refers to the shatter and production debris, and production rejects.
The history of Indigenous Australians began at least 65,000 years ago when humans first populated the Australian continental landmasses. This article covers the history of Aboriginal Australian and Torres Strait Islander peoples, two broadly defined groups which each include other sub-groups defined by language and culture.
Peter Dixon Hiscock is an Australian archaeologist. Born in Melbourne, he obtained a PhD from the University of Queensland. Between 2013 and 2021, he was the inaugural Tom Austen Brown Professor of Australian Archaeology at the University of Sydney, having previously held a position in the School of Archaeology and Anthropology at the Australian National University.
Tachylite is an unusual and relatively rare stone used in making flaked stone tools, and which is found in Aboriginal archaeological sites in Victoria, Australia.
The Nyulnyul, also spelt Nyul Nyul, Njolnjol, Nyolnyol and other variants, are an Aboriginal Australian people of the Kimberley region of Western Australia.
The Djaru people are an Aboriginal Australian people of the southern Kimberley region of Western Australia.
The Malngin are an Aboriginal Australian people of the Kimberley region of Western Australia. The Malngin language was a dialect of Gurindj.
Caroline Bird is an Australian archaeologist and educator. She specialises in women's studies, cultural heritage, and indigenous studies in the archaeological context, specifically early Australian archaeology. Bird's other focuses include lithic technology and art.
Anne (Annie) Clarke is an Australian archaeologist and heritage specialist. She is a professor of archaeology and heritage at the University of Sydney. Clarke is a leading scholar in Australian archaeology, both historical and Aboriginal, as well as critical heritage studies. She has specialisms in archaeobotany, contact archaeology and rock art.