Kirsteen Mackay | |
---|---|
Nationality | British |
Alma mater | Royal College of Art |
Occupation | Architect |
Practice | Springett Mackay Architecture |
Kirsteen Mackay is a British and Australian architect, who is the South Australian Government Architect.
She is a registered architect in the United Kingdom and South Australia.
Mackay studied architecture at the Glasgow School of Art and completed her post-graduate degree in design at the Royal College of Art in London. She has 15 years experience in private practice, such as Marks Barfield Architects, and was former Head of the Design Review at the UK's Commission for Architecture and the Built Environment (CABE) for four years. Mackay was also a director of her own architecture firm Springett Mackay Architecture.
She was associate government architect in the Office for Design and Architecture SA (ODASA). In November 2014 she was appointed Acting Government Architect and Acting Manager, Architecture and Built Environment.
In July 2015 Mackay was appointed the South Australian Government Architect. In this role she leads the Architecture and Built Environment Directorate of the SA Department of Planning Transport and Infrastructure, along with the SA Design Review program. [1] [2] [3]
The Art Gallery of New South Wales (AGNSW), founded as the New South Wales Academy of Art in 1872 and known as the National Art Gallery of New South Wales between 1883 and 1958, is located in The Domain, Sydney, Australia. It is the most important public gallery in Sydney and one of the largest in Australia.
The Museum of Contemporary Art Australia (MCA), located on George Street in Sydney's The Rocks neighbourhood, is solely dedicated to exhibiting, interpreting and collecting contemporary art, from across Australia and around the world. It is the only contemporary art museum in Australia with a permanent collection. The museum is housed in the Stripped Classical/Art Deco-styled former Maritime Services Board Building on the western side of Circular Quay. A modern wing was added in 2012.
Justine Clark is an architectural editor, writer, speaker and researcher, based in Melbourne, Australia. She is the editor of Parlour, a former editor of Architecture Australia, and co-author of Looking for the Local: Architecture and the New Zealand Modern.
The New South Wales Government Architect, an appointed officer of the Government of New South Wales, serves as the General Manager of the Government Architect's Office (GAO), a multi-disciplinary consultancy operating on commercial principles providing architecture, design, and engineering services, that is an agency of the government within NSW Public Works.
Adelaide Festival Centre, Australia's first multi-purpose arts centre and the home of South Australia's performing arts, was built in the 1970s, designed by Hassell Architects. The Festival Theatre opened in June 1973 with the rest of the centre following soon afterwards. The complex includes Festival Theatre, Dunstan Playhouse, Space Theatre and several gallery and function spaces. Located approximately 50 metres (160 ft) north of the corner of North Terrace and King William Road, lying near the banks of the River Torrens and adjacent to Elder Park, it is distinguished by its two white geometric dome roofs, and lies on a 45-degree angle to the city's grid.
Architecture of Australia has generally been consistent with architectural trends in the wider Western world, with some special adaptations to compensate for distinctive Australian climatic and cultural factors. Indigenous Australians produced a wide range of structures and places prior to colonisation. Contemporary Indigenous practitioners are active in a broad range of built environment fields. During Australia's early Western history, it was a collection of British colonies in which architectural styles were strongly influenced by British designs. However, the unique climate of Australia necessitated adaptations, and 20th-century trends reflected the increasing influence of American urban designs and a diversification of the cultural tastes and requirements of an increasingly multicultural Australian society.
Elizabeth Margaret Farrelly, is a Sydney-based author, architecture critic, essayist, columnist and speaker who was born in New Zealand but later became an Australian citizen. She has contributed to current debates about aesthetics and ethics; design, public art and architecture; urban and natural environments; society and politics, including criticism of the treatment of Julian Assange. Profiles of her have appeared in the New Zealand Architect, Urbis, The Australian Financial Review, the Australian Architectural Review, and Australian Geographic.
Brinda Somaya is an Indian architect and urban conservationist.
Women in architecture have been documented for many centuries, as professional practitioners, educators and clients. Since architecture became organized as a profession in 1857, the number of women in architecture has been low. At the end of the 19th century, starting in Finland, certain schools of architecture in Europe began to admit women to their programmes of study. In 1980 M. Rosaria Piomelli, born in Italy, became the first woman to hold a deanship of any school of architecture in the United States, as Dean of the City College of New York School of Architecture. However, only in recent years have women begun to achieve wider recognition with several outstanding participants including five Pritzker prizewinners since the turn of the millennium.
Shelley Jane Penn is a Melbourne-based award-winning architect, educator, urbanist and built environment advocate.
Professor Helen Lochhead is an Australian architect, urbanist and Dean of the Faculty of Built Environment at UNSW Sydney. She is also the 2019 President of the Australian Institute of Architects.
Beatrice May Hutton (1893–1990), also known as Bea Hutton was an Australian architect. On 30 October 1916, she became the first female to be accepted into an institute of architects in Australia. This followed the rejection of earlier female applicants, including Florence Taylor in 1907, on the grounds of being female.
Abbie Galvin is the 24th NSW Government Architect. Formerly a Principal of Australian architecture, urban design and interior design practice BVN Architecture. She is a registered Architect in NSW, Victoria, ACT and SA and is also a member of the Australian Architecture Association.
Jillian Meredith Garner is an Australian architect. She is a principal of Garner Davis Architects and in 2015 became the Victorian Government Architect.
Penelope Seidler AM is an Australian architect, former member of National Gallery of Australia Council, and current member of the NGA Foundation Board. She is also an accountant and director of the Sydney-based architectural firm Harry Seidler and associates. She was the wife and professional partner of architect Harry Seidler. She was the subject of the 2014 Archibald prize winning portrait by Fiona Lowry.
Karen Burns is an architectural historian and theorist based in Melbourne, Australia. She is currently a senior lecturer in architecture at the Melbourne School of Design, University of Melbourne.
Naomi Stead is an architectural academic, scholar and critic, based in Melbourne, Australia. She is currently the Head of the Architecture Department at Monash University Faculty of Art Design & Architecture, Australia.
Sadie Anna Morgan is an English designer. In 1995 she founded dRMM, the RIBA Stirling Prize winning architecture practice, with Alex de Rijke and Philip Marsh.
Emma Appleton is an Australian landscape architect and urban designer notable for her contributions to urban planning and development. She is the Director of City Strategy at the City of Melbourne, Victoria.
Sarah Lynn Rees is a Palawa woman descending from the Plangermaireener and Trawlwoolway people of North East Tasmania, Based in Birrarung-ga (Melbourne), Rees is an architectural practitioner, academic and writer. She is a prominent advocate and advisor with a firm commitment to Indigenising the built environment.