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Jorge Ayala (born February 14, 1944, in Formosa, Argentina), better known as King Clave, is an Argentine singer and songwriter with hits from the 70's and 80's.
King Clave's career began on Argentina's Canal 13. He was later featured in the show "Sábados Circulares de Mancera." From there, he went on to act in "Special", "Tropicana Club", "Sábados de la bondad," and other shows.
In 1973 he acted in the show "Sábado Sensacional de Amador Bendayan" (Amador Bendayan's Sensational Saturday), later simply known as Super Sábado Sensacional transmitted through Venezuela's main TV broadcaster Venevisión and in 1974 he decided to be his own record producer and recorded his first international album with the hit "Los hombres no deben llorar" (Men shouldn't cry), followed by "Mi corazón lloro" (My heart cried), "Usted me dejo llorando" (You left me crying), "Tema de amor para una chiquilina" (A little girl's love's theme), "Nunca mas podré olvidarte" (I'll never forget you), "Por culpa de tu amor" (Because of your love), among others.
In 1976 he debuted in Raúl Velasco's "Siempre en Domingo" (Always on Sunday). Since then, he has given shows across the world.
King Clave befriended the singer Roberto Sanchez (who later became the famous Sandro), and one day he went to the legendary show lounge La Cueva and introduced him to Billy Bond, one of the musicians they created the movement called "Rock Nacional Argentino".
In return for washing the dishes in his night club, Billy Bond let him sing his native guaranias and some boleros. One day Billy and King Clave composed the first ballad together "La canción de tus lágrimas" and Billy took him, with that song, to debut in the biggest musical TV show of that era "ESCALA MUSICAL" on Channel 13.
Then he began his career, constantly appearing in the best television programs as "Sábados circulares de Mancera" (Canal 13); " Sábado de la bondad "; "El Special"; "Tropicana Club " y "Grandes valores" (Canal 9).
In 1968 he won the "Newcomer" award at the third festival Buenos Aires songs and began a beautiful face in his career, participated in the film La Pandilla Inolvidable released on October 27, 1971, in the movie theater Italia de Formosa. Some of the actors in that movie: Ana Maria Picchio, Celia Cadaval, Ubaldo Martínez, Santiago Gómez Cou, Luis Medina Castro, Louie Cohen, Pablo Codevilla Cachito Gomez, Carlos Medina "TABOO" Saturnino Lopez with the Polyphonic Choir of Formosa led by Elda Milanese, June 4 his best-known songs so far were used: "Yo te amo mi amor... yo te amo" and "El niño de la calle sonriente" in 1970, following a personal problem he returned to his home province . In winter of 1972 he returned to Buenos Aires.
In 1972 he began his studies at the School of Fine Arts in Buenos Aires, where he specialized in various artistic disciplines. Also at that time he studied a degree in copyright SADAIC (Argentina Society of Authors and Composers). His teachers Homero Expósito y Eladia Blázquez were counted. In 1973 he graduated as "Bachelor of copyright". That year would win the first prize at the Festival of Piriápolis (Republic of Uruguay).
In 1973 he starred in the "Sábados Sensacionales" of Amador Bendayán's program in Venevisión of Venezuela. He was hired by Karen Record of Bienvenido Rodriguez (Dominican Republic) to artistically produce Fausto Rey, Sonia Silvestre, and Camboy Estevez, among others, with whom he achieved significant international recognition as a producer and composer. That same year he produced for the PROMUS seal (of Venezuela) an LP with the star and actress Susana Gimenez from Argentina.
In 1974 he decided to become the first independent producer in Argentina. He placed several artists at the top of sales at record companies Odeon, RCA Victor and Music Hall, among others. That year he traveled to Mexico, where he presented his own material and jumped into the international market. He immediately placed first in the rankings of all Latin America and sold 5 million singles of the song "LOS HOMBRES NO DEBEN LLORAR" and many others, to "ABEJA REINA", "MI CORAZÓN LLORÓ", "NUNCA MÁS PODRÉ OLVIDARTE", "POR CULPA DE TU AMOR" and "TEMA DE AMOR PARA UNA CHIQUILINA" among others.
"ABEJA REINA" and other hits from King Clave were recorded and re-recorded by various artists from Latin America and Europe. In January 2012, King Clave re-recorded a version as Formosa Folk Music.
