King of the Zombies | |
---|---|
Directed by | Jean Yarbrough |
Written by | Edmond Kelso |
Produced by | Lindsley Parsons |
Starring | |
Cinematography | Mack Stengler |
Edited by | Richard C. Currier |
Music by | Edward J. Kay |
Production companies | Sterling Productions, Inc. |
Distributed by | Monogram Pictures Corporation |
Release date |
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Running time | 67 minutes |
Country | United States |
Language | English |
King of the Zombies is a 1941 American zombie comedy film directed by Jean Yarbrough and starring Dick Purcell, Joan Woodbury, and Mantan Moreland. The film was produced by Monogram Pictures, and was typical of its B films produced by the Pine-Thomas team. Along with flying scenes, the use of zany characters and slapstick efforts were juxtaposed with a spy and zombie story. [1]
In the film, a transport aircraft crash-lands on a remote island during a storm. The passengers take refuge in a local mansion, and discover that the owner controls zombies though use of voodoo. The role of the villainous Dr. Miklos Sangre was intended for Bela Lugosi, who was unavailable. The first choice to replace him was Peter Lorre, but negotiations with him failed. Henry Victor was then cast in the role.
In 1941, a Capelis XC-12 transport aircraft flying between Cuba and Puerto Rico runs low on fuel and is blown off course by a storm. The pilot, James "Mac" McCarthy, cannot pick up any radio transmissions over the Caribbean except for a faint signal. After crash-landing on a remote island, passenger Bill Summers and his valet Jefferson Jackson, take refuge in a mansion owned by Dr. Miklos Sangre and his wife Alyce .
Jackson, frightened by his surroundings, is convinced the mansion is haunted by zombies and confirms this with some of Dr. Sangre's servants. The stranded group becomes aware that mysterious events are taking place in the mansion.
The group stumbles upon a voodoo ritual in the cellar conducted by the doctor who is in reality a foreign spy trying to acquire war intelligence from a captured US Admiral whose aircraft had also crashed on the island. McCarthy falls under the doctor's spell but Summers comes to his aid. When Summers stops the ritual, the zombies turn on their master. Sangre shoots the pilot but falls to his death in a firepit. With Sangre dead, all the zombies are released from his spell.
King of the Zombies was announced in January 1941 as a vehicle for Bela Lugosi. [2] It was inspired by the success of The Ghost Breakers (1940). [1]
Lugosi was meant to play the role of Dr. Sangre. [3] When he became unavailable, negotiations ensued to obtain Peter Lorre for the part, but a deal could not be reached. [4] Veteran character actor Henry Victor was signed just prior to the date of filming. [5]
Principal photography by Sterling Productions, Inc. began on March 28, 1941, and wrapped in early April, being primarily filmed on a studio back lot. [6] The transport aircraft used in King of the Zombies was a Capelis XC-12, built in 1933 by Capelis Safety Airplane Corporation of California. The aircraft was a 12-seat, low-wing cabin monoplane with two 525 hp Wright Cyclone engines. [Note 1]
In the press kit for King of the Zombies, Monogram advised exhibitors to sell "it along the same lines as Paramount's The Ghost Breakers (1940)." The Bob Hope horror/comedy was a runaway hit at the time. [7]
Writing in The Zombie Movie Encyclopedia, academic Peter Dendle called King of the Zombies "... utterly absurd and delightful". [3] Bruce G. Hallenbeck, who wrote Comedy-Horror Films, said that the film's politically incorrect humor comes off as innocent due to Moreland's delivery. [7] Tom Weaver, audio commentator for VCI Entertainment's "King of the Zombies" Blu-ray, pointed out that the zombies were incidental to the plot, but praised the comic relief of Mantan Moreland and the villainous performance of Henry Victor.
King of the Zombies was nominated for an Academy Award for Best Music (Music Score of a Dramatic Picture) (Edward Kay). [3]
Two years later, King of the Zombies was followed by a sequel, of sorts, called Revenge of the Zombies (1943) that included two of the original cast members. Mantan Moreland reprised his role as Jeff. Madame Sul-Te-Wan was cast as Mammy Beulah, the housekeeper.
