Kiva Simova | |
---|---|
Origin | Manitoba, Canada |
Genres | world beat, jazz/ pop/ experimental harmonic overtone singing |
Occupation(s) | singer, songwriter vocal instructor |
Instruments | vocals, keyboards |
Years active | 1978–present |
Labels | Yemyss Music (independent) |
Associated acts | Crash Test Dummies |
Kiva Simova is a Canadian harmonic overtone singer, keyboard player, and songwriter, based in Winnipeg, MB, Canada. She is internationally recognized as a western pioneer in world beat/jazz music, particularly the art of harmonic overtone singing (singing two pitches simultaneously) which she both performs, records and teaches. She has composed for overtone choir and directed her own such choir, AURALIA in Prague.
Kiva has released three solo CDs featuring original compositions and her own style of overtone singing and recorded albums with a diverse range of artists.
Kiva's solo recordings include 1998's 'The Ladder', featuring thirteen originals by Kiva, one song co-written with Gary Taylor and one cover of a Bob Fuhr/ Larry Hicock song. Her 2004 album 'Pulse' features ten originals, including co-writes with Rhys Fulber, Nii Tettey Tetteh, John Hudson, Jay Stoller and Jordan Hanson. The third album, 'The Quality of Light', released December 2013 (with artist name adjusted to 'Kiva Simova') contains ten originals. It features an improvised piece co-written with didgeridoo player Ondrej Smeykal.
A musical ensemble, also known as a music group or musical group, is a group of people who perform instrumental or vocal music, with the ensemble typically known by a distinct name. Some music ensembles consist solely of instruments, such as the jazz quartet or the orchestra. Some music ensembles consist solely of singers, such as choirs and doo wop groups. In both popular music and classical music, there are ensembles in which both instrumentalists and singers perform, such as the rock band or the Baroque chamber group for basso continuo and one or more singers. In classical music, trios or quartets either blend the sounds of musical instrument families or group together instruments from the same instrument family, such as string ensembles or wind ensembles. Some ensembles blend the sounds of a variety of instrument families, such as the orchestra, which uses a string section, brass instruments, woodwinds and percussion instruments, or the concert band, which uses brass, woodwinds and percussion.
A harmonic is any member of the harmonic series. The term is employed in various disciplines, including music, physics, acoustics, electronic power transmission, radio technology, and other fields. It is typically applied to repeating signals, such as sinusoidal waves. A harmonic of such a wave is a wave with a frequency that is a positive integer multiple of the frequency of the original wave, known as the fundamental frequency. The original wave is also called the 1st harmonic, the following harmonics are known as higher harmonics. As all harmonics are periodic at the fundamental frequency, the sum of harmonics is also periodic at that frequency. For example, if the fundamental frequency is 50 Hz, a common AC power supply frequency, the frequencies of the first three higher harmonics are 100 Hz, 150 Hz, 200 Hz and any addition of waves with these frequencies is periodic at 50 Hz.
An nth characteristic mode, for n > 1, will have nodes that are not vibrating. For example, the 3rd characteristic mode will have nodes at L and L, where L is the length of the string. In fact, each nth characteristic mode, for n not a multiple of 3, will not have nodes at these points. These other characteristic modes will be vibrating at the positions L and L. If the player gently touches one of these positions, then these other characteristic modes will be suppressed. The tonal harmonics from these other characteristic modes will then also be suppressed. Consequently, the tonal harmonics from the nth characteristic modes, where n is a multiple of 3, will be made relatively more prominent.
An overtone is any frequency greater than the fundamental frequency of a sound. In other words, overtones are higher pitches resulting from the lowest note or fundamental. While the fundamental is usually heard most prominently, overtones are actually present in any pitch except a true sine wave. The relative volume or amplitude of various overtone partials is one of the key identifying features of timbre, or the individual characteristic of a sound.
A bassline is the term used in many styles of music, such as jazz, blues, funk, dub and electronic, traditional music, or classical music for the low-pitched instrumental part or line played by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard.
In music, extended technique is unconventional, unorthodox, or non-traditional methods of singing or of playing musical instruments employed to obtain unusual sounds or timbres.
A rhythm section is a group of musicians within a music ensemble or band that provides the underlying rhythm, harmony and pulse of the accompaniment, providing a rhythmic and harmonic reference and "beat" for the rest of the band. The rhythm section is often contrasted with the roles of other musicians in the band, such as the lead guitarist or lead vocals whose primary job is to carry the melody.
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Pulse surges in wave after wave of sheer textural bliss as cascading walls of vocal fluency cry, swoon and surprise amid a subtle swell of jazz, pop, Klezmer, Celtic, Caribbean and Cajun trimmings.