2 and 3 June 1975 was presented for the first time at Madison Square Garden (New York) and brought together in three concerts, 50,000 people, follow by the Olympia (Paris), Caesars Palace (Las Vegas) and many other world casinos, that same year was presented at the Televisa channel (of Mexico) to the most important program in that country: "Siempre en Domingo", led by Raul Velasco. Primetime debut with him Brazil Singer Morris Albert and Spanish Singer Camilo Sesto.
In 1976, he appeared in Madison Square Garden, and began a tour across the United States, leading a caravan with Vicente Fernandez, with the participation of Juan Gabriel, Lola Beltran, Trio Los Panchos, Yolanda del Río and Jorge Vargas, among other Mexican artists.
After the tour, he starred in the Mexican film "La hija de nadie" (released in early 1979). Immediately after appeared in " Los Hombres no deben llorar" movie (released on June 21, 1979) starring with Naomi Ceratto (actress whom he married in 1976) and Yolanda del Río.
In 1980 he participated in the Argentinean film Rhythm "Ritmo, amor y primavera" of Enrique Carreras, with Cacho Chestnut, Monica Gonzaga, Tincho Zabala, Carlos Calvo, Juan Carlos Thorry Alan and Naomi. It premiered in January 1981. That year appeared several songs in Argentine telenovelas: "Herencia de amor", "Un callejón en las nubes", "Rossé", "Aprender a vivir", "Lo imperdonable" and thus manages to enter the market in his country, Argentina.
In 1982, Mexican singer Luis Miguel included a song of King Clave, "Balada Para mi Abuela", on his album Un Sol .
In 1984 he co-starred in the Argentine-Mexican film "La Superdotada", directed by Juan Bautista Maggipinto with Tixou Thelma, Orlando Marconi and his own wife Naomi Ceratto .
From 1985 to 1989, elected by vote of his fellow composers, he served as Vice President of S.A.D.A.I.C, Argentinian Society of Authors and Composers.
He has shot several films in Mexico, the US and Argentina, including "Los hombres no deben llorar", "El nido", "La hija de nadie", "El cara parchada" y La pandilla inolvidable , among others are. In 1985 he left his profession as a singer when he was elected vice president of Sadaic (in Buenos Aires). He devoted all his time to defend copyright.
In 1990 he decided to become a trader in the Ramos Mejía neighborhood of Buenos Aires, Argentina, with his wife Naomi Ceratto (actress and model). In 2002, his wife and his son Sebastian convinced him to go back on stage. He was presented at the Hollywood Palladium in Los Angeles (California). From then he made successful performances in the best venues of Las Vegas, New York, Texas and Arizona, Mexico, Canada and Europe and is still presented in different Latin American scenarios. Since then he lives with his family in Hollywood, Los Angeles, California.
In January 2012 he was summoned to appear at the two most important festivals of Argentina: Cosquín (Córdoba) and the Festival of Corvina (Formosa). That same year he recorded his folk cantata "La Gran Fiesta Formoseña" https://www.youtube.com/watch?v=uJ44mUIXXsI // https://www.youtube.com/watch?v=AxU0FfBw8o0
In August 2013, King Clave was recognized by the UN for his interpretation of "Los hombres no deben llorar" song was chosen as music for the international campaign to combat the abuse of women and girls. [1]
In 2013, King Clave released his new album Punto G (produced by his son Sebastian Ayala Ceratto) Recently, in the months of May and June, 2014, on a tour of Colombia received a warm welcome in his reunion with your audience and was acclaimed by 17,000 people in "Diamante" baseball Cali Stadium, starting there tourné the most successful of these times ... https://www.youtube.com/watch? v = WM_7sM0wvzg; today he is on tour throughout the US, and will be presenting several concerts in Latin America.
On September 21, 1976 he married in Acapulco (Mexico) with Noemi Ceratto (to whom he remains married until today) they had a son named Sebastian Ayala Ceratto.
Ao Meu Brasil is an album by Julio Iglesias released on December 18, 2001 by Sony International. Iglesias sings all the songs in Portuguese.
Héctor Eduardo Reglero Montaner, better known as Ricardo Montaner, is an Argentine-born Venezuelan singer. Since starting his career in the late 1970s, he has released more than 24 albums, and many successful singles. He has sold an estimated 1- million records worldwide, making him one of the best-selling Latin music artists.
Norberto Aníbal Napolitano, popularly known as Pappo, was an Argentine rock musician, guitarist, singer and songwriter. One of the most influential figures in Argentine music, he was a forerunner of Argentine rock, heavy metal and blues.
Channel 13 is an Argentine free-to-air television network and the flagship station of the network of the same name, located in the capital of Argentina, Buenos Aires. It is owned by Grupo Clarín through Artear.