The Face Behind the Mask is a 1941 American crime horror film directed by Robert Florey and starring Peter Lorre, Evelyn Keyes and Don Beddoe. The screenplay was adapted by Paul Jarrico, Arthur Levinson, and Allen Vincent from the play Interim, written by Thomas Edward O'Connell (1915–1961).
White Zombie is a 1932 pre-Code horror film independently produced by Edward Halperin and directed by Victor Halperin. The screenplay by Garnett Weston, based on The Magic Island by William Seabrook, is about a young woman's transformation into a zombie at the hands of an evil voodoo master. Bela Lugosi stars as the zombie master "Murder" Legendre, with Madge Bellamy appearing as his victim. Other cast members include Joseph Cawthorn, Robert W. Frazer, John Harron, Brandon Hurst, and George Burr MacAnnan.
The Gorilla is a 1939 American comedy horror film starring the Ritz Brothers, Anita Louise, Art Miles, Lionel Atwill, Bela Lugosi, and Patsy Kelly. It was based on the 1925 play of the same name by Ralph Spence.
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Mantan Moreland was an American actor and comedian most popular in the 1930s and 1940s. He starred in numerous films. His daughter Marcella Moreland appeared as a child actor in several films.
Comedy horror is a literary, television, and film genre that combines elements of comedy and horror fiction. Comedy horror has been described as having three types: "black comedy, parody and spoof." Comedy horror can also parody or subtly spoof horror clichés as its main source of humour or use those elements to take a story in a different direction. Examples of comedy horror films include Abbott and Costello Meet Frankenstein (1948), An American Werewolf in London (1981), the Evil Dead franchise (1981–present), Gremlins (1984), Shaun of the Dead (2004), and The Cabin in the Woods (2011).
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Revolt of the Zombies is a 1936 American horror film directed by Victor Halperin, produced by Edward Halperin, and starring Dean Jagger and Dorothy Stone. One of the earliest zombie films, it was initially conceived as a loose sequel to the director's moderately successful White Zombie (1932) but, due to a lawsuit, was unable to promote itself as such.
The Boogie Man Will Get You is a 1942 American comedy horror film directed by Lew Landers and starring Boris Karloff and Peter Lorre. It was the final film Karloff made under his contract with Columbia Pictures, and it was filmed in the wake of his success in the 1941 Broadway production Arsenic and Old Lace. As he had done several times previously, Karloff played the part of a "mad scientist", Professor Billings, who is using the basement of his inn to conduct experiments using electricity to create a race of superhumans. The inn is bought by a new owner, who is initially unaware of the work Billings is conducting.
Frankenstein Island is a 1981 science fiction horror film produced, written, composed, edited and directed by Jerry Warren and starring John Carradine and Cameron Mitchell. The plot concerns a group of balloonists stranded on an island where they are captured by Dr. Frankenstein's female descendant, Sheila Frankenstein, who has been kidnapping shipwrecked sailors for years and turning them into zombies.
The Vineyard is a 1989 American horror film directed by James Hong and William Rice, written by Hong, Douglas Kondo, James Marlowe and Harry Mok, and starring Hong, Michael Wong, Sherri Ball and Playboy Playmate Karen Witter.
Creature with the Atom Brain is a 1955 American zombie horror science fiction film directed by Edward L. Cahn and starring Richard Denning.
Revenge of the Zombies is a 1943 comedy horror film, directed by Steve Sekely, starring John Carradine and Gale Storm. Dr. Max Heinrich von Altermann, is a mad scientist working to create a race of living dead warriors for the Third Reich.
The House of Seven Corpses is a 1973 American horror film directed by Paul Harrison and starring John Ireland, Faith Domergue and John Carradine.
Mansion of the Living Dead is a 1982 erotic horror film written and directed by Jesús Franco, said to be based on his own novel. It stars Franco's most often used actress, Lina Romay, who is credited here as Candy Coster. Franco also edited the film, and dubbed the voice of actor Albino Graziani. The make-up on the zombie monks was extremely low budget, consisting mostly of dried shaving cream lather rubbed on the actor's faces.