Kirsten Saxton

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Kirsten Saxton
Kirsten Saxton.jpg
Kirsten Saxton
OccupationProfessor of English at Mills College, author.
LanguageEnglish
Alma mater University of California, Davis and Mills College
Genre18th Century Studies

Kirsten Saxton is a professor of English at Mills College [1] in Oakland, California where she is also the director of the MA of English.

Contents

Career

Saxton writes about 18th century literature and culture, early British women writers, and the history of the novel in English, focusing on intersections between literature, criminality and sexuality in relation to gender.

Recently, Saxton wrote the scholarly introduction to the British Library re-issue of the detective novel The Incredible Crime by Lois Austin-Leigh which had been out of print since 1931. [2]

Saxton's Narratives of Women and Murder in England was cited as a "compelling and provocative study ... to be welcomed for the light it begins to shed on one of our enduring objects of cultural fascination." [3] (Devereaux, 2010)

In 2000, Saxton co-edited with Rebecca P. Bocchicchio, a volume of essays on the work of Eliza Haywood which was hailed as marking a "pivotal moment in Haywood scholarship" (Merritt, 2001). [4]

Saxton is an editor for ABO: Interactive Journal for Women in the Arts, 1640-1830, [5] and is currently co-chair of the National Women’s Caucus of the American Society for Eighteenth-Century Studies.

Publications

Selected awards

Teaching

Selected research fellowships

Related Research Articles

<span class="mw-page-title-main">Jane Austen</span> English novelist (1775–1817)

Jane Austen was an English novelist known primarily for her six novels, which implicitly interpret, critique, and comment upon the British landed gentry at the end of the 18th century. Austen's plots often explore the dependence of women on marriage for the pursuit of favourable social standing and economic security. Her works are an implicit critique of the novels of sensibility of the second half of the 18th century and are part of the transition to 19th-century literary realism. Her deft use of social commentary, realism and biting irony have earned her acclaim among critics and scholars.

<span class="mw-page-title-main">Frances Brooke</span> English author of first Canadian novel (1724–1789)

Frances Brooke was an English novelist, essayist, playwright and translator. Hers was the first English novel known to have been written in Canada.

<span class="mw-page-title-main">Eliza Haywood</span> English novelist and painter (c. 1693 – 1756)

Eliza Haywood, born Elizabeth Fowler, was an English writer, actress and publisher. An increase in interest and recognition of Haywood's literary works began in the 1980s. Described as "prolific even by the standards of a prolific age", Haywood wrote and published over 70 works in her lifetime, including fiction, drama, translations, poetry, conduct literature and periodicals. Haywood today is studied primarily as one of the 18th-century founders of the novel in English.

<i>Love in Excess; or, The Fatal Enquiry</i>

Love in Excess (1719–1720) is Eliza Haywood's best known novel. It details the amorous escapades of Count D'Elmont, a rake who becomes reformed over the course of the novel. Love in Excess was a huge bestseller in its time, going through multiple reissues in the four years following its initial publication. It was once compared in terms of book sales with Gulliver's Travels and Robinson Crusoe. This information was later shown to be incorrect; the novel selling only about 6000 copies over 23 years.

John Trenchard was an English writer and Commonwealthman.

Janet Margaret Todd is a British academic and author. She was educated at Cambridge University and the University of Florida, where she undertook a doctorate on the poet John Clare. Much of her work concerns Mary Wollstonecraft, Jane Austen, and their circles.

The academic discipline of women's writing is a discrete area of literary studies which is based on the notion that the experience of women, historically, has been shaped by their sex, and so women writers by definition are a group worthy of separate study: "Their texts emerge from and intervene in conditions usually very different from those which produced most writing by men." It is not a question of the subject matter or political stance of a particular author, but of her sex, i.e. her position as a woman within the literary world.

Robert J. H. Morrison is a Canadian author, editor, and academic. He is British Academy Global Professor at Bath Spa University and Queen's National Scholar at Queen's University, Kingston, Ontario. A scholar of late eighteenth- and nineteenth-century literature and culture, he is particularly interested in the Regency years (1811–1820), Blackwood's Edinburgh Magazine, Jane Austen, and Thomas De Quincey.

The History of the Nun, or The Fair Vow Breaker, is a novella by Aphra Behn published in 1689. It is a piece of amatory fiction.