Jorge Loriga Torrenova, better known as Ray Loriga, is a Spanish author, screenwriter, and director.
Bertha Moss, born Juana Bertha Moscovish Holm, was an Argentine actress of stage, television and film, famous for appearing in many Mexican telenovelas.
Súper Sábado Sensacional is a Spanish-language variety show created in Venezuela, and established on Radio Caracas Television in 1968. The show later moved to Venevisión network in 1970. Shown on a weekly basis, every Saturday from 4:00 pm to 9:00 pm it is viewed internationally throughout Latin America, the Caribbean and the United States and it is considered one of the highest rated television shows in the country. Throughout its run, there have been five major hosts: Amador Bendayán (1972–1988), Gilberto Correa (1988–1996), Daniel Sarcos (1997–2009), Leonardo Villalobos (2010–2016) and Henrys Silva (2016–present).
Amador Jacobo Bendayán Bendayán [ben-dah-IAN] was a Venezuelan actor and entertainer.
Leopoldo Torres Ríos was an Argentine film director and screenwriter. His brother Carlos Torres Ríos was a notable cinematographer. His son was the film director and screenwriter Leopoldo Torre Nilsson.
Laura Ana "Tita" Merello was an Argentine film actress, tango dancer and singer of the Golden Age of Argentine Cinema (1940–1960). In her six decades in Argentine entertainment, at the time of her death, she had filmed over thirty movies, premiered twenty plays, had nine television appearances, completed three radio series and had had countless appearances in print media. She was one of the singers who emerged in the 1920s along with Azucena Maizani, Libertad Lamarque, Ada Falcón, and Rosita Quiroga, who created the female voices of tango. She was primarily remembered for the songs "Se dice de mí" and "La milonga y yo".
Pierre Bruno Hugo Fontana, otherwise known as Hugo del Carril, was an Argentine film actor, film director and tango singer of the classic era.
Grupo Montez de Durango or Montez de Durango is a regional Mexican band that specializes in the duranguense genre. They are based in Aurora, Illinois, and are well known in the United States, Mexico and Central America.
Roberto Sánchez-Ocampo, better known by his stage names Sandro or Sandro de América, was an Argentine singer and actor. He is considered a pioneer of Argentine rock for being one of the first rock artists to sing in Spanish in Latin America. He edited 52 official records and sold eight million copies although other sources state that he sold over 10 million. Some of his most successful songs are "Dame fuego", "Rosa, Rosa", "Quiero llenarme de ti", "Penumbras", "Porque yo te amo", "Así", "Mi amigo el Puma", "Tengo", "Trigal", and "Una muchacha y una guitarra". The single "Rosa, Rosa" sold two million copies, being his most recognizable and famous song. Another of his hits, "Tengo" was given 15th place among the 100 best Argentine rock songs by both MTV and Rolling Stone magazine. In Latin America he was often compared to Elvis Presley at the height of his popularity.
Axel Fernando Witteveen Pardo, commonly known as Axel, is an Argentine singer and songwriter.
Falso Amor is the debut studio album released by Los Bukis in 1975. After signing with Discos Melody in Mexico. Note: "Casas de Carton" was taken out of later publications of this album due to its controversial nature, being replaced by a cover of King Clave song "Los Hombres No Deben Llorar" as the first song.
Héctor Omar Hoffmann Fenzel, better known as Sergio Denis was an Argentine singer-songwriter and occasional actor.
Néstor Fabián, is an Argentine tango singer and actor. Having lost his biological family, he was adopted. At the age of twelve, he started working at a shoes factory to help his adoptive family.
Nilda Elvira Vattuone, better known by her stage name Nelly Omar, was an Argentine actress and singer during the Golden Age of Argentine Cinema. She was successful as a tango singer, performing on numerous radio shows and performed canción criolla. Her film career began in 1940. She was blacklisted after the ouster of Juan Perón for having sung his anthem, Soy La Descamisada and did not work again until the 1970s. From her comeback in 1972, she remained an active performer until her death.
Abel Pintos, is an Argentine singer-songwriter. He started his solo career at the age of 13 with his album Para cantar he nacido, supported financially by León Gieco. After the release of four studio albums, he started writing his own songs that marked a departure from his folk style.
Aída Luz was an Argentine actress who primarily worked during the Golden Age of Argentine Cinema, performing on both stage and in films. She won multiple awards for her performances including the Martín Fierro Awards, the ACE de Oro, the Premios Estrella de Mar and the Golden Condor from the Argentine Film Critics Association.
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