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Dunia (Kiss Me Not on the Eyes) | |
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Directed by | Jocelyne Saab |
Screenplay by | Jocelyne Saab |
Produced by | Collection d’Artiste |
Starring | Hanan Tork Mohamed Mounir Aida Riad Fathi Abdel Wahab |
Cinematography | Jacques Bouquin |
Edited by | Claude Reznik |
Music by | Jean-Pierre Mas, Patrick Legonie |
Release date |
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Running time | 110' |
Countries | Egypt France Libya Morocco |
Dunia (English title: Kiss Me Not on the Eyes) is a 2005 Egyptian film directed by Jocelyne Saab and starring Hanan Tork and Mohamed Mounir. It premiered at the 2005 Cairo International Film Festival. [1]
Student of Sufi poetry and belly dance in Cairo, Dunia is looking for herself and wishes to become a professional dancer. During casting for a dance contest, she meets the illustrious and charming Dr Bechir, a Sufi thinker and writer. With him, Dunia will discover not only the pleasure of words through Sufi poetry, but also the pleasure of the senses. However, she will have to confront tradition, which destroyed her capacity to feel pleasure, in order to free her body and dance with her soul. [2]
Shortly before the Egyptian premiere, the film was banned by the authorities. Saab received death threats from fundamentalists. [2]
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Music has been an integral part of Egyptian culture since antiquity in Egypt. Egyptian music had a significant impact on the development of ancient Greek music, and via the Greeks it was important to early European music well into the Middle Ages. Due to the thousands of-years long dominance of Egypt over its neighbors, Egyptian culture, including music and musical instruments, was very influential in the surrounding regions; for instance, the instruments claimed in the Bible to have been played by the ancient Hebrews are all Egyptian instruments as established by Egyptian archaeology. Egyptian modern music is considered as a main core of Middle Eastern and Oriental music as it has a huge influence on the region due to the popularity and huge influence of Egyptian cinema and music industries, owing to the political influence Egypt has on its neighboring countries, as well as Egypt producing the most accomplished musicians and composers in the region, specially in the 20th century, a lot of them are of international stature. The tonal structure music in the East is defined by the maqamat, loosely similar to the Western modes, while the rhythm in the East is governed by the iqa'at, standard rhythmic modes formed by combinations of accented and unaccented beats and rests.
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