<span class="mw-page-title-main">Chawton House</span> Country house in Chawton, Hampshire, England

Chawton House is a Grade II* listed Elizabethan manor house in Hampshire. It is run as a historic property and also houses the research library of The Centre for the Study of Early Women's Writing, 1600–1830, using the building's connection with the English novelist Jane Austen.

<i>The Anti-Pamela; or, Feignd Innocence Detected</i>

The Anti-Pamela; or Feign'd Innocence Detected is a 1741 novel written by Eliza Haywood as a satire of the 1740 novel Pamela; or, Virtue Rewarded by Samuel Richardson. It has also been presented with the subtitle "Mock-Modesty Display'd and Punish'd."

<i>Fantomina</i>

Fantomina; or, Love in a Maze is a novel by Eliza Haywood published in 1725. In it, the protagonist disguises herself as four different women in her efforts to understand how a man may interact with each individual persona. Part of the tradition of amatory fiction is to rewrite the story of the persecuted maiden into a story of feminine power and sexual desire.

Edward Kimber (1719–1769) was an English novelist, journalist and compiler of reference works.

<span class="mw-page-title-main">Novel of circulation</span> Type of narrative work centered around an objects use over time

The novel of circulation, otherwise known as the it-narrative, or object narrative, is a genre of novel common at one time in British literature, and follows the fortunes of an object, for example a coin, that is passed around between different owners. Sometimes, instead, it involves a pet or other domestic animal, as for example in Francis Coventry's The History of Pompey the Little (1751). This and other such works blended satire with the interest for contemporary readers of a roman à clef. They also use objects such as hackney-carriages and bank-notes to interrogate what it meant to live in an increasingly mobile society, and to consider the effect of circulation on human relations.

<span class="mw-page-title-main">Henry Thomas Austen</span> Brother of Jane Austen

Henry Thomas Austen was a militia officer, clergyman, banker and the brother of the novelist Jane Austen. He died in 1850 and was buried in Woodbury Park Cemetery, Tunbridge Wells.

<i>The Female Spectator</i> Defunct women periodical

The Female Spectator, published by Eliza Haywood between 1744 and 1746, is generally considered to be the first periodical in English written by women for women.

Medea is a 1730 play by the British writer Charles Johnson. It is about Medea from Greek mythology and based on the play Medea by Euripides.

Briallen Hopper is an American writer and literature scholar. She is the author of the collection Hard to Love: Essays and Confessions, published February 5, 2019. Hopper is an assistant professor in the English department of Queens College, City University of New York, where she teaches writing.

Rosalind Ballaster is a scholar of 18th-century literature and a specialist in Georgian theatre. A Professor at Mansfield College, Oxford, she is a winner of the British Academy's Rose Mary Crawshay Prize for 2006.

References

  1. "Dr. Kirsten T. Saxton" (PDF). Mills College. Retrieved 30 March 2018.
  2. Flood, Alison (2015-05-29). "Crime novel by relative of Jane Austen back in print after 80 years". the Guardian. Retrieved 2018-03-31.
  3. Devereaux, Johanna (2010-09-01). "kirsten t. saxton.Narratives of Woman and Murder in England, 1680-1760: Deadly Plots". The Review of English Studies. 61 (251): 638–639. doi:10.1093/res/hgq046. ISSN   0034-6551.
  4. Merritt, Julliette (October 2001). "The Passionate Fictions of Eliza Haywood: Essays on Her Life and Work (review)". Eighteenth-Century Fiction. 14: 121–124. doi:10.1353/ecf.2001.0019. S2CID   162304659.
  5. "Editorial Board | ABO: Interactive Journal for Women in the Arts, 1640-1830 | English | University of South Florida". scholarcommons.usf.edu. Retrieved 2018-03-31.
  6. Lois, Austen-Leigh (July 2017). The incredible crime. Saxton, Kirsten T., 1965- (First U.S. trade paperback ed.). Scottsdale, AZ. ISBN   9781464207464. OCLC   961802592.{{cite book}}: CS1 maint: location missing publisher (link)
  7. "Narratives of Women and Murder in England, 1680–1760". Taylor & Francis Group. Retrieved 30 March 2018.
  8. "Undergraduate Teaching Prize". The Southeastern American Society For Eighteenth-Century Studies. Retrieved 30 March 2018.
  9. "Mills College English Professor Kirsten Saxton Earns Teaching Prize | Mills College". www.mills.edu. Retrieved 2018-03-31.
  10. "Sarlo Awards | Berkeley Graduate Division". grad.berkeley.edu. Retrieved 2018-03-31.