Kings and Queens | ||||
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Studio album by | ||||
Released | 6 December 2005 | |||
Genre | Punk rock | |||
Length | 45:03 | |||
Label | Captain Oi! | |||
Producer | Shady | |||
Anti-Nowhere League chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Kings and Queens is the fourth studio album by English punk rock band, the Anti-Nowhere League.
(all songs written by Animal/Anti-Nowhere League unless noted.)
The Exploited are a Scottish punk rock band from Edinburgh, formed in 1978 by Stevie Ross and Terry Buchan, with Buchan soon replaced by his brother Wattie Buchan. They signed to Secret Records in March 1981, and their debut EP, Army Life, and debut album, Punks Not Dead, were both released that year. The band maintained a large cult following in the 1980s among a hardcore working class punk and skinhead audience. Originally a street punk band, the Exploited eventually became a crossover thrash band with the release of their album Death Before Dishonour in 1987.
Anti-Nowhere League are an English punk rock band, formed in 1979 by lead singer Animal, guitarist Magoo, Bones on drums and Chris Elvy on bass.
Anti-Pasti are a British punk rock band, founded by vocalist Martin Roper and guitarist Dugi Bell in 1978, featuring Kev Nixon on drums and Will Hoon on bass guitar. Later they were joined by a second guitarist, Ollie Hoon. Their first album, The Last Call, spent seven weeks in the UK Albums Chart, peaking at No. 31. Roper left the band in 1982, and Anti-Pasti effectively ended until reformations in both 1995 and 2012.
Punk's Not Dead is a 2007 documentary film directed by Susan Dynner, an American hardcore punk fan. The filmmakers claims to infiltrate American clubs, malls, recording studios, etc. where they set out to claim hardcore punk and pop punk music is "thriving" from an American perspective. Its content features performances largely from 1980s hardcore bands and MTV skate punk and pop punk/rock acts. It also includes various interviews and behind-the-scenes footage with the bands, labels and fans.
Punks Not Dead is the first studio album by the Scottish punk rock band The Exploited, released in April 1981 on Secret Records. Working class and loyal to the first impulses of the 1970s punk movement, the album was a reaction to critics who believed the punk rock genre was dead, and went against popular trends such as new wave and post-punk. It contains the double A side singles "Army Life/Fuck the Mods" and the later follow up "I Believe in Anarchy". "Army Life" details the experiences of Wattie Buchan when he was a 17-year-old squaddie on a tour of duty in Belfast in the 1970s.
Kings and Queens may refer to:
Scum is the third studio album by English punk rock band the Anti-Nowhere League and the first album of new material released since the original band's breakup ten years previously. A new lineup is featured, with only lead singer Animal and guitarist Magoo remaining from the band which recorded the much-criticised The Perfect Crime LP in 1987. The album also marks a return to the ANL's "classic" punk-metal sound.
We Are...The League is the debut album by English punk rock band, the Anti-Nowhere League.
The Perfect Crime is the second studio album by English punk rock band Anti-Nowhere League. The sound of the band changed a great deal from their debut album, We Are...The League. The Perfect Crime features a blend of 1980s rock with a light punk sound. It was the last studio album by the band before they broke up for several years.
So What?: Early Demos and Live Abuse is a 2CD compilation from English punk rock band, Anti-Nowhere League. It combines the now-deleted compilation of early demos, Out of Control and the live album The Horse is Dead on a single release.
The Horse Is Dead is a live album by English punk rock band Anti-Nowhere League, released in 1996.
Return to Yugoslavia is a 1998 live album by English punk rock band Anti-Nowhere League.
Complete Singles Collection is the third compilation album by English punk rock band the Anti-Nowhere League. It contains all the non LP releases up to 1995 on one disc. This album is part of Anagrams punk collectors series.
Live Animals is the sixth live album by English punk rock band the Anti-Nowhere League. It contains tracks recorded at various times at various shows, but all have either appeared on Live In Yugoslavia or Live and Loud.
Best of the Anti-Nowhere League is the first compilation album by English punk rock band the Anti-Nowhere League. This album contains the full 12" of Out on the Waterfront and four tracks that were absent from the Live in Yugoslavia album.
Punk Singles and Rarities 1981 - 1984 is the sixth compilation album by English punk rock band the Anti-Nowhere League. This album contains the tracks off recorded from the now out of print album, Apocalypse Punk Tour '81, which had an album of the same name. It also contains a number of single versions of their well-known songs as well as many demo versions.
So What is the fifth compilation album by English punk rock band Anti-Nowhere League. It contains mostly well known studio tracks along with a mix of live tracks, once again taken from the Live in Yugoslavia album. At the 2000 VH1 Music Awards, Metallica performed a cover of the song So What? off the album.
Punk rock in Yugoslavia was the punk subculture of the former Socialist Federal Republic of Yugoslavia. The most developed scenes across the federation existed in the Socialist Republic of Slovenia, the Adriatic coast of the Socialist Republic of Croatia, the Socialist Autonomous Province of Vojvodina and Belgrade, the capital of both Yugoslavia and the Socialist Republic of Serbia. Some notable acts included: Pankrti, Paraf, Pekinška patka, KUD Idijoti, Niet, Patareni and KBO!.
"So What?" is a song by British punk band Anti-Nowhere League. It first appeared as the B-side of the band's debut 7" single "Streets of London", in 1981. It was added as a bonus track to We Are...The League's re-release in 2001.
League Style is a covers album of 10 reggae and rocksteady classics by English punk rock band Anti-Nowhere League. The album was released on Cleopatra Records in June, 2017.